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David Campton
David Campton (2 May 1924 – 9 September 2006) was a prolific British dramatist who wrote plays for the stage, radio, and cinema for thirty-five years. "He was one of the first British dramatists to write in the style of the Theatre of the Absurd"."David Campton, Playwright", ''Samuel French London''. Biography Campton was born in Leicester, in 1924. He was educated at Wyggeston Grammar School for Boys. From 1942 to 1945, he served in the RAF, and then, for another year, in the Fleet Air Arm. He worked as a clerk in the City of Leicester Department of Education until 1949 and then moved to the East Midlands Gas Board, where he worked until 1956. Campton worked with Stephen Joseph in developing theatre in the round in the United Kingdom, and played a major role in establishing theatre-in-the-rounds in both Scarborough, North Yorkshire (now in the well-known Stephen Joseph Theatre, a converted 1930s Odeon cinema) and Staffordshire in the English West Midlands. He worked as writer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of The Absurd
The Theatre of the Absurd (french: théâtre de l'absurde ) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence. Etymology Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd", which begins by focusing on the playwrights Samuel Beckett, Arthur Adamov, and Eugène Ionesco. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Comedy Of Menace
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1924 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixed Doubles (play)
''Mixed Doubles: An Entertainment on Marriage'' (London: Methuen, 1970) is a programme consisting of a series of eight short plays or revue sketches, each with two characters, composed by various English playwrights. It was first performed on 6 February 1969 in the Hampstead Theatre Club with the title, '' We Who Are About To...''. The programme was then presented as ''Mixed Doubles: An Entertainment on Marriage'' at the Comedy Theatre, London, on 9 April 1969. The eight dramatic sketches, each portraying marriage at a different stage of life, are linked together by a series of anti-authoritarian monologues written by George Melly. Taken together, the programme presents an acidly humorous image of marriage from the moment of blessing until the silver wedding anniversary. In the course of the programme, many people appear on stage in various professional capacities. The characters in ''Mixed Doubles'' appear to be plagued by everyday trivialities, their pasts, their jobs, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Theatre Association
The British Theatre Association, originally known as the British Drama League, was an organisation established in 1919 to promote amateur and professional theatre in England, with a head office based at Fitzroy Square, London. It was founded by Geoffrey Whitworth. Its work included pursuing the creation of the National Theatre, offering library and research services, founded the journal Drama in 1919, and encouraging the introduction of drama into the national curriculum. Its name was changed to the British Theatre Association in 1972. The Association was disbanded in 1990, due to financial pressures. Play scripts held in its archive are now in the possession of the Theatre Museum The Theatre Museum in the Covent Garden district of London, England, was the United Kingdom's national museum of the performing arts. It was a branch of the UK's national museum of applied arts, the Victoria and Albert Museum. It opened in 1974 ..., London. References 1919 establishments in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Arts Council
The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. It was divided in 1994 to form the Arts Council of England (now Arts Council England), the Scottish Arts Council (later merged into Creative Scotland), and the Arts Council of Wales. At the same time the National Lottery was established and these three arts councils, plus the Arts Council of Northern Ireland, became distribution bodies. History In January 1940, during the Second World War, the Council for the Encouragement of Music and the Arts (CEMA), was appointed to help promote and maintain British culture. Chaired by Lord De La Warr, President of the Board of Education, the council was government-funded and after the war was renamed the Arts Council of Great Britain. Reginald Jacques was appointed musical director, with Sir Henry Walford Davies and George Dyson also involved. John Denison took over after the war. A royal charter was granted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tavistock Repertory Company
Tavistock ( ) is an ancient stannary and market town within West Devon, England. It is situated on the River Tavy from which its name derives. At the 2011 census the three electoral wards (North, South and South West) had a population of 13,028. It traces its recorded history back to at least 961 when Tavistock Abbey, whose ruins lie in the centre of the town, was founded. Its most famous son is Sir Francis Drake. History Middle Ages The area around Tavistock (formerly Tavistoke), where the River Tavy runs wide and shallow allowing it to be easily crossed, and near the secure high ground of Dartmoor, was inhabited long before historical records. The surrounding area is littered with archaeological remains from the Bronze and Iron Ages and it is believed a hamlet existed on the site of the present town long before the town's official history began, with the founding of the Abbey. The abbey of Saint Mary and Saint Rumon was founded in 961 by Ordgar, Earl of Devon. After destruct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laughter And Fear
Laughter is a pleasant physical reaction and emotion consisting usually of rhythmical, often audible contractions of the diaphragm and other parts of the respiratory system. It is a response to certain external or internal stimuli. Laughter can rise from such activities as being tickled, or from humorous stories or thoughts. Most commonly, it is considered an auditory expression of a number of positive emotional states, such as joy, mirth, happiness, or relief. On some occasions, however, it may be caused by contrary emotional states such as embarrassment, surprise, or confusion such as nervous laughter or courtesy laugh. Age, gender, education, language, and culture are all indicators as to whether a person will experience laughter in a given situation. Some other species of primate (chimpanzees, gorillas and orangutans) show laughter-like vocalizations in response to physical contact such as wrestling, play chasing or tickling. Laughter is a part of human behavior regulate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Of Menace
Comedy of menace is the body of plays written by David Campton, Nigel Dennis, N. F. Simpson, and Harold Pinter. The term was coined by drama critic Irving Wardle, who borrowed it from the subtitle of Campton's play ''The Lunatic View: A Comedy of Menace'', in reviewing Pinter's and Campton's plays in ''Encore (magazine), Encore'' in 1958. (Campton's subtitle ''Comedy of Menace'' is a jocular play-on-words derived from ''comedy of manners''—''menace'' being ''manners'' pronounced with somewhat of a Judeo-English accent.)See Merritt 5, 9–10, 225–28, 240, 310, and 326, citing articles by Wardle, Gussow's ''Conversations with Pinter'', and various performance reviews by Wardle, Gussow, and others. Background Citing Wardle's original publications in ''Encore'' magazine (1958), Susan Hollis Merritt points out that in "Comedy of Menace" Wardle "first applies this label to Pinter's work … describ[ing] Pinter as one of 'several playwrights who have been tentatively lumped together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Wardle
John Irving Wardle (born 20 July 1929) is an English writer and theatre critic. Biography Wardle was born on 20 July 1929 in Manchester, Lancashire, the son of John Wardle and his wife Nellie (Partington). His father was drama critic on the ''Bolton Evening News'', and a regular performer at the Bolton Little Theatre. Wardle was educated at Bolton School, Wadham College Oxford and the Royal College of Music. While at Oxford, Wardle participated in theatre, performing in a production of '' The Tempest'' alongside the actors Nigel Davenport and Jack May, the future directors John Schlesinger and Bill Gaskill, and Mary Moore, the future principal of St Hilda's College, Oxford. Wardle's early appointments included an anonymous fortnightly review spot on the ''Bolton Evening News'', beginning in 1958. He worked as a sub-editor on ''The Times Literary Supplement'', 1956–; as deputy theatre critic (to Kenneth Tynan) on ''The Observer'', 1959–63; drama critic for ''The Times'' 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
