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Davul
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum. Names Some names of davuls include: *''dhol'' ( hy, դհոլ) *''dawola/davola'' ( syr, ܛܲܒܼܠܵܐ) *''dohol'' ( fa, دهل dohol) *''doli'' ( ka, დოლი doli) *''davul'' ( tr, davul, lit=drum) *''dahol'' ( ku, dahol, sdh, Dîweł) *''davil'' ( ta, davil) *''davula'' ( Sinhala: දවුල) *''tupan'' ( Goranian: tupan) *''daul'', ''tǎpan'', ''tupan'' ( bg, тъпан, тупан) *''goč'', ''tapan'', ''tupan'' ( sr, гоч, тапан, тупан) *''tapan, tupan'' ( mk, тапан, тупан) *''tobă/dobă'' ( ro , tobă) *''tabl'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehter
Ottoman military bands are the oldest recorded military marching band in the world. Though they are often known by the word ''Mehter'' ( ota, مهتر, plural: مهتران ''mehterân''; from "senior" in Persian) in West Europe, that word, properly speaking, refers only to a single musician in the band. In Ottoman, the band was generally known as ''mehterân'' (مهتران seniors), though those bands used in the retinue of a vizier or prince were generally known as ''mehterhane'' (Persian: مهترخانه, meaning "house of seniors"), the band as a whole is often termed ''mehter bölüğü'' ("''mehter'' company roop), ''mehter takımı'' ("''mehter'' platoon"). In West Europe, the band's music is also often called Janissary music because the janissaries formed the core of the bands. History Such military bands as the ''mehter''s, were not definitively mentioned until the 13th century. It is believed that the first "mehter" was sent to Osman I by the Seljuk Sultan Alaeddin Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Folk/pop Music
Assyrian folk/pop music, also known as Assyrian folk-pop or modern Syriac music ( syr, ܡܘܣܝܩܝ ܣܦܝܢܘܬܐ ܐܬܘܪܝܬܐ/ܣܘܪܝܝܬܐ), is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk. Background Assyrian folk music claims to be the descendant of the music of their ancient Upper Mesopotamian ancestors that has survived in the liturgical music of the Syriac Churches. Assyrian songs are generally sung in Iraqi Koine, a standard variety of Assyrian Neo-Aramaic. However, older songs mostly had an Urmian dialect and tribal-folk music tend to contain Tyari dialects. Themes tend to focus on longing, melancholy, strife and love issues. Assyrian songs are usually lengthy, tending to be around 5 minutes long on average. Composition Assyrian folk can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dohol
A dohol(Persian:دهل) is a large cylindrical drum with two skinheads. It is generally struck on one side with a wooden stick bowed at the end, and with a large thin stick on the other side, though it is also played with the bare hands. It is the principal accompaniment for the Sorna. A similar instrument, the Dhol, is used in traditional Egyptian, Pakistani and Indian music. The dohol is largely played in Kurdistan with the zurna. In Iran The dohol in Iran is mostly played in wedding ceremonies and other celebrations. The dohol is mostly played with a ''sorna''. In Afghanistan The dohol in Afghanistan is mostly played on special ceremonies such as wedding ceremonies. The "Surnay or Sorna" is mostly played with it. The Afghan dance Attan is traditionally performed with both the Dohol and Surnay. See also * Baluchi music * Caucasian Dhol *Davul *Dhol *Kurdish music *Afghan music The music of Afghanistan comprises many varieties of classical music, folk music, and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Folk Dance
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the ''Sabre Dance'', which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song. Assyrian folk dances belong to five metric groups: (10 dances), (6 dances), (13 dances), (1 dance), (1 dance). The tempo would usually range from slow (70 beats per minute) to very fast (140 beats). Technique All Assyrians dances, with the exception of the ''Sabre Dance'', are done in a connected circle. Most Assyrian circle dances are lateral, vining and open-ended, where more and more participants can join the dance. In an open floor space, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goblet Drum
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shvi
The shvi ( hy, շվի, "whistle", pronounced ''sh-vee'') is an Armenian fipple flute with a labium mouth piece. Commonly made of wood ( apricot, boxwood, or ebony) or bamboo and up to in length, it typically has a range of an octave and a-half. The ''tav shvi'' is made from apricot wood, it is up to long, and is tuned 1/4 lower producing a more lyrical and intimate sound. The shvi is up to 12 inches in length and is made of reed, bark of willows, or walnut wood. It has 8 holes on the front, 7 of which are used while playing, and one thumbhole. One octave is obtained by blowing normally into the shvi and a second octave is attained by blowing with slightly more force (i.e., overblowing). The lower octave has a timbre similar to a recorder whereas the higher octave sounds similar to a piccolo or flute. 8-hole traditional flute. The shvi is played with the mouth. Typically, most Armenian duduk or zurna players learn the shvi before moving on to either instrument. See also *Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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