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DZTM-TV
DWET-TV, channel 5 (analog) and channel 18 (digital), is the flagship TV station of Philippine television network TV5. The station is owned and operated by TV5 Network Inc., which is owned by MediaQuest Holdings, the multimedia arm of Philippine-based telecommunications company PLDT. Its main broadcast facilities are located at the TV5 Media Center, Reliance cor. Sheridan Sts., Brgy. Buayang Bato, Mandaluyong City, Metro Manila; while the station's alternate studios, the analog and digital transmitter are located at the TV5 Complex, 762 Quirino Highway, Brgy. San Bartolome, Novaliches, Quezon City, Metro Manila and its alternate digital transmitter is located at Block 3, Emerald Hills, Sumulong Highway, Antipolo, Rizal. Digital television Digital channels UHF Channel 18 (497.143 MHz)1 UHF Channel 51 (695.143 MHz)2 ;Notes 1 – Permanent digital frequency assigned by NTC (through a Memorandum Circular). 2 – Licensed to Mediascape (Cignal TV), Inc.
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TV5 (Philippine TV Network)
TV5 (also known as 5 and formerly known as ABC) is a Philippine free-to-air television network based in Mandaluyong, with its alternate studios located in Novaliches, Quezon City. It is the flagship property of TV5 Network, Inc. with Cignal TV as its main content provider, both owned by MediaQuest Holdings, the multimedia arm of Philippine-based telecommunications company PLDT. TV5 is also formally referred to as "The ''Kapatid'' Network", the Filipino term for "sibling", which was introduced in 2010. Named after its flagship station in Metro Manila, DWET-TV, which are carried in VHF Channel 5 (analog broadcast) and UHF Channel 51 (digital test broadcast; the latter is licensed to TV5's sister company Mediascape/Cignal TV), TV5 is also broadcasting to seven other owned-and-operated stations and seven affiliate television stations nationwide, as well as on all cable and satellite TV providers nationwide. Its programming is also available outside the Philippines through Kapatid ...
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TV5 Network
TV5 Network Inc., commonly known as TV5, is a Philippine media company based in Mandaluyong, with its alternate studios located in Novaliches, Quezon City. It is primarily involved in radio and television broadcasting, with subsidiaries and affiliates dealing in various media related businesses is owned by MediaQuest Holdings, an investee company of Philippine telecommunications giant PLDT, through its Beneficial Trust Fund, and headed by business tycoon Manuel V. Pangilinan. Among its assets owns and operates two broadcast television networks ( TV5 and One Sports), the national radio station ( Radyo5 92.3 News FM), and the regional radio network ( Radyo5). It also operates two international television channels (Kapatid Channel and AksyonTV International) along with subsidiaries such as TV film productions and originals (Studio5) digital terrestrial television providers ( Sulit TV) an exclusive sales and marketing agent (Media5) as well as digital and online portals technol ...
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Quezon City
Quezon City (, ; fil, Lungsod Quezon ), also known as the City of Quezon and Q.C. (read in Filipino as Kyusi), is the List of cities in the Philippines, most populous city in the Philippines. According to the 2020 census, it has a population of 2,960,048 people. It was founded on October 12, 1939, and was named after Manuel L. Quezon, the List of presidents of the Philippines, second president of the Philippines. The city was intended to be the Capital of the Philippines, national capital of the Philippines that would replace Manila, as the latter was suffering from overcrowding, lack of housing, poor sanitation, and traffic congestion. To create Quezon City, several barrios were carved out from the towns of Caloocan, Marikina, San Juan, Metro Manila, San Juan and Pasig, in addition to the eight vast estates the Philippine government purchased for this purpose. It was officially proclaimed as the national capital on October 12, 1949, and several government departments and i ...
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Quirino Highway
The Quirino Highway, formerly called the El Quirino Express Road or Ipo Road, is a four-to-eight lane, secondary highway that connects Quezon City to the municipality of Norzagaray in Bulacan, Philippines. The road is a designated as National Route 127 (N127) of the Philippine highway network within the city bounds of Quezon City, Radial Road 7 (R-7), and a spur of Radial Road 8 (R-8) of Metro Manila's arterial road network. History Prior to the construction of the Balintawak Interchange and North Diversion Road, it forms an old road that linked the city of Manila with Novaliches, previously called as the ''Manila-del Monte Garay Road'', ''Manila-Novaliches Road'', ''Bonifacio-Manila Road'', ''Balintawak-Novaliches Road'', and ''Highway 52''. The portion of the road south of EDSA is presently known as A. Bonifacio Avenue. Circa 1955, the section of the highway from Novaliches to the Caloocan–San Jose del Monte boundary was called ''Novaliches-San Jose Road''. It was late ...
