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Daisuke Katō
was a Japanese actor. He appeared in over 200 films, including Akira Kurosawa's ''Seven Samurai'', ''Rashomon'', ''Yojimbo'', and ''Ikiru''. He also worked repeatedly for noted directors such as Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi. Career Born as Tokunosuke Katō to a theatrical family, his older brother was the actor Kunitarō Sawamura and his older sister the actress Sadako Sawamura. He joined the Zenshinza Theatre Company in 1933 and appeared in a number of stage and film productions under the stage name Enji Ichikawa, including Sadao Yamanaka's '' Humanity and Paper Balloons'' and Kenji Mizoguchi's '' The 47 Ronin''. After spending the war in New Guinea, he returned to Japan and signed with the Daiei Film studio, appearing now under the name Daisuke Katō. In addition to appearing in traditional jidaigeki roles, notably as one of Kurosawa's ''Seven Samurai'', Katō became a popular everyman in contemporary shōshimin-eiga movies. His transfer to Toho in 1951 wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asakusa
is a district in Taitō, Tokyo, Japan. It is known as the location of the Sensō-ji, a Buddhist temple dedicated to the bodhisattva Kannon. There are several other temples in Asakusa, as well as various festivals, such as the . History The development of Asakusa as an entertainment district during the Edo period came about in part because of the neighboring district, Kuramae. Kuramae was a district of storehouses for rice, which was then used as payment for servants of the feudal government. The keepers () of these storage houses initially stored the rice for a small fee, but over the years began exchanging the rice for money or selling it to local shopkeepers at a margin. Through such trading, many came to have a considerable amount of disposable income and as result theaters and geisha houses began to spring up in nearby Asakusa. For most of the 20th century, Asakusa remained a major entertainment district in Tokyo. The or "Sixth District" was in particular famous as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toho
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many '' kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involved in the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shomin-geki
, literally ''common people drama'', is a pseudo-Japanese word invented by Western film scholars. It describes a genre of Japanese realist films which focus on the everyday lives of ordinary people. In Japanese the correct word for this genre is ''shōshimin-eiga'' (小市民 映画, literally ''petit-bourgeois film'' or ''lower middle class film''). Film historians Joseph L. Anderson and Donald Richie define the ''shomin-geki'' as " sentially a film about proletarian or lower-middle-class life, about the sometimes humorous, sometimes bitter relations within the family, about the struggle for existence, ��the kind of film many Japanese think of as being about 'you and me.'" The beginnings of the ''shomin-geki'' are assigned to the Shochiku film studio and its director Yasujirō Shimazu. Yasujirō Ozu (1903–1963), a former assistant of Shimazu, and Mikio Naruse (1905–1969) are two prominent directors considered to work primarily in the field of the ''shomin-geki''. Others in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everyman
The everyman is a stock character of fiction. An ordinary and humble character, the everyman is generally a protagonist whose benign conduct fosters the audience's identification with them. Origin The term ''everyman'' was used as early as an English morality play from the early 1500s: ''The Summoning of'' ''Everyman''. The play's protagonist is an allegorical character representing an ordinary human who knows he is soon to die; according to literature scholar Harry Keyishian he is portrayed as "prosperous, gregarious, ndattractive".Harry Keyishian"Review of Douglas Morse, dir.,''The Summoning of Everyman'' (Grandfather Films, 2007)" ''Shakespeare Bulletin'' ( Johns Hopkins U P), 2008 Fall;26(3):45–48. Everyman is the only human character of the play; the others are embodied ideas such as Fellowship, who "symbolizes the transience and limitations of human friendship". The use of the term ''everyman'' to refer generically to a portrayal of an ordinary or typical person d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jidaigeki
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daiei Film
Daiei Film Co. Ltd. ( Kyūjitai: Shinjitai: ''Daiei Eiga Kabushiki Kaisha'') was a Japanese film studio. Founded in 1942 as Dai Nippon Film Co., Ltd., it was one of the major studios during the postwar Golden Age of Japanese cinema, producing not only artistic masterpieces, such as Akira Kurosawa's '' Rashomon'' (1950) and Kenji Mizoguchi's ''Ugetsu'' (1953), but also launching several film series, such as ''Gamera'', ''Zatoichi'' and ''Yokai Monsters'', and making the three ''Daimajin'' films (1966). It declared bankruptcy in 1971 and was acquired by Kadokawa Pictures. History Origin Daiei Film was the product of government efforts to reorganize the film industry during World War II in order to rationalize use of resources and increase control over the medium. Against a government plan to combine all the film studios into two companies, Masaichi Nagata, an executive at Shinkō Kinema, pressed hard for an alternative plan to create three studios. His efforts won out and Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Guinea
