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Dead History
Dead History is a typeface which explores combining structural elements of both geometric sans-serif and Didone serif typefaces. History The Dead history typeface was designed in 1990 by P. Scott Makela and is licensed by Emigre. While Makela studied in the design program at Cranbook, he used a digital process to create Dead History as opposed to Phototypesetting. With his computer, he combined elements of both the VAG Rounded and Bell Centennial Bell Centennial is a sans-serif typeface in the industrial or grotesque style designed by Matthew Carter in the period 1975–1978. The typeface was commissioned by AT&T as a proprietary type to replace their then current directory typeface B ... to create Dead History. The typeface went through a few more edits before being licensed by Emigre in 1994. In 2011, The Museum of Modern Art in New York added Dead History to its architecture and design collection. Characteristics Dead History’s strokes transition from unbrackete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emigre (type Foundry)
Emigre, Inc., doing business as Emigre Fonts, is a digital type foundry based in Berkeley, California, that was founded in 1985 by husband-and-wife team Rudy VanderLans and Zuzana Licko. The type foundry grew out of ''Emigre'' magazine, a publication founded by VanderLans and two Dutch friends who met in San Francisco, CA in 1984. Note that unlike the word ''émigré'', Emigre is officially spelled without accents. History Emigre Fonts was founded as an independent foundry in 1985 quickly following the release of the first issue of Emigre magazine in 1984. In a 2002 interview with Rhonda Rubinstein for Eye Magazine, Licko recalled the early days of her type design and the important relationship between the magazine and the foundry: “When I started building Macintosh bitmap fonts in 1984, it was a purely experimental endeavour. I didn’t have a client for these fonts, nor did I plan to start a type foundry. It was ''Emigre'' magazine that opened up these options. Rudy had st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didone (typography)
Didone () is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the nineteenth. It is characterized by: * Narrow and unbracketed (hairline) serifs. (The serifs have a nearly constant width along their length.) * Vertical orientation of weight axes. (The vertical strokes of letters are thick.) * Strong contrast between thick and thin lines. (Horizontal parts of letters are thin in comparison to the vertical parts.) * Some stroke endings show ball terminals. (Many lines end in a teardrop or circle shape, rather than a plain wedge-shaped serif.) * An unornamented, "modern" appearance. The term "Didone" is a 1954 coinage, part of the Vox-ATypI classification system. It amalgamates the surnames of the famous typefounders Firmin Didot and Giambattista Bodoni, whose efforts defined the style around the beginning of the nineteenth century. The category was known in the period of its greatest popularity as modern o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. Phototypesetting offered numerous advantages over metal type, including the lack of need to keep heavy metal type and matrices in stock, the ability to use a much wider rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VAG Rounded
''VAG Rundschrift'' or VAG Rounded (''Rundschrift'' is German for 'round typeface', short of ''abgerundete Schrift'', 'rounded typeface') is a geometric sans-serif typeface that was designed as a corporate typographic voice for the Volkswagen AG motor manufacturer. It resembles Futura, but features rounded terminals on all strokes. Volkswagen stopped using the VAG Rounded family in the early 1990s, and it is widely available today, licensed through Adobe Systems. History In 1964, Volkswagen AG bought Auto Union GmbH from Daimler Benz. The main active brand of Auto Union was DKW, but it was soon dropped by Volkswagen and replaced by Auto Union's dormant Audi brand. In the early 1970s, the dealer organizations of Volkswagen and Audi merged. In the following years, Volkswagen AG re-thought their future strategy. They envisioned buying several car companies to round out their offerings. They also envisioned selling a multitude of brands under giant dealer roofs. The new dealer organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Centennial
Bell Centennial is a sans-serif typeface in the industrial or grotesque style designed by Matthew Carter in the period 1975–1978. The typeface was commissioned by AT&T as a proprietary type to replace their then current directory typeface Bell Gothic on the occasion of AT&T's one hundredth anniversary. Carter was working for the Mergenthaler Linotype Company, which now licenses the face for general public use. Design AT&T's brief called for a typeface that would fit substantially more characters per line without loss of legibility, dramatically reducing the need for abbreviations and two-line entries, increase legibility at the smaller point sizes used in a telephone directory, and reduce consumption of paper. Bell Centennial was designed to address and overcome most of the limitations of telephone directory printing: poor reproduction due to high-speed printing on newsprint, and ink spread which decayed legibility as it closed up counterforms. Carter's design increased the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emigre Typefaces , a digital type foundry
{{disambiguation ...
Emigre may refer to: * Émigré, a person who has emigrated * ''Émigré'' (album), the debut solo studio album by Australian singer-songwriter Wendy Matthews * ''Emigre'' (magazine), a graphic design magazine * Emigre (type foundry) Emigre, Inc., doing business as Emigre Fonts, is a digital type foundry based in Berkeley, California, that was founded in 1985 by husband-and-wife team Rudy VanderLans and Zuzana Licko. The type foundry grew out of ''Emigre'' magazine, a public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typefaces And Fonts Introduced In 1990
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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