|
Dame Madge Kendal
Dame Madge Kendal, (born Margaret Shafto Robertson; 15 March 1848 – 14 September 1935) was an English actress of the Victorian and Edwardian eras, best known for her roles in Shakespeare and English comedies. Together with her husband, W. H. Kendal (''né'' William Hunter Grimston), she became an important theatre manager. Madge Kendal came from a theatrical family. She was born in Grimsby in Lincolnshire, where her father ran a chain of theatres. She began to act as a small child and made her London debut at the age of four. As a teenager she appeared with Ellen and Kate Terry in Bath, and played Shakespeare's Ophelia and Desdemona in the West End. Under the management of J. B. Buckstone, she joined the company of the Haymarket Theatre in London in 1869, when she was 21. While in the company she met and married the actor W. H. Kendal. After their marriage, in August 1869, the two made it a rule to appear in the same productions, and became known to the public as "The K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan (30 October 17517 July 1816) was an Irish satirist, a politician, a playwright, poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as ''The Rivals'', ''The School for Scandal'', ''The Duenna'' and ''A Trip to Scarborough''. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide. Early life Sheridan was born in 1751 in Dublin, Ireland, where his family had a house on then fashionable Dorset Street. His mother, Frances Sheridan, was a playwright and novelist. She had two plays produced in London in the early 1760s, though she is best known for her novel ''The Memoirs of Miss Sidney Biddulph'' (1761). His father, Thomas Sheridan, was for a while an actor-manager at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dundee Evening Telegraph
The ''Evening Telegraph'' is a local newspaper in Dundee, Scotland. Known locally as the ''Tele'' (usually pronounced ''Tully or Tilly''), it is the sister paper of '' The Courier'', also published by Dundee firm D. C. Thomson & Co. Ltd. It was founded in 1877. Dave Lord is the Evening Telegraph's current editor. History Originally founded by John Leng, the Evening Telegraph began to adopt its current conservative and populist Populism refers to a range of political stances that emphasize the idea of "the people" and often juxtapose this group against " the elite". It is frequently associated with anti-establishment and anti-political sentiment. The term develop ... editorial style after it was acquired by DC Thomson. References External links * Newspapers published in Scotland Mass media in Dundee Daily newspapers published in the United Kingdom Right-wing populism in the United Kingdom {{Scotland-newspaper-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dickens
Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today. Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, for education, and for other social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Marylebone
The Theatre Royal, Marylebone (also known as the Marylebone Theatre, among other names) was a Victorian era theatre in the Marylebone area of London. Built in 1831, at various other times it was a music hall, a cinema and warehouse until it was damaged by fire in 1962, when it was demolished. Early history Over the course of its history the theatre had many names and many owners. Located on Church Street in Marylebone, it opened in 1831 as the Royal Sussex Theatre. Built at a cost of about £9,000 by Messrs Ward, Eggerton, and Abbott, the theatre's foundation stone was laid on 17 May 1831 but by the following year it was refused a performing licence as being 'unfinished'. Despite this setback it reopened in 1832 as the unlicensed Royal Pavilion Theatre for performances of 'crude melodrama and comic songs'. In 1833 the still unfinished theatre was renamed the Portman Theatre but following its owner's bankruptcy it was put up for auction in July 1833. In its early years the theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Edgar Pemberton
Thomas Edgar Pemberton (1 July 1849 – 28 September 1905) was an English novelist, playwright and theatrical historian. Early career Born on 1 July 1849, he was the eldest son of Thomas Pemberton, the head of an old-established firm of brass founders in Livery Street, Birmingham. A brother was the novelist Max Pemberton. (The earlier actor and lecturer Charles Reece Pemberton was of the same family.) After education at schools in Edgbaston, Pemberton at nineteen entered his father's firm, and in due course gained control of the business, with which he was connected until 1900. Pemberton married on 11 March 1873, in the Old Meeting House, Birmingham, Mary Elizabeth, second daughter of Edward Richard Patie Townley of Edgbaston. Of literary taste from youth, Pemberton long divided his time between commerce and varied literary endeavours. His novels ''Charles Lysaght: a Novel devoid of Novelty'' (1873) and ''Under Pressure'' (1874) were less well regarded than his later novel ''A Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas William Robertson
Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing articles for the press, translating and adapting foreign plays and writing several of his own plays he achieved success in 1865 with his play ''Society (play), Society'', which the actor-manager Marie Wilton presented at a small London theatre, the Scala Theatre, Prince of Wales's. Over the next five years Robertson wrote five more plays for the Prince of Wales's. Their naturalistic style and treatment of contemporary social issues was in strong contrast to the melodramas and exaggerated theatricality to which the public had been accustomed, and Robertson's plays were box-office and critical successes. Robertson supervised their productions and was a pioneer of modern stage directing. Among later theatrical figures inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
