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Danrin
The Danrin school (談林派) is a school of haikai poetry founded by the poet Nishiyama Sōin (1605 to 1682). The name literally means 'talkative forest' – in other words a ‘Literary Forest’. Origins The school arose in reaction against the serious "bookishness" and concern for traditional culture popular in Japanese poetry at the time, under the influence of Matsunaga Teitoku and the Teimon school. In place of their formalism and didacticism, the new school looked to humour and low comedy for fresh inspiration,as well as to becoming more in touch with the common people, and therefore infusing a greater spirit of freedom into their poetry. Themes and language The Danrin school favored plain language, everyday subjects, and the use of humor, often mocking or debunking the elegance of court waka. Its members explored people's daily life for sources of playfulness, but while opening up the world of haiku to fresh influences, they ran the risk of ending up with mere frivolit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haikai
''Haikai'' (Japanese 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of atsuo Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to encourage the writing of stand-alone Hokku. Danrin School The Danrin schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uejima Onitsura
Uejima Onitsura (上島鬼貫, April 1661 – 2 August 1738) was a Japanese haiku poet of the Edo period, famous in the Osaka region for his haiku poetry. Belonging to the Danrin school of Japanese poetry, Uejima is credited (along with other Edo-era poets) of helping to define and exemplify Bashō's style of poetry. Born to a family of brewers in Itami (present-day Hyōgo Prefecture), Uejima showed exceptional talent in poetry at the age of eight. At the age of 25, Uejima moved to Osaka, where he began his professional career in haiku and other forms of poetry. In later life he worked as a masseur, before becoming a priest. Hitorigoto In his meditation on the art of haiku, ''Hotorigoto'', Onitsura maintained that the best way to learn to write haiku was to first imitate one's teacher, and then to develop one's own style. He also considered makoto or sincerity to be the key to humanity, and to the humane writing of poetry; and urged the application of the best principles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nishiyama Sōin
was a '' haikai-no-renga'' poet of the early Tokugawa period. R H Blyth called Sōin "one of the Fathers of Haiku". Influence and importance Sōin founded the Danrin school of haikai poetry, which aimed to move away from the serious 'bookishness' popular in Japanese poetry at the time and become more in touch with the common people, infusing a spirit of greater freedom into their poetry. Their poems explored the floating world of popular urban amusements in a fully colloquial style. Sōin's haikai (comical renga) became the transition between the light and clever haikai of Matsunaga Teitoku and the more serious and aesthetic renku of Matsuo Bashō. Disciples Among the most important members of his school were Ichū, a versatile figure who also painted and wrote waka, and Saikaku.L Zolbrod, ''Haiku Painting'' (1982) p. 7 See also *Haiga is a style of Japanese painting that incorporates the aesthetics of ''haikai''. ''Haiga'' are typically painted by haiku poets (''ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsunaga Teitoku
Matsunaga Teitoku (1570-1653) was a haiku writer, considered by R H Blyth to be the most important of Matsuo Bashō's predecessors. Achievements Teitoku played a significant role in regularising the rules for Haikai, and in raising its importance and status as a genre. He specialised in elegant wordplay, and in subject-matter reflecting the Chinese classics and waka. Through his disciples in the Teimon school, he influenced succeeding generations of haiku poets: thus for example Bashō's first haiku teacher, Kigin, came from his school. Criticism Teitoku's approach was criticised by the Danrin school for shallowness and excessive wordplay. One member, Bashō himself, is reported to have said of its founder, Nishiyama Sōin, that, if not for him, "we would still be licking the slaver of aged Teitoku". See also *Alexander Pope Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
born then was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. He is quoted as saying, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickly became we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teimon School
Yemenite Jews or Yemeni Jews or Teimanim (from ''Yehudei Teman''; ar, اليهود اليمنيون) are those Jews who live, or once lived, in Yemen, and their descendants maintaining their customs. Between June 1949 and September 1950, the overwhelming majority of Yemen's Jewish population immigrated to Israel in Operation Magic Carpet. After several waves of persecution throughout Yemen, the vast majority of Yemenite Jews now live in Israel, while smaller communities live in the United States and elsewhere. Only a handful remain in Yemen. The few remaining Jews experience intense, and at times violent, anti-Semitism on a daily basis. Yemenite Jews have a unique religious tradition that distinguishes them from Ashkenazi Jews, Sephardi Jews, and other Jewish groups. They have been described as "the most Jewish of all Jews" and "the ones who have preserved the Hebrew language the best". Yemenite Jews fall within the "Mizrahi" (eastern) category of Jews, though they differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saigyō
was a famous Japanese poet of the late Heian and early Kamakura period. Biography Born in Kyoto to a noble family, he lived during the traumatic transition of power between the old court nobles and the new samurai warriors. After the start of the age of Mappō, Buddhism was considered to be in decline and no longer as effective a means of salvation. These cultural shifts during his lifetime led to a sense of melancholy in his poetry. As a youth, he worked as a guard to retired Emperor Toba, but in 1140 at age 22, for reasons now unknown, he quit worldly life to become a monk, taking the religious name . He later took the pen name , meaning “Western Journey”, a reference to Amida Buddha and the Western paradise. He lived alone for long periods in his life in Saga, Mt. Koya, Mt. Yoshino, Ise, and many other places, but he is more known for the many long, poetic journeys he took to Northern Honshū that would later inspire Bashō in his '' Narrow Road to the Interior''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōgi
Iio Sōgi, (or Inō Sōgi) generally known as , was a Japanese poet. He came from a humble family from the province of Kii or Ōmi, and died in Hakone on September 1, 1502. Sōgi was a Zen monk from the Shokokuji temple in Kyoto and he studied poetry, both waka and renga ''Renga'' (, ''linked verse'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. .... In his 30s he became a professional renga poet. During his travels to almost every corner of Japan, he was welcomed by the most powerful political, military and literary figures of his day. He attracted more disciples than any other poet of his generation. After traveling throughout Japan, he returned to Kyoto where he commanded great respect. He is best-remembered for his renga, wherein two or more poets collaborate to create a poem, by writing alternate sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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