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Davidsbündler
The ''Davidsbündler'' (League of David) was a music society created by Robert Schumann in his writings. It was inspired by literary societies, real and imagined ones, such as the ''Serapionsbrüder'' ( The Serapion Brethren) of ETA Hoffmann.Daverio, John. ''Robert Schumann: Herald of a "New Poetic Age"''. Oxford University Press, 1997. The group was created to defend the cause of contemporary music against its detractors. Its two main members were supposed to be named Florestan and Eusebius, respectively symbolising the extroverted and introspective sides of his personality.Schonberg, Harold C. ''The Lives of the Great Composers'', p. 177. W.W. Norton, 1997. The name "Davidsbündler" already appears in Schumann's first musical essay, "The Davidsbündler" which was published in Karl Herloßsohn’s newspaper "Der Komet" (The Comet) in December 1833. Its narrator finds a paper shred thrown out of a window by a "Swedish head with a crooked nose" bearing the following message on its b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davidsbündlertänze
''Davidsbündlertänze'' (''Dances of the League of David''), Op. 6, is a group of eighteen pieces for piano composed in 1837 by Robert Schumann, who named them after his music society Davidsbündler. The low opus number is misleading: the work was written after '' Carnaval'', Op. 9, and the '' Symphonic Studies'', Op. 13. Background Robert Schumann's early piano works were substantially influenced by his relationship with Clara Wieck. On September 5, 1839, Schumann wrote to his former professor: "She was practically my sole motivation for writing the ''Davidsbündlertänze'', the Concerto, the Sonata and the "Novelettes"." They are an expression of his passionate love, anxieties, longings, visions, dreams and fantasies. The theme of the ''Davidsbündlertänze'' is based on a mazurka by Clara Wieck. The intimate character pieces are his most personal work. In 1838, Schumann told Clara that the ''Dances'' contained "many wedding thoughts" and that "the story is an entire ''Polt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ('' commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society
A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships (social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent of members. In the social sciences, a larger society often exhibits stratification or dominance patterns in subgroups. Societies construct patterns of behavior by deeming certain actions or concepts as acceptable or unacceptable. These patterns of behavior within a given society are known as societal norms. Societies, and their norms, undergo gradual and perpetual changes. Insofar as it is collaborative, a society can enable its members to benefit in ways that would otherwise be difficult on an individua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Society
A literary society is a group of people interested in literature. In the modern sense, this refers to a society that wants to promote one genre of writing or a specific author. Modern literary societies typically promote research, publish newsletters, and hold meetings where findings can be presented and discussed. Some are more academic and scholarly, while others are more social groups of amateurs who appreciate a chance to discuss their favourite writer with other hobbyists. Historically, "literary society" has also referred to Salon (gathering), salons such as those of Madame de Stael, Madame Geoffrin and Madame de Tencin in Ancien Regime France. Another meaning was of college literary societies, student groups specific to the United States. The oldest formal societies for writing and promoting poetry are the chamber of rhetoric, chambers of rhetoric in the Low Countries, which date back to the Middle Ages. 19th century literary societies Modern examples of literary societi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Serapion Brethren
The Serapion Brethren (''Die Serapionsbrüder'') is the name of a literary and social circle, formed in Berlin in 1818 by the German romantic writer E. T. A. Hoffmann and several of his friends. The Serapion Brethren also is the title of a four-volume collection of Hoffmann's novellas and fairytales that appeared in 1819, 1820, and 1821. The literary circle Seraphin Brethren In 1814, Hoffmann returned to Berlin from Dresden and Leipzig, where he had been working as an orchestra conductor and opera director, to return to work as a Prussian civil servant. In that year, he and a group of friends formed an association for the purpose of reading from and discussing works of literature (primarily their own). The group first met on October 12, which happened to be the feast day of Saint Seraphin of Montegranaro. The friends therefore decided to refer to their group as an “order” and to give it the name The Seraphin Brethren 'Die Seraphinenbrüder'' After about two years of gathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ETA Hoffmann
Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. Penrith Goff, "E.T.A. Hoffmann" in E. F. Bleiler, ''Supernatural Fiction Writers: Fantasy and Horror''. New York: Scribner's, 1985. pp. 111–120. His stories form the basis of Jacques Offenbach's opera ''The Tales of Hoffmann'', in which Hoffmann appears (heavily fictionalized) as the hero. He is also the author of the novella ''The Nutcracker and the Mouse King'', on which Pyotr Ilyich Tchaikovsky's ballet ''The Nutcracker'' is based. The ballet ''Coppélia'' is based on two other stories that Hoffmann wrote, while Robert Schumann, Schumann's ''Kreisleriana'' is based on Hoffmann's character Johannes Kreisler. Hoffmann's stories highly influenced 19th-century literature, and he is one of the major authors of the Romantic movement. Life Youth Hoffmann's ancestors, both m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Zeitschrift Für Musik
'Die'' (; en, " heNew Journal of Music") is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ... and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Organizations
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
