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Dance Session
''Dance Session'' is an album by pianist/bandleader Count Basie recorded in 1953 and became Basie's first 12-inch LP when it was originally released on the Clef Records, Clef label. , accessed November 18, 2015 Selections from this album were also released on the 1956 Clef LPs ''Basie Roars Again'' and ''King of Swing''. Track listing # "Straight Life" (Johnny Mandel) - 4:33 # "Basie Goes Wess" (Frank Wess) - 3:52 # "Softly, With Feeling" (Neal Hefti) - 3:05 # "Peace Pipe" (Ernie Wilkins) - 2:28 # "Blues Go Away!" (Wilkins) - 3:19 # "Cherry Point" (Hefti) - 3:19 # "Bubbles" (Hefti) - 4:05 # "Right On" (Freddie Green) - 2:39 # "The Blues Done Come Back" (Wilkins) - 3:37 # "Plymouth Rock" (Hefti) - 3:42 Recorded in Los Angeles, CA on August 13 (tracks 5 & 10) and at Fine Sound Studios in New York ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Wilder
Joseph Benjamin Wilder (February 22, 1922 – May 9, 2014) was an American jazz trumpeter, bandleader, and composer. Wilder was awarded the Temple University Jazz Master's Hall of Fame Award in 2006. The National Endowment for the Arts honored him with its highest honor in jazz, the NEA Jazz Masters Award for 2008. Biography Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder's first performances took place on the radio program "Parisian Tailor's Colored Kiddies of the Air". He and the other young musicians were backed up by such illustrious bands as Duke Ellington's and Louis Armstrong's that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia, but turned to jazz when he felt that there was little future for an African-American classical musician. At the age of 19, Wilder joined his first touring big band, Les Hite's band. Wilder was one of the first thousand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *''The Count!'' (Clef, 1952 955 *''Basie Jazz'' (Clef, 1952 954 *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Royal
Marshal Walton Royal Jr. (December 5, 1912 – May 8, 1995) was an American jazz alto saxophonist and clarinetist best known for his work with Count Basie, with whose band he played for nearly twenty years. Early life and education Marshal Royal Jr. was born into a musical family in Sapulpa, Oklahoma. Career Royal's first professional gig was with Lawrence Brown's band at Danceland in Los Angeles, and he soon had a regular gig at the Apex, working for Curtis Mosby in Mosby's Blue Blowers, a 10-piece band. He then began an eight-year (1931–1939) stint with the Les Hite orchestra at Sebastian's Cotton Club, which was near the MGM studios in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career. With his brother, Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy's preflight training school for pilots at St. Mary's College in Moraga, California. The band played for bond rallies, regimental re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Powell
Benny Powell (March 1, 1930 – June 26, 2010) was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone. Biography Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton's band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie's 1955 recording of " April in Paris". After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones-Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the ''Merv Griffin Show'', and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Coker
Henry Coker (December 24, 1919 – November 23, 1979) was an American jazz trombonist. Biography Coker was born in Dallas, Texas, United States. He made his professional debut with John White in 1935. From 1937 to 1939 he played with Nat Towles's territory band, then moved to Hawaii to play with Monk McFay. After the Japanese bombed Pearl Harbor, Coker returned to California, playing with Benny Carter (1944–46), Illinois Jacquet (1945), Eddie Heywood (1946–47), and Charles Mingus (late 1940s). Coker fell ill from 1949 to 1951 and played little. After his recovery he worked with Sonny Rollins and then joined Count Basie's band, playing and recording with him from 1952 to 1963. Coker worked as a studio musician in the 1960s, then toured with Ray Charles from 1966 to 1971. He worked freelance and in film and television studios in the mid-1970s, returning to Basie briefly in 1973 and Charles in 1976. Osie Johnson wrote a tribute to him entitled "Cokernut Tree" in 1955. Coker app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henderson Chambers
Henderson Chambers (May 1, 1908 – October 19, 1967) was an American jazz trombonist. Early life and education Chambers was born in Alexandria, Louisiana. He studied at Leland College and Morehouse College, then joined Neil Montgomery's band in 1931. Career Chambers played in Nashville with Doc Banks in 1932, then with Jack Jackson's Pullman Porters, Speed Webb, Zack Whyte, and Al Sears in Kentucky. During his career, he played tenor saxophone, trumpet, and tuba. After two years with Tiny Bradshaw in the middle of the 1930s, Chambers moved to New York City, where he played with Chris Columbus at the Savoy Ballroom in 1939-40. Following this he played with Louis Armstrong, an erngagement which lasted until 1943. Later in the 1940s, he worked with Don Redman, Sy Oliver, Lucky Millinder, and Count Basie; in the 1950s he spent time with Cab Calloway, Doc Cheatham, Duke Ellington, and Mercer Ellington. He also did work as a studio musician. After joining Ray Charles's band f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
