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Demofonte
''Demofonte'' (also ''Demofoonte''; ''Il Demofoonte''; ''Demofoonte, ré di Tracia'' ing of Thrace ''Démophon''; ''Demophontes''; or ''Dirce, L'usurpatore innocente'' irce, the Innocent Usurper is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times. General information *Title and title abbreviation: ''Demofoonte'' (Demof.) dramma per musica – dm *Volume and page number in the Brunelli edition of Metastasio's works: I, 635 *Text incipit of the first line of the work: ircea:"Credimi, o padre: ol tuo soverchio affetto" *Composer of first setting: Antonio Caldara *Place and date of first performance (or of completion): Vienna, Hoftheater, November 4, 1733 *Occasion for the first performance: Name-day of the Emperor Charles VI Other settings The libretto, written in 1731 or 1733, became immensely popular. By 1800 it had inspired at least 73 operas (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofonte (Berezovsky)
''Il Demofonte'', also: ''Demofonte'', ''Demofoonte'' or ''Demofont'' (Russian and Ukrainian: ''Демофонт'' or ''Демофон'') is an opera seria by the Ukrainian composer Maksym Berezovsky (1745–1777) composed in 1773 to an Italian libretto by Pietro Metastasio. The opera libretto ''Il Demofonte'' was written by Metastasio in 1731 (or 1733) and became immensely popular. By 1800 it had inspired at least 73 operas (according to the Encyclopaedia ''Musical St. Petersburg: The 18th Century'') The version by Maksym Berezovsky is especially important for music history as the first opera by a Russian as well as a Ukrainian composer. Creation and performance history Berezovsky worked on the opera during his 4-year stay in Italy. It was for a winter carnival in Livorno, where a Russian flotilla was anchored, written at the request of his patron, count Alexei Grigoryevich Orlov, the commander-in-chief of the Russian fleet. The opera was premiered in February 1773 and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maksym Berezovsky
Maxim Sozontovich Berezovsky (russian: Макси́м Созо́нтович Березо́вский , uk, Максим Созонтович Березовський, translit=Maksym Sozontovych Berezovskyi; (?) — 2 April 1777) was a composer, opera singer, bassist and violinist, who studied in Italy and worked at the St. Petersburg Court Chapel in the Russian Empire. He was one of the first Russian Imperial composers in the 18th century to be recognized throughout Europe and the first to compose an opera, symphony, and violin sonata. His most popular works are his sacred choral pieces written for the Orthodox Church. Much of his work has been lost; only three of the eighteen known choral concertos have been found. Dmitry Bortniansky was thought to be the first Russian Imperial symphonic composer until the discovery in 2002 of Berezovsky's Symphony in C by Steven Fox in the Vatican archives, composed around 1770 to 1772. Early life Not much is known about Maxim Berezovsk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Mysliveček, 1769)
''Demofoonte'' is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's first setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts two or more times over). This setting stays remarkably close to the original drama for its day (it was customary to alter Metastasian texts considerably so long after their original performances), but the role of Timante was augmented in order to highlight the talents of its interpreter, the distinguished male soprano Gaetano Guadagni. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Benedetto in Venice on 17 January 1769. It was very successful when it appeared. Indeed, the composer's first biographer, František Martin Pelcl, claimed that Venetian nobles stood in line outside of the theater to app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: '' Il pomo d'oro'', 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Pampani
Antonio Gaetano Pampani (c. 1705–1775) was a Venetian composer. He was chapel master to the conservatory of the Chiesa dell'Ospedaletto.The Quarterly musical magazine and review: Volume 6 Richard Mackenzie Bacon 1824 "Antonio Gaetano Pampani, of Roniagna, was chapel master during twenty years to the conservatory of L'Ospadaletto. At the opening of his musical career he promised much; but he soon adopted a noisy and violent style, so little consonant .." References {{DEFAULTSORT:Pampani, Antonio 1700s births 1775 deaths Year of birth uncertain Italian male composers 18th-century Italian composers 18th-century composers 18th-century Italian male musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles III Of Spain
it, Carlo Sebastiano di Borbone e Farnese , house = Bourbon-Anjou , father = Philip V of Spain , mother = Elisabeth Farnese , birth_date = 20 January 1716 , birth_place = Royal Alcazar of Madrid, Spain , death_date = , death_place = Royal Palace of Madrid, Spain , place of burial= El Escorial , religion = Roman Catholicism , signature = Autograph Charles III of Spain.svg Charles III (born Charles Sebastian; es, Carlos Sebastián; 20 January 1716 – 14 December 1788) was King of Spain (1759–1788). He also was Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII, and King of Sicily, as Charles V (1734–1759). He was the fifth son of Philip V of Spain, and the eldest son of Philip's second wife, Elisabeth Farnese. A proponent of enlightened absolutism and regalism, he succeeded to the Spanish throne on 10 August 1759, upon the death of his childless half-brother Ferdinand VI. In 1731, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Mysliveček, 1775)
''Demofoonte'' is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's second setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts dozens of times over). It was typical for subsequent setting of Metastasian dramas to incorporate significant alterations, and this setting retains the augmentation of the role of Timante that is found in the composer's first setting of this text. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Carlo in Naples on 20 January 1775, the birthday of king Charles III of Spain, the former ruler of the Kingdom of Naples whose birthday and nameday were still celebrated with operatic productions under the rule of his son Ferdinand. It was very successful at its premiere, to the point that the ''prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Mysliveček
Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence. Biography Mysliveček was born in Prague, one of twin sons of a prosperous mill owner, and studied philosophy at Charles-Ferdinand University before following in the footsteps of his father. No documentation exists to support claims that he was actually born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Mancini (composer)
Francesco Mancini (16 January 1672 – 22 September 1737) was a Neapolitan composer. Biography He was an important teacher and managed to obtain his greatest duty during Alessandro Scarlatti's absence from the Neapolitan court, between 1702 and 1708. In this period he was Director of the Conservatorio di S Maria di Loreto as well as being first organist and ''maestro'' of the Capella Reale. His assistant was Giuseppe Porsile. Works His works include 29 operas (including '' L’Idaspe fedele)'', sonatas, 7 serenatas, 12 oratorios and more than 200 secular cantatas in addition to assorted sacred music and a small amount of instrumental music. Today he is best known for his recorder Recorder or The Recorder may refer to: Newspapers * ''Indianapolis Recorder'', a weekly newspaper * ''The Recorder'' (Massachusetts newspaper), a daily newspaper published in Greenfield, Massachusetts, US * ''The Recorder'' (Port Pirie), a news ... sonatas. Recordings *''Missa Septimus'' SSATB 5'4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Metropolitan City of Naples, Its province-level municipality is the third-most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 3,115,320 residents, and Naples metropolitan area, its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
