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Der Streit Zwischen Phoebus Und Pan
(Swift, swift, you swirling winds), BWV 201, is a secular cantata by Johann Sebastian Bach, on a libretto by Picander (pen name of Christian Friedrich Henrici). It is a dramma per musica, likely composed for a public performance in 1729, around which time its oldest extant printed libretto was published. The text, titled (''The Contest between Phoebus and Pan''), is based on the " Ears of a Donkey" story in Ovid's ''Metamorphoses'', and mocks unsophisticated music in favour of a more intelligent composition style. The music is scored for SATTBB singers, and a baroque orchestra which includes trumpets, timpani, traversos, oboes, strings and continuo. The cantata has been recorded several times from the 1950s to the 21st century. History was likely composed for Leipzig's autumn fair of 1729, or, in that year, for a weekly concert outside the periods of Leipzig's fairs. Its oldest extant separately printed libretto, which can not be dated exactly, was published around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwerin Apollon
Schwerin (; Mecklenburgian Low German: ''Swerin''; Latin: ''Suerina'', ''Suerinum'') is the capital and second-largest city of the northeastern German state of Mecklenburg-Vorpommern as well as of the region of Mecklenburg, after Rostock. It has around 96,000 inhabitants, and is thus the least populous of all German state capitals. Schwerin is located on the southwestern shore of Lake Schwerin (''Schweriner See''), the second-largest lake of the Mecklenburg Lake Plateau after the Müritz, and there are eleven other lakes within Schwerin's city limits. The city is surrounded by the district of Northwestern Mecklenburg to the north, and the district of Ludwigslust-Parchim to the south. Schwerin and the two surrounding districts form the eastern outskirts of the Hamburg Metropolitan Region. The name of the city is of Slavic origin, deriving from the root "zvěŕ" (''wild animal'') or "zvěŕin" ('' game reserve'', ''animal garden'', '' stud farm''). Schwerin was first me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiberg
Freiberg is a university and former mining town in Saxony, Germany. It is a so-called ''Große Kreisstadt'' (large county town) and the administrative centre of Mittelsachsen district. Its historic town centre has been placed under heritage conservation and is a part of the UNESCO World Heritage Site known as the Ore Mountain Mining Region, due to its exceptional testimony to the development of mining techniques across many centuries. Until 1969, the town was dominated for around 800 years by the mining and smelting industries. In recent decades it has restructured into a high technology site in the fields of semiconductor manufacture and solar technology, part of Silicon Saxony. It is home of the oldest university of mining and metallurgy in the world – the Freiberg University of Mining and Technology. Geography Location The town lies on the northern declivity of the Ore Mountains, with the majority of the borough west of the Eastern or Freiberger Mulde river. Parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Doles
Johann Friedrich Doles (23 April 1715 – 8 February 1797) was a German composer and pupil of Johann Sebastian Bach. Doles was born in Steinbach-Hallenberg. He attended the University of Leipzig. He was Kantor at the Leipzig Thomasschule, conducting the Thomanerchor from 1756 to 1789; in that year (1789) he directed the performance of Bach's motet ''Singet dem Herrn ein neues Lied'' that reportedly made a deep impression on Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra .... Doles wrote a manuscript treatise on singing which may preserve some elements of Bach's own methods. References *''Oxford Composer Companions, J.S. Bach'' (1999), p. 140 External links * * 1715 births 1797 deaths People from Steinbach-Hallenberg German Classical-period composers German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Friedrich Bach
Johann Christoph Friedrich Bach (21 June 1732 – 26 January 1795) was a harpsichordist and composer, the fifth son of Johann Sebastian Bach, sometimes referred to as the "Bückeburg Bach". Born in Leipzig in the Electorate of Saxony, he was taught music by his father, and also tutored by his distant cousin . He studied at the St. Thomas School, and some believe he studied law at the university there, but there is no record of this. In 1750, William, Count of Schaumburg-Lippe appointed Johann Christoph harpsichordist at Bückeburg, and in 1759, he became concertmaster. While there, Bach collaborated with Johann Gottfried Herder, who provided the texts for six vocal works; the music survives for only four of these. Bach wrote keyboard sonatas, symphonies, oratorios, liturgical choir pieces and motets, operas and songs. Because of Count Wilhelm's predilection for Italian music, Bach had to adapt his style accordingly, but he retained stylistic traits of the music of his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Joseph Haydn, Haydn and Wolfgang Amadeus Mozart, Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian Bach, Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst-Schertzhaffte Und Satyrische Gedichte
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He studied law at Wittenberg and Leipzig. He wrote to supplement his income from tutoring and continued even after obtaining regular employment as a civil servant. Librettist for Johann Sebastian Bach Bach moved to Leipzig in 1723. There is uncertainty as to who was writing the libretti he set during his first years in the city. The authors of the libretti for the Chorale cantata cycle of 1724/25 are anonymous. By 1725, Henrici and Bach were working together. Some of Bach's most important works used Henrici's libretti. Most notably their collaboration was on religious works in a Lutheran tradition such as the ''St Matthew Passion'' (BWV 244). However, they also produced secular works such as the ''Shepherds' Cantata'' of 1725 and the later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the from which he graduated in 1896. Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, ''Geschichte des Instrumentalkonzertes bei Antonio Vivaldi'') and this work was influential in resurrecting the music of this composer. Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, pages 6.084–6.086. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Scheibe
Johann Adolph Scheibe (5 May 1708 – 22 April 1776) was a German-Danish composer and significant critic and theorist of music. Though much of his theoretical work survives, most of his compositions are lost, though the extant ones demonstrate a style between the Baroque and Classical periods. Life Johann Adolf Scheibe was born in Leipzig as the son of Johann Scheibe (c. 1675 – 1748), an organ builder, and started keyboard lessons at the age of six. In 1725, he began studying law and philosophy at Leipzig University, and in the course of his studies he encountered the professor of rhetoric and poetry Johann Christoph Gottsched, whose aesthetic theories deeply influenced Scheibe. Gottsched's writings, which were primarily targeted toward the reform of German poetry and drama, greatly informed Scheibe's formulation of his philosophy of music. Due to financial difficulties, Scheibe was unable to finish his university studies, and devoted himself instead to a largely self-taught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Musicum
The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century. Generally, while societies such as the (chorale) cultivated vocal music for church performance and the convivium musicum discussed musical philosophy over a banquet, the collegia musica performed both vocal and instrumental music for pleasure; they focused on instrumental music as it rose in stature during the Baroque era. Though closed amateur societies in concept, collegia frequently included professionals to fill out the music and admitted non-members to performances. Moreover, they often provided music for church, state, and academic occasions and gained the patronage of leading citizens. From the 1660s, their functions largely constituted the beginnings of public concert life in Germany. Leipzig Leipzig collegia musica, consisting mostly of university students, enjoyed a succession of part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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