Kate Vaughan

Kate Vaughan (1852 – 21 February 1903) was the stage name of Catherine Alice Candelin, a British dancer and actress. She was best known for developing the skirt dance and has been called the "greatest dancer of her time".St Johnston, pp. 170–171

After performing as a young girl, Vaughan had a seven-year engagement at the Gaiety Theatre in London from 1876 to 1883, where she joined its Victorian burlesque troupe that included Nellie Farren and Edward Terry. In 1884 she married Colonel the Hon Frederick Arthur Wellesley, youngest son of the 1st Earl Cowley. She retired from dancing in 1885 and soon began to tour in classic comedies with considerable success. From about 1896 her health began to deteriorate, but she continued to perform until her death.

Life and career

Vaughan was born in London; as a young girl she appeared on stage in the West End, where her father was an orchestral musician. She is associated with the development of the skirt dance, which she performed as part of an 1873 production of ''Orpheus in the Underworld''. She appeared with her sister Susie as the Vaughan Sisters. The skirt dance was a demure version of the can-can, and it was performed with long skirts made from large lengths of material.Christiansen, Rupert
"The age of the material girl"
''The Daily Telegraph'', 29 April 2000 After she had retired from dancing she described her technique to an interviewer:

In 1876 her main work was at John Hollingshead's Gaiety Theatre in London, where she was employed for the next seven years. This was a time when Nellie Farren, Edward O'Connor Terry and E. W. Royce were the stars at the theatre, particularly in Victorian burlesque. In June 1884 Vaughan married Colonel the Hon Frederick Arthur Wellesley, the youngest son of 1st Earl of Cowley; she was the second of Wellesley's three wives. The marriage ended in 1897. After a break she reappeared on stage in the summer of 1885, where she did a short cameo appearance for just two well-received minutes each night. At the height of her career she was being paid £72 a week to appear as a dancer.

After this she retired from dancing; the skirt dance had become so fashionable that it was said that every young lady needed to have it in her repertoire. Vaughan reinvented herself as a successful comedy actress. From 1886 she toured and played London seasons in new productions of classic English comedies including ''She Stoops to Conquer'' and ''The Rivals'', heading a company that included Charles Collette, Lionel Brough and Johnston Forbes-Robertson. By 1889 she had, according to ''The Times'', attained a unique position as an actress of classic comedy.

Vaughan left her husband in 1892, and in 1897 he successfully sued for divorce. There were no children of the marriage."Probate, Divorce and Admiralty Division", ''The Times'', 9 April 1897, p. 4 From about 1896 her health began to deteriorate, and on medical advice she spent some time in Australia in that year. Vaughan died in 1903 in Johannesburg, South Africa, during an unsuccessful tour starting in Cape Town. She was buried in Braamfontein cemetery in Johannesburg where one of her pall bearers was her former colleague at the Gaiety, Edward Terry.Jupp, p. 23

Reputation

Her biographer, W. J. Lawrence, calls Vaughan "the greatest dancer of her century" so far as "grace, magnetism, and spirituality" are concerned.Lawrence, W. J
"Vaughan, Kate (1852?–1903)"
''Oxford Dictionary of National Biography'', Oxford University Press, 2004; rev. J. Gilliland, online edn, January 2008, accessed 9 September 2014 In 1906 Sir Reginald St Johnston wrote of her in his book ''A History of Dancing'':

Notes, references and sources

Notes

References

Sources

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{{DEFAULTSORT:Vaughan, Kate
1852 births
1903 deaths
Dancers from London
English female dancers
19th-century British dancers
19th-century English women
19th-century English people