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Der Evangelimann
''Der Evangelimann'' (''The Evangelist'') is an opera in two acts by the Austrian composer Wilhelm Kienzl. The libretto, by the composer, is based on short story "". It was adapted in 1924 as a silent film '' The Evangelist''. Composition history Kienzl composed the opera in a relatively short space of time during 1894 in Graz and in the little Austrian town of Vöcklabruck. When he played extracts from the score to conductor Karl Muck and Count (then artistic director of the Berlin Opera), they immediately secured the rights to the premiere. The score was published by Bote & Bock Berlin, now part of Boosey & Hawkes. Performance history The opera was first performed at the on 4 May 1895. It was a triumphant success. Within only a few years most German and Austrian opera houses had the work in their repertory. Famous conductors such as Felix Mottl, Gustav Mahler, Franz Schalk and Richard Strauss gave it their support, and the title role of the Evangelist Mathias was sung by p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Kienzl EB Portrait , the Dutch national anthem
{{Disambiguation ...
Wilhelm may refer to: People and fictional characters * William Charles John Pitcher, costume designer known professionally as "Wilhelm" * Wilhelm (name), a list of people and fictional characters with the given name or surname Other uses * Mount Wilhelm, the highest mountain in Papua New Guinea * Wilhelm Archipelago, Antarctica * Wilhelm (crater), a lunar crater See also * Wilhelm scream, a stock sound effect * SS ''Kaiser Wilhelm II'', or USS ''Agamemnon'', a German steam ship * Wilhelmus "Wilhelmus van Nassouwe", usually known just as "Wilhelmus" ( nl, Het Wilhelmus, italic=no; ; English translation: "The William"), is the national anthem of both the Netherlands and the Kingdom of the Netherlands. It dates back to at least 1572 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bella Paalen
Bella Paalen, real name Isabella Pollak (9 July or 9 DecemberWilhelm Kosch (ed.): ''Deutsches Theaterlexikon''. Vol. II. Hurka–Pallenberg De Gruyter, Berlin, January 1971. p. 1722. (retrieved via De Gruyter Online) 1881 – 28 July 1964) was an Austrian-American operatic soprano of Hungarian origin. She was engaged for 31 years at the Vienna State Opera, k.-k. Hofoper in Vienna, later the State Opera, was appointed Kammersängerin there in 1933 and had to leave the country after the Anschluss because of her Jewish origins. Life and career Born in Pásztó, Austria-Hungary, Paalen was the daughter of Ernst Pollak (1851–1935) and Laura Pollak ''née'' Jamnitz (1858–1935). The father came from Jungbunzlau, the mother from Vienna where her two brothers (1883–1971) and Otto Friedrich Pollak (1885–1915) were born. Paalen's second brother and her parents also died in Vienna. In 1912, her brother Benno Fred changed his family name to Dolbin. She studied singing with Rosa Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lothar Zagrosek
Lothar Zagrosek (born 13 November 1942 in Otting, Germany) is a German conductor. As a youth, he sang in the Regensburg Cathedral choir, including performances as the First Boy in ''The Magic Flute'' at the 1954 Salzburg Festival. From 1962 to 1967, Zagrosek studied conducting with Hans Swarowsky, István Kertész, Bruno Maderna and Herbert von Karajan. Zagrosek was chief conductor of the Vienna Radio Symphony Orchestra from 1982 to 1986. He was principal guest conductor of the BBC Symphony Orchestra from 1985 to 1988. Between 1990 and 1992, he conducted regularly at the Leipzig Opera. In 1995, he became principal guest conductor of the Junge Deutsche Philharmonie. From 1997 to 2006, he was chief conductor at the Württemberg opera house in Stuttgart. From 2006 to 2011, he was chief conductor of the Konzerthausorchester Berlin, the former Berlin Symphony Orchestra (''Berliner Sinfonie-Orchester''). Selected recordings Among Zagrosek's commercial recordings are several issues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Classics
EMI Classics was a record label founded by Thorn EMI in 1990 to reduce the need to create country-specific packaging and catalogues for internationally distributed classical music releases. After Thorn EMI demerged in 1996, its recorded music division became the EMI Group. Following the European Commission's approval of the takeover of EMI Group by Universal Music in September 2012, EMI Classics was listed for divestment. The label was sold to Warner Music Group, which absorbed EMI Classics into Warner Classics in 2013. Classical recordings were formerly simultaneously released under combinations of Angel, Seraphim, Odeon, Columbia, His Master's Voice, and other labels, in part because competitors own these names in various countries. These were moved under the EMI Classics umbrella to avoid the trademark problems. Prior to this, compact discs distributed globally bore the Angel Records recording angel logo that EMI owned globally. Releases created for distribution in spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Bachmann
Carl Hermann Bachmann (7 October 1864 – 5 July 1937) was a German operatic baritone, opera director and singing teacher. Life Born in Cottbus, Bachmann, who initially became a merchant, took singing lessons with Gustav Schmidt in Berlin. He made his debut as a singer in 1890 at the Stadttheater in Halle an der Saale, where he remained until 1894. From 1894 to 1897, he worked at the Nuremberg City Theatre. From 1897 to 1918, he joined the Berlin Court Opera, where he also worked as a director from 1910. Later he worked as a singing teacher. Bachmann died in Berlin at the age of 72. on '''' Footnotes References |
Julius Lieban
Julius Lieban (19 February 1857 – 1 February 1940) was an Austro-German operatic tenor. Life Lieban was born as the son of a hazzan in Břeclav and learned to play the violin from Roma in his youth. Later he attended the conservatory of the Gesellschaft der Musikfreunde, studied singing with Josef Gänsbacher and came to the local theatre as a violinist. Afterwards he sang at the Stadttheater in Leipzig and at the Komische Oper in Vienna as opera buffa. In 1881 he took part in the Wagner tour of Angelo Neumann and later sang at the Bayreuth Festival. From 1883 he was member of the Staatsoper Unter den Linden as ; later he also sang at the newly founded Deutsche Oper Berlin in Charlottenburg. In 1908 Lieban was appointed Kammersänger. Still in 1933 he sang the Mime at the State Opera at the age of 70. He was successfully engaged for guest performances at many great opera stages all over Europe. His last engagements in Berlin were as a singing teacher. He was married to the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Bulß
Paul Bulß (19 December 1847 – 19 March 1902) was a German baritone, mostly in opera but also in concert and recital, who appeared at leading court opera houses including Dresden, Berlin and Vienna. He appeared in title roles such as Mozart's Don Giovanni, Marschner's Hans Heiling, Rossini's Barber and Wagner's Holländer. He created roles in several world premieres, such as in Kienzl's ''Der Evangelimann'' and ''Don Quixote''. Life Born in the Birkholz estate, Prignitz district in Brandenburg,"Paul Bulß" '''', 1892 Bulß, son of the manor's owner, was discovered by his singing teacher |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
