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Daniel Nicols
Daniel Nicols (8 February 1833–28 February 1897) was a French-born restaurateur best known as the founder of the Hotel Café Royal, Café Royal in London. He became a Naturalization, naturalised British citizen in 1865. Early career Born as Daniel Nicolas Thévenon in Champlost in Burgundy in France and the son of Jean Baptiste Thévenon, he was apprenticed to a coachbuilder in Sens before moving in the early 1850s to Paris, where he continued to work as a coachbuilder. He married his shop-assistant first cousin Célestine Lacoste (1831-1916) in Paris in 1854 and they had a daughter, Emma Josephine Thévenon (1856-1912). At about this time he bought a wine shop in Bercy in Paris from a relative, M. Champroux, for £240 saved from their salaries, and soon followed this with two further shops. When Champroux went bankrupt in 1863 Thévenon, who had guaranteed some of his debts, faced bankruptcy himself for 250,000 francs. Faced with being arrested for this debt he and his wife f ...
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Daniel Nicols Café Royal
Daniel is a masculine given name and a surname of Hebrew language, Hebrew origin. It means "God is my judge"Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 68. (cf. Gabriel (given name), Gabriel—"God is my strength"), and derives from two early biblical figures, primary among them Daniel (biblical figure), Daniel from the Book of Daniel. It is a common given name for males, and is also used as a surname. It is also the basis for various derived given names and surnames. Background The name evolved into over 100 different spellings in countries around the world. Nicknames (Dan (other), Dan, Danny) are common in both English language, English and Hebrew language, Hebrew; "Dan" may also be a complete given name rather than a nickname. The name "Daniil" (Даниил) is common in Russia. Grammatical gender#Personal names, Feminine versions (Danielle, Daniele, Danièle, Daniela, Daniella, Dani, Danitza) a ...
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Surbiton
Surbiton is a suburban neighbourhood in South West London, within the Royal Borough of Kingston upon Thames (RBK). It is next to the River Thames, southwest of Charing Cross. Surbiton was in the historic county of Surrey and since 1965 it has been in Greater London. Surbiton comprises four of the RBK's wards: Alexandra, Berrylands, St. Mark's, and Surbiton Hill. Founded originally as Kingston-upon-Railway when the area was first developed in the 1840s, Surbiton possesses a mixture of grand 19th-century townhouses, Art Deco courts, and more recent residential blocks blending in with semi-detached 20th-century housing estates. With a population of 45,132 in 2016, it accounts for approximately 25% of the total population of the Royal Borough of Kingston upon Thames. Surbiton extends over an area of . Etymology Though Surbiton only received its current name in 1869, the name is attested as ''Suberton'' in 1179, ''Surbeton'' in 1263, ''Surpeton'' in 1486, and finally ''Surbiton'' ...
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Daniel Nicols Vault Brookwood
Daniel is a masculine given name and a surname of Hebrew origin. It means "God is my judge"Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 68. (cf. Gabriel—"God is my strength"), and derives from two early biblical figures, primary among them Daniel from the Book of Daniel. It is a common given name for males, and is also used as a surname. It is also the basis for various derived given names and surnames. Background The name evolved into over 100 different spellings in countries around the world. Nicknames (Dan, Danny) are common in both English and Hebrew; "Dan" may also be a complete given name rather than a nickname. The name "Daniil" (Даниил) is common in Russia. Feminine versions (Danielle, Danièle, Daniela, Daniella, Dani, Danitza) are prevalent as well. It has been particularly well-used in Ireland. The Dutch names "Daan" and "Daniël" are also variations of Daniel. A related surname developed ...
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Freemasonry
Freemasonry or Masonry refers to fraternal organisations that trace their origins to the local guilds of stonemasons that, from the end of the 13th century, regulated the qualifications of stonemasons and their interaction with authorities and clients. Modern Freemasonry broadly consists of two main recognition groups: * Regular Freemasonry insists that a volume of scripture be open in a working lodge, that every member profess belief in a Supreme Being, that no women be admitted, and that the discussion of religion and politics be banned. * Continental Freemasonry consists of the jurisdictions that have removed some, or all, of these restrictions. The basic, local organisational unit of Freemasonry is the Lodge. These private Lodges are usually supervised at the regional level (usually coterminous with a state, province, or national border) by a Grand Lodge or Grand Orient. There is no international, worldwide Grand Lodge that supervises all of Freemasonry; each Grand Lod ...
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Leopold Wenzel
Léopold de Wenzel (23 January 1847 – 21 August 1923), also known as Leopold Wenzel, was an Italian conductor and composer. Born in Naples, Wenzel spent most of his career working in London, with the exception of some years spent in Paris. Wenzel was appointed as musical director, music arranger and ballet composer at the Empire Theatre of Varieties in London in 1889, where he wrote and arranged numerous ballets. Later, he conducted at the Gaiety Theatre, London until 1913. In addition to ballets, his many works include art songs, orchestral works, and operas in the late Victorian era and early Edwardian period. He also composed songs that were incorporated into some works of musical theatre. He died in Asnières, near Paris. Selected works Ballets with choreographer Katti Lanner at the Empire *''A Dream of Wealth'' (1889) *''Cécile'' (1890) *''Dolly'' (1890) *''Orfeo'' (1891) *''By the Sea'' (1891) *''Nisita'' (1891) *''Versailles'' (1892) *''Round the Town'' (1892) *''Katr ...
