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Johann Adolph Scheibe (5 May 1708 – 22 April 1776) was a German-Danish composer and significant critic and theorist of music. Though much of his theoretical work survives, most of his compositions are lost, though the extant ones demonstrate a style between the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
and Classical periods.


Life

Johann Adolf Scheibe was born in
Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...
as the son of Johann Scheibe (c. 1675 – 1748), an organ builder, and started keyboard lessons at the age of six. In 1725, he began studying law and philosophy at
Leipzig University Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December ...
, and in the course of his studies he encountered the professor of rhetoric and poetry
Johann Christoph Gottsched Johann Christoph Gottsched (2 February 1700 – 12 December 1766) was a German philosopher, author and critic of the Enlightenment. Biography Early life He was born at Juditten (Mendeleyevo) near Königsberg (Kaliningrad), Brandenburg-Pru ...
, whose aesthetic theories deeply influenced Scheibe. Gottsched's writings, which were primarily targeted toward the reform of German poetry and drama, greatly informed Scheibe's formulation of his philosophy of music. Due to financial difficulties, Scheibe was unable to finish his university studies, and devoted himself instead to a largely self-taught career in music. In 1729 he applied unsuccessfully for the post of organist at
St. Thomas Church, Leipzig , native_name_lang = , image = Leipzig Thomaskirche.jpg , imagelink = , imagealt = , caption = , pushpin map = , pushpin label position = , pushpin map alt ...
, where
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
was the
cantor A cantor or chanter is a person who leads people in singing or sometimes in prayer. In formal Jewish worship, a cantor is a person who sings solo verses or passages to which the choir or congregation responds. In Judaism, a cantor sings and lead ...
. Scheibe was active in the musical scene of Leipzig until 1735. In 1736, he moved to Hamburg where he made influential friends including
Johann Mattheson Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education ...
and
Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
. Encouraged by both, Scheibe published the magazine "Der Critische Musikus" between 1737 and 1740. The magazine received widespread attention and remains significant today for its discussion of significant contemporary composers. In 1739, Margrave Friedrich Ernst of Brandenburg-Culmbach named Scheibe his ''
kapellmeister (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
.'' The next year, upon the invitation of the Margrave's sister, the
Danish Danish may refer to: * Something of, from, or related to the country of Denmark People * A national or citizen of Denmark, also called a "Dane," see Demographics of Denmark * Culture of Denmark * Danish people or Danes, people with a Danish a ...
queen Sophie Magdalene, he became ''kapellmeister'' at the court of King
Christian VI of Denmark Christian VI (30 November 1699 – 6 August 1746) was King of Denmark and Norway from 1730 to 1746. The eldest surviving son of Frederick IV and Louise of Mecklenburg-Güstrow, he is considered one of Denmark-Norway's more anonymous kings, bu ...
. Scheibe rapidly became the most significant musical figure in
Copenhagen Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper population of around 815.000 in the last quarter of 2022; and some 1.370,000 in the urban area; and the wider Copenhagen metropolitan ar ...
. He led the royal orchestra, composed vocal and instrumental music, and was a driving force in the foundation of the first musical society, "Det Musikalske Societet", which held public concerts between 1744 and 1749. After the king's death in 1746, his successor
Frederick V Frederick V or Friedrich V may refer to: * Frederick V, Duke of Swabia (1164–1170) *Frederick V, Count of Zollern (d.1289) *Frederick V, Burgrave of Nuremberg (c. 1333–1398), German noble *Frederick V of Austria (1415–1493), or Frederick III ...
affected a move away from the
pietism Pietism (), also known as Pietistic Lutheranism, is a movement within Lutheranism that combines its emphasis on biblical doctrine with an emphasis on individual piety and living a holy Christian life, including a social concern for the needy and ...
of the previous monarchs. Theatre and opera were once again allowed, and the
Royal Danish Theatre The Royal Danish Theatre (RDT, Danish: ') is both the national Danish performing arts institution and a name used to refer to its old purpose-built venue from 1874 located on Kongens Nytorv in Copenhagen. The theatre was founded in 1748, first ser ...
opened in 1749. Musical taste turned to Italian opera and French comic opera. Scheibe was strongly opposed to this new style, and his employment was terminated in 1748. His replacement was Paolo Scalabrini. Scheibe moved to
Sønderborg (; german: Sonderburg ) is a Danish town in the Region of Southern Denmark. It is the main town and the administrative seat of Sønderborg Municipality (Kommune). The town has a population of 27,766 (1 January 2022),

