David Rudkin
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David Rudkin
James David Rudkin (born 29 June 1936) is an English playwright . Early life Rudkin was born in London. Coming from a family of strict evangelical Christians, he was educated at King Edward's School, Birmingham and read Mods and Greats at St Catherine's College, Oxford. Beginning to write during national service in the Royal Corps of Signals, Rudkin taught Latin, Greek and music at North Bromsgrove High School in Worcestershire until 1964,Biographical information on cover of ''The Triumph of Death'', Methuen 1981 and ''The Saxon Shore'', Methuen 1986 while also directing amateur theatre productions. Career Following the success of his first play ''Afore Night Come'' (1962), Rudkin translated works by Aeschylus, Roger Vitrac, the libretto of Schoenberg's '' Moses and Aaron'', and wrote the book to the Western Theatre Ballet's ''Sun into Darkness'' (Sadlers Wells 1963)John Russell Taylor ''Anger & After'', Methuen University Paperback, 1969 reprint, p.309 and the libretto ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Moses Und Aron
''Moses und Aron'' (English: ''Moses and Aaron'') is a three-act opera by Arnold Schoenberg with the third act unfinished. The German libretto is by the composer after the Book of Exodus. Hungarian composer Zoltán Kocsis completed the last act with Schoenberg's heirs' permission in 2010, but ''Moses und Aron'' was almost always performed as Schoenberg left it in 1932, with only two of the planned three acts completed. Compositional history ''Moses und Aron'' has its roots in Schoenberg's earlier agitprop play, '' Der biblische Weg'' (''The Biblical Way'', 1926–27), a response in dramatic form to the growing anti-Jewish movements in the German-speaking world after 1848 and a deeply personal expression of his own "Jewish identity" crisis. The latter began with a face-to-face encounter with anti-Semitic agitation at Mattsee, near Salzburg, during the summer of 1921, when he was forced to leave the resort because he was a Jew, although he had converted to Protestantism in 1898. ...
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Artemis 81
''Artemis 81'' is a British television play which was written by David Rudkin and directed by Alastair Reid. Commissioned by BBC producer David Rose, it was broadcast by the BBC on 29 December 1981. It was one of the last TV performances from Anthony Steel. Plot summary Occult novelist Gideon Harlax (Hywel Bennett) is drawn into an epic battle between Helith (Sting), the Angel of Light and Asrael (Roland Curram), the Angel of Death. Selected cast *Hywel Bennett - Gideon Harlax *Dinah Stabb - Gwen Meredith *Dan O'Herlihy - Albrecht Von Drachenfels *Sting - Helith *Roland Curram - Asrael * Anthony Steel - Tristram Guise * Margaret Whiting - Laura Guise *Ian Redford - Jed Thaxter *Mary Ellen Ray - Sonia *Cornelius Garrett - Pastor *Ingrid Pitt - Hitchcock Blonde *Daniel Day-Lewis - Library Student *Sylvia Coleridge - Library Scholar DVD release ''Artemis 81'' was released on DVD in 2007. It was incorrectly issued as ''Artemis '81''. The 81 is the number of a star, no ...
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Penda's Fen
''Penda's Fen'' is a British television play, written by David Rudkin and directed by Alan Clarke. It was commissioned by BBC producer David Rose, and first broadcast on 21 March 1974 as part of the corporation's ''Play for Today'' anthology series. Plot Set in the village of Pinvin, near Pershore in Worcestershire, England, against the backdrop of the Malvern Hills, the play is an evocation of conflicting forces within England past and present. These include authority, tradition, hypocrisy, landscape, art, sexuality, and most of all, its mystical, ancient pagan past. All of this comes together in the growing pains of the adolescent Stephen, a vicar's son, whose encounters include angels, Edward Elgar and King Penda himself. The final scene of the play, where the protagonist has an apparitional experience of King Penda and the "mother and father of England", is set on the Malvern Hills. Cast * Spencer Banks as Stephen * Jennie Hesselwood * Ian Hogg * Georgine Anderson * John ...
