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Davidsbündlertänze
''Davidsbündlertänze'' (''Dances of the League of David''), Op. 6, is a group of eighteen pieces for piano composed in 1837 by Robert Schumann, who named them after his music society Davidsbündler. The low opus number is misleading: the work was written after '' Carnaval'', Op. 9, and the '' Symphonic Studies'', Op. 13. Background Robert Schumann's early piano works were substantially influenced by his relationship with Clara Wieck. On September 5, 1839, Schumann wrote to his former professor: "She was practically my sole motivation for writing the ''Davidsbündlertänze'', the Concerto, the Sonata and the "Novelettes"." They are an expression of his passionate love, anxieties, longings, visions, dreams and fantasies. The theme of the ''Davidsbündlertänze'' is based on a mazurka by Clara Wieck. The intimate character pieces are his most personal work. In 1838, Schumann told Clara that the ''Dances'' contained "many wedding thoughts" and that "the story is an entire ''Polt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davidsbündler
The ''Davidsbündler'' (League of David) was a music society created by Robert Schumann in his writings. It was inspired by literary societies, real and imagined ones, such as the ''Serapionsbrüder'' ( The Serapion Brethren) of ETA Hoffmann.Daverio, John. ''Robert Schumann: Herald of a "New Poetic Age"''. Oxford University Press, 1997. The group was created to defend the cause of contemporary music against its detractors. Its two main members were supposed to be named Florestan and Eusebius, respectively symbolising the extroverted and introspective sides of his personality.Schonberg, Harold C. ''The Lives of the Great Composers'', p. 177. W.W. Norton, 1997. The name "Davidsbündler" already appears in Schumann's first musical essay, "The Davidsbündler" which was published in Karl Herloßsohn’s newspaper "Der Komet" (The Comet) in December 1833. Its narrator finds a paper shred thrown out of a window by a "Swedish head with a crooked nose" bearing the following message on its b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ('' commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Studies (Schumann)
The ''Symphonic Etudes'' (french: Études Symphoniques), Op. 13, is a set of études for solo piano by Robert Schumann. It began in 1834 as a theme and sixteen variations on a theme by Baron von Fricken, plus a further variation on an entirely different theme by Heinrich Marschner. Composition The first edition in 1837 carried an annotation that the tune was "the composition of an amateur": this referred to the origin of the theme, which had been sent to Schumann by Baron von Fricken, guardian of Ernestine von Fricken, the Estrella of his '' Carnaval'' Op. 9. The baron, an amateur musician, had used the melody in a ''Theme with Variations'' for flute. Schumann had been engaged to Ernestine in 1834, only to break abruptly with her the year after. An autobiographical element is thus interwoven in the genesis of the ''Études symphoniques'' (as in that of many other works of Schumann's). Of the sixteen variations Schumann composed on Fricken's theme, only eleven were published by him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigraph (literature)
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section thereof. The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, with the purpose of either inviting comparison or enlisting a conventional context. A book may have an overall epigraphy that is part of the front matter, or one for each chapter. Examples * As the epigraph to '' The Sum of All Fears'', Tom Clancy quotes Winston Churchill in the context of thermonuclear war:Why, you may take the most gallant sailor, the most intrepid airman or the most audacious soldier, put them at a table together – what do you get? The sum of their fears. * The long quotation from Dante's ''Inferno'' that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. * The epigraph to E. L. Doctorow's ''Ragtime'' quotes Scott Joplin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Solo Piano
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Music By Robert Schumann
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Rose
JEROME ROSE, hailed as "the Last Romantic of our own age" is an American pianist and educator, (born 12 August 1938 in Los Angeles). JEROME ROSE is one of America's most distinguished pianists, has been heard in major concert halls across five continents. A Gold Medalist from the International Busoni Competition. Biography A pupil of Adolph Baller, Rose had his debut with the San Francisco Symphony at the age of 15. A Mannes College and Juilliard School of Music graduate, he also studied with Leonard Shure and Rudolf Serkin at the Marlboro Music School. He was a Fulbright Scholar in Vienna as well. He won the Gold medal at the 1961 Ferruccio Busoni International Piano Competition. Rose began his international career while still in his early twenties. He has appeared with such orchestras as the Berlin Philharmonic, Munich Philharmonic, Vienna Symphony, and the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. A frequent visitor to London, he has appeared with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Denk
Jeremy Denk (born May 16, 1970 in Durham, North Carolina) is an American classical pianist. Early life Denk did not come from a musical family. After several years in New Jersey, his family settled in Las Cruces, New Mexico, where he grew up. He attended Oberlin College and did graduate work at Indiana University where he studied with György Sebők. Career Denk has won a MacArthur "Genius" Fellowship, the Avery Fisher Prize, and Musical America's Instrumentalist of the Year award, and has been elected to the American Academy of Arts and Sciences. Denk has performed throughout the US and Europe in recital and with major symphony orchestras and has toured with Academy of St Martin in the Fields. Denk's releases from Nonesuch Records include the opera ''The Classical Style'' with music by Haydn, Mozart, and Beethoven. He joined his long-time musical partners, Joshua Bell and Steven Isserlis, in a recording of Brahms' Trio in B-major. His previous disc of the ''Goldberg Variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Hutcheson
Ernest Hutcheson (20 July 1871 – 9 February 1951) was an Australian pianist, composer and teacher. Biography Hutcheson was born in Melbourne, and toured there as a child prodigy at the age of five. He later travelled to Leipzig and entered the Leipzig Conservatory at the age of fourteen to study with Carl Reinecke, Bernhard Stavenhagen (a pupil of Franz Liszt) and Bruno Zwintscher. He was part of the London music circuit in 1896 and 1897. Prior to the outbreak of World War I he taught at the Stern Conservatory in Berlin, but in 1914 he settled in New York City, where he made his US debut. He is believed to have been the first pianist to play three concertos of Ludwig van Beethoven in a single concert: his performances of Beethoven's third, fourth and fifth with the New York Symphony Orchestra in the Aeolian Hall in 1919. He became a member of the faculty at the Juilliard School, and successively Dean (1926–1937) and President (1937–1945) of the school. At Juilli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