Literary work

Scheibe a biography of Baron
Ludvig Holberg Ludvig Holberg, Baron of Holberg (3 December 1684 – 28 January 1754) was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano-Norwegian dual monarchy. He was influenced by Humanism, ...
, whose works on natural and common law remained significant for 200 years. He published a collected edition of the "Critische Musikus" in 1745. His other large works are the "Treatise on the Age and Origin of Music" (1754) and "On Musical Composition" (1773).


Commentary on his contemporaries

Scheibe held
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
and
Georg Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
as the finest composers of keyboard music, citing structure and ornamentation as of primary importance. He considered Bach to be the finest contemporary player of the organ, harpsichord and clavichord, incomparable to all except Handel. Bach's Italian Concerto (BWV 971), published in 1735, was for Scheibe a perfect example of a well-constructed concerto. Scheibe's often-quoted objections to the music of Bach derive from an anonymous letter from 1737 in the ''Critischer Musikus''. Scheibe blamed Bach's music for being "bombastic". Johann Abraham Birnbaum, a professor in rhetoric at Leipzig, defended Bach on that occasion. The quarrel between Scheibe and Birnbaum was a very long and significant one. According to Scheibe Bach's music was artificial and confusing in style, and the notation of such elaborate ornaments (rather than leaving ornamentation to the performer, as was customary) obscured the melody and harmony. Rather than a clear division between melody and accompaniment, Bach made all voices equal in his brand of polyphony, which Scheibe felt made the music overloaded, unnatural and oppressed. In
Albert Schweitzer Ludwig Philipp Albert Schweitzer (; 14 January 1875 – 4 September 1965) was an Alsatian-German/French polymath. He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. A Lutheran minister, Schwei ...
's famous book on Bach, Schweitzer describes Scheibe as the literary champion of a distinctively German style of music, one that would break away from the Italian models. The Italian influence was toward artifice and complexity. The German impulse was toward naturalness and simplicity, to Scheibe's way of thinking. This theory made it "impossible for him to do justice to Bach," Schweitzer wrote. Bach was much too complicated, and thus too Italian, for his taste. Although of course acknowledging Bach's talents, he did conclude that Bach, tragically, had fallen "from the natural to the artificial, and from the lofty to the obscure ... one wonders at the painful labor of it all, that nevertheless comes to nothing, since it is at variance with reason." This led to an exchange between Scheibe and Johann Abraham Birnbaum (1702–1748), an admirer of Bach and professor of rhetoric at the University of Leipzig. The exchange did Bach's reputation some good, because Scheibe's prickly tone "everywhere stimulated sympathy for Bach." Scheibe believed that musical talent was inborn, and that the musician could express emotions only by subjecting himself to their influence by the force of his imagination. In numerous published treatises and essays, Scheibe explored the nature of taste, melody, expression, and musical invention, and defended a nationalist conception of musical style. His theories, which were advanced for his time, were based on rational principles, purity of expression, the imitation of nature, and the application of the rhetorical arts to the processes of musical creation.


Musical works

Scheibe composed concertos, sinfonias, sonatas, suites, partitas and incidental music. His vocal music includes operas, cantatas, oratorios, chorales, mass sections, songs and odes.


See also

*
List of Danish composers A list of notable Danish composers: __NOTOC__ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A * Thorvald Aagaard *Truid Aagesen * David Abell * Hans Abrahamsen *Aksel Agerby * Harald Agersnap * Georg Frederik Ferd ...


References

*''This article was initially translated from the Danish Wikipedia.''


Further reading

*


External links

*
Thematic catalogue of J.A. Scheibe's works
by th
Danish Centre for Music Editing, Royal Danish Library
{{DEFAULTSORT:Scheibe, Johann Danish Baroque composers Danish classical composers Danish male classical composers Danish music critics Danish music theorists Danish Freemasons 1708 births 1776 deaths 18th-century classical composers 18th-century male musicians