De Bérangier Au Lonc Cul
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De Bérangier Au Lonc Cul
''De Bérangier au lonc cul'' is a medieval French fabliau. There are two versions of the fabliau: one by Guèrin and one anonymous. Summary The story begins when a rich earl marries his daughter off to a young peasant and makes him a knight. For the first ten years of the marriage the knight lazes around, ignoring the code of chivalry. When his wife, tired of his lazy attitude, speaks of the greatness of the knights in her family, the husband decides to prove himself worthy. He dresses in armour and goes into the forest on horseback. Once in the forest, he hangs his shield on a tree and beats it until it looks as if it has been in a great battle. The knight returns to his wife, shows her his battered armour, and brags about his victories. After a few such trips, the wife begins to wonder why the knight himself is unscathed, unlike his armour. The next day, she suggests he take servants with him. When he refuses, the lady dresses in armour and follows him into the forest. When s ...
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Medieval French Literature
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages (particularly Old French and early Middle French) during the period from the eleventh century to the end of the fifteenth century. The material and cultural conditions in France and associated territories around the year 1100 unleashed what the scholar Charles Homer Haskins termed the " Renaissance of the 12th century" and, for over the next hundred years, writers, " jongleurs", "clercs" and poets produced a profusion of remarkable creative works in all genres. Although the dynastic struggles of the Hundred Years' War and the Black Death pandemic of the fourteenth century in many ways curtailed this creative production, the fifteenth century laid the groundwork for the French Renaissance. Language Up to roughly 1340, the Romance languages spoken in the Middle Ages in the northern half of what is today France are collectively known as "ancien français" ("Old French") ...
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Fabliau
A ''fabliau'' (; plural ''fabliaux'') is a comic, often anonymous tale written by jongleurs in northeast France between c. 1150 and 1400. They are generally characterized by sexual and scatological obscenity, and by a set of contrary attitudes—contrary to the church and to the nobility. Several of them were reworked by Giovanni Boccaccio for the ''Decameron'' and by Geoffrey Chaucer for his ''Canterbury Tales''. Some 150 French ''fabliaux'' are extant, the number depending on how narrowly ''fabliau'' is defined. According to R. Howard Bloch, ''fabliaux'' are the first expression of literary realism in Europe. Some nineteenth-century scholars, most notably Gaston Paris, argue that ''fabliaux'' originally came from the Orient and were brought to the West by returning crusaders. History and definition of the genre The ''fabliau'' is defined as a short narrative in (usually octosyllabic) verse, between 300 and 400 lines long,Cuddon 301. its content often comic or satiric.Abram ...
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Peasant
A peasant is a pre-industrial agricultural laborer or a farmer with limited land-ownership, especially one living in the Middle Ages under feudalism and paying rent, tax, fees, or services to a landlord. In Europe, three classes of peasants existed: slave, serf, and free tenant. Peasants might hold title to land either in fee simple or by any of several forms of land tenure, among them socage, quit-rent, leasehold, and copyhold. In some contexts, "peasant" has a pejorative meaning, even when referring to farm laborers. As early as in 13th-century Germany, the concept of "peasant" could imply "rustic" as well as "robber", as the English term villain/villein. In 21st-century English, the word "peasant" can mean "an ignorant, rude, or unsophisticated person". The word rose to renewed popularity in the 1940s–1960s as a collective term, often referring to rural populations of developing countries in general, as the "semantic successor to 'native', incorporating all its conde ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ...
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Chivalry
Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christianity, Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's ''Historia Regum Britanniae'', written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century. The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving mili ...
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Armour
Armour (British English) or armor (American English; see spelling differences) is a covering used to protect an object, individual, or vehicle from physical injury or damage, especially direct contact weapons or projectiles during combat, or from a potentially dangerous environment or activity (e.g. cycling, construction sites, etc.). Personal armour is used to protect soldiers and war animals. Vehicle armour is used on warships, armoured fighting vehicles, and some mostly ground attack combat aircraft. A second use of the term ''armour'' describes armoured forces, armoured weapons, and their role in combat. After the development of armoured warfare, tanks and mechanised infantry and their combat formations came to be referred to collectively as "armour". Etymology The word "armour" began to appear in the Middle Ages as a derivative of Old French. It is dated from 1297 as a "mail, defensive covering worn in combat". The word originates from the Old French , itself derived ...
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Jousting
Jousting is a martial game or hastilude between two horse riders wielding lances with blunted tips, often as part of a tournament (medieval), tournament. The primary aim was to replicate a clash of heavy cavalry, with each participant trying to strike the opponent while riding towards him at high speed, breaking the lance on the opponent's shield or jousting armour if possible, or unhorsing him. The joust became an iconic characteristic of the knight (stock character), knight in Romantic medievalism. The participants experience close to three and a quarter times their body weight in G-forces when the lances collide with their armour. The term is derived from Old French , ultimately from Latin "to approach, to meet". The word was loaned into Middle English around 1300, when jousting was a very popular sport among the Anglo-Normans, Anglo-Norman knighthood. The synonym tilt (as in tilting at windmills) dates . Jousting is based on the military use of the lance by heavy cavalry. ...
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Cowardice
Cowardice is a trait wherein excessive fear prevents an individual from taking a risk or facing danger. It is the opposite of courage. As a label, "cowardice" indicates a failure of character in the face of a challenge. One who succumbs to cowardice is known as a coward. As the opposite of bravery, which many historical and current human societies reward, cowardice is seen as a character flaw that is detrimental to society and thus the failure to face one's fear is often stigmatized and/or punished. Etymology According to the '' Online Etymology Dictionary'', the word ''coward'' came into English from the Old French word ''coart'' (modern French ''couard''), which is a combination of the word for "tail" (Modern French ''queue'', Latin ''cauda'') and an agent noun suffix. It would therefore have meant "one with a tail", which may conjur an image of an animal displaying its tail in flight of fear ("turning tail"), or a dog's habit of putting its tail between its legs when it is ...
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Genitalia
A sex organ (or reproductive organ) is any part of an animal or plant that is involved in sexual reproduction. The reproductive organs together constitute the reproductive system. In animals, the testis in the male, and the ovary in the female, are called the ''primary sex organs''. All others are called ''secondary sex organs'', divided between the external sex organs—the genitals or external genitalia, visible at birth in both sexes—and the internal sex organs. Mosses, ferns, and some similar plants have gametangia for reproductive organs, which are part of the gametophyte. The flowers of flowering plants produce pollen and egg cells, but the sex organs themselves are inside the gametophytes within the pollen and the ovule. Coniferous plants likewise produce their sexually reproductive structures within the gametophytes contained within the cones and pollen. The cones and pollen are not themselves sexual organs. Terminology The ''primary sex organs'' are the gonads, a p ...
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Antagonist
An antagonist is a character in a story who is presented as the chief foe of the protagonist. Etymology The English word antagonist comes from the Greek ἀνταγωνιστής – ''antagonistēs'', "opponent, competitor, villain, enemy, rival," which is derived from ''anti-'' ("against") and ''agonizesthai'' ("to contend for a prize"). Types Heroes and villains The antagonist is commonly positioned against the protagonist and their world order. While most narratives will often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in '' Harry Potter'', the antagonist does not always appear as the villain. In some narratives, like Light Yagami and L in '' Death Note'', the protagonist is a villain and the antagonist is an opposing hero. Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is ...
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Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ...
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