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Dantes Diwiak
Dantes Diwiak (born in Slovenia) is a classical tenor, who grew up and has worked mostly in Germany. Career Dantes Diwiak studied singing with Klaus Kirchner and opera at the Musikhochschule Hannover with Theo Altmeyer. He took master classes with Hermann Reutter, Birgit Nilsson, Helmuth Rilling and Scot Weir. He was a member of the Staatsoper Hannover and the opera houses of Bremen and Oldenburg. Diwiak sang the part of the Evangelist in Bach's Passions also in Moscow, France, Syria and Israel, among others. He has collaborated with the choir MarkusChor Hannover and the Staatsorchester in concerts and services. In 1982, he performed with them the ''Oratorio de Noël'' of Camille Saint-Saëns, in 1983 he participated in Rossinis ''Petite messe solennelle'' as part of the Kirchentag, also in Weber's ''Missa sancta'' No. 1 in E flat major. In 1989, he sang in Haydn's ''Die Schöpfung'' with the Harburger Kantorei in the St. Johanniskirche in Harburg, Hamburg. In the Neustädte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slovenia
Slovenia ( ; sl, Slovenija ), officially the Republic of Slovenia (Slovene: , abbr.: ''RS''), is a country in Central Europe. It is bordered by Italy to the west, Austria to the north, Hungary to the northeast, Croatia to the southeast, and the Adriatic Sea to the southwest. Slovenia is mostly mountainous and forested, covers , and has a population of 2.1 million (2,108,708 people). Slovenes constitute over 80% of the country's population. Slovene, a South Slavic language, is the official language. Slovenia has a predominantly temperate continental climate, with the exception of the Slovene Littoral and the Julian Alps. A sub-mediterranean climate reaches to the northern extensions of the Dinaric Alps that traverse the country in a northwest–southeast direction. The Julian Alps in the northwest have an alpine climate. Toward the northeastern Pannonian Basin, a continental climate is more pronounced. Ljubljana, the capital and largest city of Slovenia, is geogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monika Frimmer
Monika Frimmer (born 1955) is a German soprano in opera and concert. Career Monika Frimmer studied at the Hochschule für Musik und Theater Hannover in Hannover. She studied further in master-classes and worked with Birgit Nilsson, Elisabeth Schwarzkopf and Jörg Demus. In 1980 she was a winner in the national competition Bundeswettbewerb Gesang Berlin. She was a member of the ensemble of the Staatsoper Hannover as a lyric soprano from 1980 to 1993. In 1982 she appeared as Anima in a scenic production of Cavalieri's ''Rappresentatione di Anima, et di Corpo'' in the Marktkirche, conducted by Hans-Martin Linde. She sang the part of Najade in ''Ariadne auf Naxos'' of Richard Strauss. In the opera '' Sly'' of Ermann Wolf-Ferrari, revived by the Opera Hannover, she appeared as Rosalina. Since 1993 she has worked as a free-lance singer in opera, oratorio and Lied. In 1987, Frimmer sang in a recording of Buxtehude's ''Membra Jesu nostri'', conducted by Ton Koopman, with Barbara Schl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhard Egidi
Erhard Egidi (23 April 1929 – 8 September 2014) was a German cantor, organist and composer of sacred music. He was ''Kantor'' at the Neustädter Kirche, Hannover, from 1972 to 1991, where he focused on music in church services, but also conducted concerts, with a preference for works of Johann Sebastian Bach and his own teacher Ernst Pepping. He was appointed Kirchenmusikdirektor (church music director), responsible for the church music of Hanover. Career Born in Rheinsberg, he studied in Berlin at the Spandauer Kirchenmusikschule (Spandau academy of church music) with Gottfried Grote, Ernst Pepping and Herbert Schulze. He was cantor at St. Lamberti, Hildesheim from 1954. He included contemporary music, for example in 1957 a concert for Trinity Sunday with works including works by Johann Nepomuk David, Burkhard's '' Die Sintflut'', and Pepping's setting of the Gospel for the Sunday, from the Gospel of John, and a setting of the Epistle, "O welch eine Tiefe des Reichtums". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Mass In C Minor
''Great Mass in C minor'' (german: Große Messe in c-Moll, links=no), K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei. Composition and first performance The work was composed during 1782–83. In a letter to his father Leopold dated 4 January 1783, Mozart mentioned a vow he had made to write a mass when he would bring his then fiancée Constanze as his wife to Salzburg to meet his family for the first time after his father's earlier opposition. Constanze then sang the "Et incarnatus est" at its premiere. The first performance took place in Salzburg on Sunday 26 Octob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata (Stravinsky)
The Cantata by Igor Stravinsky is a work for soprano, tenor, female choir, and instrumental ensemble (of two flutes, oboe, cor anglais (doubling second oboe), and cello), and was composed from April 1951 to August 1952. The premiere performance on 11 November 1952 was by the Los Angeles (Chamber) Symphony Society (to whom the work is dedicated), conducted by Stravinsky himself. After completing the opera ''The Rake's Progress'', Stravinsky felt the urge to compose another work setting English words, but in a non-dramatic form. The piece consists of the following movements: For his texts, Stravinsky chose four anonymous 15th- and 16th-century poems found in,, an anthology of poetry presented to him as a Christmas gift by W. H. Auden, the librettist of his opera ''The Rake's Progress''. The dirge sections concern a soul's approach to and journey through purgatory. In between the verses of the dirge there are two ricercars (Ricercar I sets "The maidens came"; Ricercar II sets the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harburg, Hamburg
Harburg is a Boroughs and quarters of Hamburg#Boroughs, borough of the city of Hamburg, Germany. It is also the name of Harburg (quarter), Harburg quarter in the borough, which used to be the capital of the Harburg (district), Harburg district in Lower Saxony. The borough of Harburg lies on the southern banks of the river Elbe and covers parts of the port of Hamburg as well as residential and rural areas. It had a population of 169,221 as of 2020. History Until 1937 Harburg belonged to the Prussian Province of Hanover, where it served as the capital of the Harburg (district), Harburg district. In 1927 it was merged with the nearby city of Wilhelmsburg, Hamburg, Wilhelmsburg to form the city of Harburg-Wilhelmsburg. Following the Greater Hamburg Act, Harburg was incorporated into the city of Hamburg along with several other independent cities such as Altona, Hamburg, Altona. Despite its incorporation into Hamburg, Harburg continued to be the capital of the Hanoverian district of H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
