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Das Gesicht Im Spiegel
''Das Gesicht im Spiegel'' (''The Face in the Mirror'') is an opera in 16 scenes by Jörg Widmann, with a libretto in German by Roland Schimmelpfennig. The opera is about the emotional consequences and ethical issues of human cloning. The opera was premiered at the Cuvilliés Theatre in Munich on 17 July 2003, conducted by Peter Rundel. Background and performance history Jörg Widmann received in 2000 a commission from the Bavarian State Opera for the 2003 Munich Opera Festival. Sir Peter Jonas, manager of the Bavarian State Opera, commissioned an opera that would address a contemporary issue. The libretto by Roland Schimmelpfennig deals with the emotional consequences and ethical issues of human cloning. The stage work was composed from 2002 to 2003 and finished in Freiburg on 11 June 2003. The opera was premiered at the Cuvilliés Theatre Munich on 17 July 2003, with the Orchestra of the Bavarian State Opera conducted by Peter Rundel and Tölzer Knabenchor. ''Das Gesicht im Spi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jörg Widmann
Jörg Widmann (born 19 June 1973) is a German composer, conductor and clarinetist. In 2018, Widmann was the third most performed contemporary composer in the world. Formerly a clarinet and composition professor at the University of Music Freiburg, he is composition professor at the Barenboim–Said Akademie. His most important compositions are the two operas ''Babylon'' and ''Das Gesicht im Spiegel'', an oratorio ''Arche'', his string quartets and the concert overture '' Con brio''. Widmann wrote musical tributes to Classical and Romantic composers. He was awarded the Bavarian Maximilian Order for Science and Art in 2018. Education and career Widmann was born on 19 June 1973 in Munich, the son of a physicist and a teacher. He first took clarinet lessons in 1980. Four years later he became a composition student of Kay Westermann. Widmann attended the secondary school in Munich. He later studied composition with Hans Werner Henze, Wilfried Hiller, Heiner Goebbels and Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Axel Kober
Axel Kober (born 10 February 1970) is a German conductor. Since 2009 he has been the music director of the Deutsche Oper am Rhein. Kober was born in Kronach and studied conducting under Peter Falk and Günther Wich at the Hochschule für Musik Würzburg. His first professional engagement was with the Mecklenburg State Theatre in 1994. From 1998 to 2003 he was the chief conductor of the Theater Dortmund, where he conducted several rarely performed operas, including the German premiere of Charpentier's '' Julien''. Following a 4-year stint at the National Theatre Mannheim (2003–2007) where he served as its chief conductor, and two years as music director of the Leipzig Opera (2007–2009), he was appointed music director of the Deutsche Oper am Rhein. In 2013, the bicentenary of Wagner's birth, Kober made his debut at the Bayreuth Festival conducting ''Tannhäuser'' and conducted it again at the 2014 festival. Bayreuther FestspieleAxel Kober. Retrieved 5 September 2014 . Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jörg Widmann
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Salter (singer)
Richard Jeffrey Salter (Hindhead, Surrey, on 12 November 1943 – Karlsruhe, 1 February 2009) was an English baritone, known as a founder member of The King's Singers before moving to Austria and Germany to take leading roles in many contemporary operas. After the King's Singers' first concerts and recording in 1969, Salter was awarded a Richard Tauber Scholarship and moved to Vienna where he successfully established himself as an opera singer. Among his signature roles were Bernd Alois Zimmermann's '' Requiem for a Young Poet'', Schoenberg's ''Von heute auf morgen'', the baritone lead in operas by Manfred Trojahn and Wolfgang Rihm Wolfgang Rihm (born 13 March 1952) is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Sa ..., the main character K. in Aribert Reimann's ''Das Schloß'' after Kafka (1996), and Philip Glass' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dale Duesing
Dale Duesing (born September 26, 1947) is an American baritone. As an opera singer, he has had an international career spanning five decades. Duesing grew up in Milwaukee, Wisconsin. He studied piano throughout childhood, and enrolled at Lawrence University, majoring in piano performance. He switched to vocal performance while in college, and won the Metropolitan Opera Competition in his final year of study. After traveling to Europe with a Fulbright Scholarship, Duesing made a name for himself there. Duesing has performed at the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, La Scala (as Arlecchino in ''Ariadne auf Naxos'', 1984), Vienna State Opera, Paris Opéra, and Covent Garden, among others. He appeared at the Metropolitan from 1979 to 1989 in ''Ariadne auf Naxos'' (with Johanna Meier and René Kollo), ''Die Zauberflöte'' (opposite Rita Shane, then Zdzisława Donat, as the Queen of Night), ''Pagliacci'' (as Silvio, with Carlo Bergonzi and Cornell MacNeil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Rempe
Julia is usually a feminine given name A given name (also known as a forename or first name) is the part of a personal name quoted in that identifies a person, potentially with a middle name as well, and differentiates that person from the other members of a group (typically a fa .... It is a Latinate feminine form of the name Julio (given name), Julio and Julius (name), Julius. (For further details on etymology, see the wikt:Iulius#Latin, Wiktionary entry "Julius".) The given name ''Julia'' had been in use throughout Late Antiquity (e.g. Julia of Corsica) but became rare during the Middle Ages, and was revived only with the Italian Renaissance. It became common in the English-speaking world only in the 18th century. Today, it is frequently used throughout the world. Statistics Julia was the 10th most popular name for girls born in the United States in 2007 and the 88th most popular name for women in the 1990 census there. It has been among the top 150 names given to gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
