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Dan Hett
Dan Hett is a digital artist, writer and games designer from Manchester, UK. He is also a member of the Algorave live coding electronic music and visuals movement, performing under the name Rituals. Career Hett's writing is influenced by the death of his younger brother Martyn Hett in the 2017 Manchester Arena bombing. He wrote a trilogy of games about the experience: '' c ya laterrrr'', ''The Loss Levels'' and ''Sorry to Bother You''. Hett is known for short introspective autobiographical narrative games and interactive fiction, which explore radicalisation, extremism and identity politics in the UK. His work ''The Loss Levels'' has been exhibited at Now Play This festival in London and Sheffield DocFest. Until 2016 Hett worked in the BBC Children's and R&D departments, where he developed apps and digital games across a range of languages and platforms. He was technical lead on the CBeebies ''Storytime'' app, and also designed and built the core of the BBC's first cross-platfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchester
Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The two cities and the surrounding towns form one of the United Kingdom's most populous conurbations, the Greater Manchester Built-up Area, which has a population of 2.87 million. The history of Manchester began with the civilian settlement associated with the Roman fort ('' castra'') of ''Mamucium'' or ''Mancunium'', established in about AD 79 on a sandstone bluff near the confluence of the rivers Medlock and Irwell. Historically part of Lancashire, areas of Cheshire south of the River Mersey were incorporated into Manchester in the 20th century, including Wythenshawe in 1931. Throughout the Middle Ages Manchester remained a manorial township, but began to expand "at an astonishing rate" around the turn of the 19th century. Manchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algorave
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act. Although algorave musicians have been compared with DJs, they ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Coding
Live coding, sometimes referred to as on-the-fly programming,Wang G. & Cook P. (2004"On-the-fly Programming: Using Code as an Expressive Musical Instrument" In ''Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME)'' (New York: NIME, 2004). just in time programming and conversational programming, makes programming an integral part of the running program. It is most prominent as a performing arts form and a creativity technique centred upon the writing of source code and the use of interactive programming in an improvised way. Live coding is often used to create sound and image based digital media, as well as light systems, improvised dance and poetry, though is particularly prevalent in computer music usually as improvisation, although it could be combined with algorithmic composition. Typically, the process of writing source code is made visible by projecting the computer screen in the audience space, with ways of visualising the code ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchester Arena Bombing
On 22 May 2017, an Islamist extremist suicide bomber detonated a shrapnel-laden homemade bomb as people were leaving the Manchester Arena following a concert by American pop singer Ariana Grande. Twenty-three people were killed, including the attacker, and 1,017 were injured, many of them children. Several hundred more suffered psychological trauma. The bomber was Salman Ramadan Abedi, a 22-year-old local man of Libyan ancestry. After initial suspicions of a terrorist network, police later said they believed Abedi had largely acted alone, but that others had been aware of his plans. The Islamic State claimed responsibility shortly after the attack. In March 2020, the bomber's brother, Hashem Abedi, was found guilty of 22 counts of murder and attempting to murder 1,017 others, and was sentenced to life in prison. The incident was the deadliest terrorist attack and the first suicide bombing in the United Kingdom since the 7 July 2005 London bombings. Bombing On 22 May 2017 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Ya Laterrrr
''c ya laterrrr'' is an autobiographical hypertext fiction written by Dan Hett about his experiences following his brother dying in the Manchester Arena bombing. It won the New Media Writing Prize in 2020. Plot and structure ''c ya laterrrr'' is a text-only game or hypertext fiction written in Twine. The story is written in the second person, following the convention of interactive fiction '' Interactive fiction, often abbreviated IF, is software simulating environments in which players use text commands to control characters and influence the environment. Works in this form can be understood as literary narratives, either in the .... While the game has only one endpoint, the player is faced with many choices along the way and "one of the many possible pathways does reflect ett'sactual experience". Unlike many other Twine games, it doesn't feature back/next buttons, forcing the player to stick with the choices they make. Hett has emphasised the importance of these choice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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