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Alan Clarke
Alan John Clarke (28 October 1935 – 24 July 1990) was an English television and film director, producer and writer. Life and career Clarke was born in Wallasey, Wirral, England. Most of Clarke's output was for television rather than cinema, including work for the famous play strands ''The Wednesday Play'' and ''Play for Today''. His subject matter tended towards social realism, with deprived or oppressed communities as a frequent setting. As Dave Rolinson's book details, between 1962 and 1966 Clarke directed several plays at The Questors Theatre in Ealing, London. Between 1967 and 1969 he directed various ITV (network), ITV productions including plays by Alun Owen (''Shelter'', ''George's Room'', ''Stella'', ''Thief'', ''Gareth''), Edna O'Brien (''Which of These Two Ladies Is He Married To?'' and ''Nothing's Ever Over'') and Roy Minton (''The Gentleman Caller'', ''Goodnight Albert'', ''Stand By Your Screen''). He also worked on the series ''The Informer (TV series), The Info ...
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Birmingham Rep
Birmingham Repertory Theatre, commonly called Birmingham Rep or just The Rep, is a producing theatre based on Centenary Square in Birmingham, England. Founded by Barry Jackson, it is the longest-established of Britain's building-based theatre companies and one of its most consistently innovative. Today The Rep produces a wide range of drama in its three auditoria – ''The House'' with 825 seats, ''The Studio'' with 300 seats and ''The Door'' with 140 seats – much of which goes on to tour nationally and internationally. The company retains its commitment to new writing and in the five years to 2013 commissioned and produced 130 new plays. The company's former home, now known as "Old Rep", is still in use as a theatre. History Foundation and early years The origins of The Rep lie with the 'Pilgrim Players', an initially amateur theatre company founded by Barry Jackson in 1907 to reclaim and stage English poetic drama, performing a repertoire that ranged from the 16th cen ...
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Hecuba (play)
''Hecuba'' ( grc, Ἑκάβη, ''Hekabē'') is a tragedy by Euripides, written . It takes place after the Trojan War but before the Greeks have departed Troy (roughly the same time as ''The Trojan Women'', another play by Euripides). The central figure is Hecuba, wife of King Priam, formerly queen of the now-fallen city. It depicts Hecuba's grief over the death of her daughter Polyxena and the revenge she takes for the murder of her youngest son, Polydorus. Plot In the play's opening, the ghost of Polydorus tells how when the war threatened Troy, he was sent to King Polymestor of Thrace for safekeeping, with gifts of gold and jewelry. But when Troy lost the war, Polymestor treacherously murdered Polydorus, and seized the treasure. Polydorus has foreknowledge of many of the play's events and haunted his mother's dreams the night before. The events take place on the coast of Thrace, as the Greek navy returns home from Troy. The Trojan queen Hecuba, now enslaved by the Greeks, mourn ...
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ...
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Hippolytus (play)
''Hippolytus'' ( grc, Ἱππόλυτος, ''Hippolytos'') is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. Euripides first treated the myth in a previous play, ''Hippolytos Kalyptomenos'' ( – ''Hippolytus Veiled''), which is now lost; what is known of it is based on echoes found in other ancient writings. The earlier play, and the one that has survived are both titled ''Hippolytus'', but in order to distinguish the two they have traditionally been given the names, ''Hippolytus Kalyptomenos'' and ''Hippolytus Stephanophoros'' ( – "Hippolytus the wreath bearer"). It is thought that the contents to the missing ''Hippolytos Kalyptomenos'' portrayed a shamelessly lustful Phaedra, who directly propositioned Hippolytus, which apparently offended the play's audience.Euripides. ''Hippolytus''. Bagg, Robert. Introduction. Oxford Uni ...
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The Sons Of Light
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Ashes (play)
Ashes may refer to: *Ash, the solid remnants of fires. Media and entertainment Art * ''Ashes'' (Munch), an 1894 painting by Edvard Munch Film * ''The Ashes'' (film), a 1965 Polish film by director Andrzej Wajda * ''Ashes'' (1922 film), an American silent film * ''Ashes'', a 2010 film by director Ajay Naidu * ''Ashes'' (2012 film), a British thriller * ''Ashes'' (1916), American short silent film directed by Robert F. Hill and John McDermott Literature * ''Ashes'' ( pl, Popioły, links=no), a 1904 novel by Polish writer Stefan Żeromski * ''Ashes'' ( it, Cenere, links=no), a 1904 novel by Italian writer Grazia Deledda * ''Ashes'' ( ja, 煤煙, translit=Bō no Kanashimi, links=no), a 2003 novel by Japanese writer Kenzo Kitakata * ''Ashes: Poems New & Old'', a 1979 book by Philip Levine * "Ashes", a 1924 short story by C. M. Eddy, Jr. * ''Ashes'', book 1 of the ASHES trilogy by Ilsa J. Bick * ''Ashes'', a thirty-five volume series of novels by William W. Johnstone Th ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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