New Guinea (; Hiri Motu Hiri Motu, also known as Police Motu, Pidgin Motu, or just Hiri, is a language of Papua New Guinea, which is spoken in surrounding areas of Port Moresby (Capital of Papua New Guinea). It is a simplified version of Motu, from the Austronesian l ...: ''Niu Gini''; id, Papua, or , historically ) is the List of islands by area, world's second-largest island with an area of . Located in Oceania in the southwestern Pacific Ocean, the island is separated from Mainland Australia, Australia by the wide Torres Strait, though both landmasses lie on the same continental shelf. Numerous smaller islands are located to the west and east. The eastern half of the island is the major land mass of the independent state of Papua New Guinea. The western half, known as Western New Guinea, forms a part of Indonesia and is organized as the provinces of Papua (province), Papua, Central Papua, Highland Papua, South Papua, Southwest Papua, and West Papua (province), West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacific War
The Pacific War, sometimes called the Asia–Pacific War, was the theater of World War II that was fought in Asia, the Pacific Ocean, the Indian Ocean, and Oceania. It was geographically the largest theater of the war, including the vast Pacific Ocean theater, the South West Pacific theater, the Second Sino-Japanese War, and the Soviet–Japanese War. The Second Sino-Japanese War between the Empire of Japan and the Republic of China had been in progress since 7 July 1937, with hostilities dating back as far as 19 September 1931 with the Japanese invasion of Manchuria. However, it is more widely accepted that the Pacific War itself began on 7 December (8 December Japanese time) 1941, when the Japanese simultaneously invaded Thailand, attacked the British colonies of Malaya, Singapore, and Hong Kong as well as the United States military and naval bases in Hawaii, Wake Island, Guam, and the Philippines. The Pacific War saw the Allies pitted against Japan, the latter ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 47 Ronin (1941 Film)
is a black-and-white two-part jidaigeki Cinema of Japan, Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. The first part was released on December 1, 1941 with the second part being released on February 11 of the following year. The film depicts the legendary forty-seven Ronin and their plot to avenge the death of their lord, Asano Naganori, by killing Kira Yoshinaka, a shogunate official responsible for Asano being forced to commit seppuku. Plot The plot revolves around the consequences of an attack by Lord Asano Naganori on Lord Kira Yoshinaka, an influential court official in the Tokugawa Shogunate. After overhearing Kira insult him in public, Asano strikes Kira with a sword in the corridors of Edo Castle, but succeeds only in wounding him. As attacking a Shogunate official is a grave offense, Shogun Tokugawa Tsunayoshi sentences Asano to commit seppuku and issues an edict stripping the Asano Clan of their lands and wealth. Kira, meanwhile, is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humanity And Paper Balloons
is a 1937 Japanese jidaigeki film directed by Sadao Yamanaka. It was Yamanaka's last film before his death. Plot The film is set in feudal Japan during the 18th century, an era known as the Edo period. It depicts the struggles and schemes of Matajuro Unno, a rōnin, or masterless samurai, and his neighbor Shinza, a hairdresser. The story begins in a slum where poor families perform menial jobs. Shinza, though a hairdresser by trade, actually makes his living by running illicit gambling rooms and pawning his belongings. Unno, who lives with his wife next door, is the son of Matabei Unno, a great samurai. Since his father's death, Unno has struggled to find work and hopes that Mouri, his father's former master, will hire him after reading a letter from his father. Mouri avoids Unno and finds excuses not to read his father's letter. Nevertheless, Unno seeks out Mouri every day and follows him wherever he goes. Mouri tries to get rid of Unno by sending a gang of men to intimidate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadao Yamanaka
was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the ''jidaigeki'', or historical film. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, ''Eiga kantoku Yamanaka Sadao''. Only three of his films survive in nearly complete form. While long considered a master filmmaker in his native Japan, interest in Yamanaka's work redeveloped after the restoration and Japanese DVD release of the three surviving films. His most internationally discussed film, '' Humanity and Paper Balloons'' (1937), was given its first non-Japanese DVD release in the UK as a Masters of Cinema release. Career Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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