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Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ...
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Kate Vaughan
Kate Vaughan (1852 – 21 February 1903) was the stage name of Catherine Alice Candelin, a British dancer and actress. She was best known for developing the skirt dance and has been called the "greatest dancer of her time".St Johnston, pp. 170–171 After performing as a young girl, Vaughan had a seven-year engagement at the Gaiety Theatre in London from 1876 to 1883, where she joined its Victorian burlesque troupe that included Nellie Farren and Edward Terry. In 1884 she married Colonel the Hon Frederick Arthur Wellesley, youngest son of the 1st Earl Cowley. She retired from dancing in 1885 and soon began to tour in classic comedies with considerable success. From about 1896 her health began to deteriorate, but she continued to perform until her death. Life and career Vaughan was born in London; as a young girl she appeared on stage in the West End, where her father was an orchestral musician. She is associated with the development of the skirt dance, which she performed ...
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Billee Taylor
''Billee Taylor, or The Reward of Virtue'' is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens. The piece was first produced at the Imperial Theatre in London on 30 October 1880, starring Arthur Williams as Sir Mincing Lane and Frederick Rivers as Billee. It played at the Standard Theatre in New York later that year, starring J. H. Ryley and Alice Burville. ''Billee Taylor'' was a strong success on both sides of the Atlantic and enjoyed many revivals both in Britain and in the United States. Early revivals included The Gaiety Theatre, London (1885, with Marion Hood as Phoebe and Arthur Roberts as Barnacle) and Toole's Theatre (1886).Adams, p. 159 The satiric, cynical risqué story is based on the nautical poem and song of the same title by Richard Brinsley Sheridan. A version of this adult-themed story was created for children and published in 1881. Roles and original cast *Billee Taylor ("a virtuous gardener", in love with Phoebe ...
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Sydney Grundy
Sydney Grundy (23 March 1848 – 4 July 1914) was an English dramatist. Most of his works were adaptations of European plays, and many became successful enough to tour throughout the English-speaking world. He is, however, perhaps best remembered today as the librettist of several comic operas, notably ''Haddon Hall''. Life and career Grundy was born in Manchester, England, the son of Alderman Charles Sydney Grundy. He was educated at Owens College, Manchester, and studied law at the Middle Temple. He was called to the bar in 1869 and practised law until 1876. Early career His early one-act farce, ''A Little Change'', was produced at the Haymarket Theatre in 1872 by the Kendals. This was followed by ''All at Sea'' in 1873, also starring the Kendals. In 1876, Grundy published ''The Days of His Vanity''. He wrote ''Mammon'' for W. H. Vernon at the Strand Theatre in 1877 and ''After Long Years'' for the Folly Theatre in 1879. Early comedies included ''The Glass of Fashion'' ...
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Edward Solomon
Edward Solomon (25 July 1855 – 22 January 1895) was an English composer, conductor, orchestrator and pianist. He died at age 39 by which time he had written dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, including ''The Nautch Girl'' (1891). Early in his career, he was a frequent collaborator of Henry Pottinger Stephens. He had a bigamous marriage with Lillian Russell in the 1880s. Life and career Edward ("Teddy") Solomon was born in Lambeth, London, to a Jewish family. He had ten siblings. His parents were Charles Solomon (1817–1890), a music hall pianist, conductor and composer, and his wife, Cesira "Sarah" Marinina, née Mirandoli (1834–1891). He picked up music by working with his father.Tomes, JasonEdward Solomon ''Oxford Dictionary of National Biography'', Oxford University Press, October 2007; accessed 16 July 2014. Aged 17 or 18, Solomon married 15-year-old Jane Isaacs in 1873, and the two had a daughter, Claire Ro ...
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Chilpéric (operetta)
''Chilpéric'' () is an ''opéra bouffe'' with libretto and music by Hervé, first produced in Paris on 24 October 1868 at the Théâtre des Folies-Dramatiques. A burlesque of the medieval, ''Chilpéric'' starred Hervé in the title role. During a successful revival of the operetta at the Théâtre des Variétés in Paris in 1895, Henri Toulouse-Lautrec painted Marcelle Lender performing a bolero from the operetta in his painting ''Chilpéric''. Roles Background Hervé had written one act operettas for many years, which due to the licensing system in Paris until 1858 was all that was allowed for the theatres where his works were presented. In 1858 this restriction was removed and his first full-length ''opéra bouffe'' '' Les chevaliers de la Table Ronde'' was produced at the Théâtre des Bouffes Parisiens in 1866 with great success. This was followed by ''L'œil crevé'' ("The pierced eye") at the Théâtre des Folies-Dramatiques in 1867, also a success, so the theatre ac ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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