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Cavite
Cavite, officially the Province of Cavite ( tl, Lalawigan ng Kabite; Chavacano: ''Provincia de Cavite''), is a province in the Philippines located in the Calabarzon region in Luzon. Located on the southern shores of Manila Bay and southwest of Manila, it is one of the most industrialized and fastest-growing provinces in the Philippines. As of 2020, it has a population of 4,344,829, making it the most populated province in the country if the independent cities of Cebu are excluded from Cebu's population figure. The ''de facto'' capital and seat of the government of the province is Trece Martires, although Imus is the official (''de jure'') capital while the City of Dasmariñas is the largest city in the province. For over 300 years, the province played an important role in both the country's colonial past and eventual fight for independence, earning it the title "Historical Capital of the Philippines". It became the cradle of the Philippine Revolution, which led to the r ...
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Cignal TV
Cignal TV, Inc. (formerly known as GV Broadcasting System), also known by its legal trading name Mediascape Inc., is a Filipino media and telecommunications firm in the Philippines. A wholly owned subsidiary of the media conglomerate MediaQuest Holdings under the PLDT Beneficial Trust Fund, the firm operates its pay television services (Cignal and SatLite), subscription television networks ( One News, One Sports+, BuKo Channel, Sari-Sari Channel, NBA TV Philippines, PBA Rush, and UAAP Varsity Channel), television and film entertainment production (Cignal Entertainment), and fiber broadband internet (Red Fiber). Cignal TV also operates free television channels TV5 (with its main frequencies owned by its sister company of the same name), One Sports (with its main frequency owned by sister network Nation Broadcasting Corporation) and One PH (currently under test broadcast via DWET-TV's digital subchannel 5.2). In addition, under the Mediascape name, it operates UHF 51 ...
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1seg
is a mobile terrestrial digital audio/video and data broadcasting service in Japan, Argentina, Brazil, Chile, Uruguay, Paraguay, Peru and the Philippines. Service began experimentally during 2005 and commercially on April 1, 2006. It is designed as a component of ISDB-T, the terrestrial digital broadcast system used in those countries, as each channel is divided into 13 segments, with a further segment separating it from the next channel; an HDTV broadcast signal occupies 12 segments, leaving the remaining (13th) segment for mobile receivers, hence the name, "1seg" or "One Seg". Its use in Brazil was established in late 2007 (starting in just a few cities), with a slight difference from the Japanese counterpart: it is broadcast under a 30 frame/s transmission setting (Japanese broadcasts are under the 15 frame/s transmission setting). Technical information The ISDB-T system uses the UHF band at frequencies between 470 and 770 MHz (806 MHz in Brazil), giving a to ...
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240p
Low-definition television (LDTV) refers to TV systems that have a lower screen resolution than standard-definition TV systems. The term is usually used in reference to digital TV, in particular when broadcasting at the same (or similar) resolution as low-definition analog TV systems. Mobile DTV systems usually transmit in low definition, as do all slow-scan TV systems. Sources The Video CD format uses a progressive scan LDTV signal (352×240 or 352×288), which is half the vertical and horizontal resolution of full-bandwidth SDTV. However, most players will internally upscale VCD material to 480/576 lines for playback, as this is both more widely compatible and gives a better overall appearance. No motion information is lost due to this process, as VCD video is not high-motion and only plays back at 25 or 30 frames per second, and the resultant display is comparable to consumer-grade VHS video playback. For the first few years of its existence, YouTube offered only one, low-de ...
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480i
480i is the video mode used for standard-definition digital television in the Caribbean, Japan, South Korea, Taiwan, Philippines, Laos, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Although related, it should not be confused with the an ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ...
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Display Resolution
The display resolution or display modes of a digital television, computer monitor or display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays) and projection displays using fixed picture-element (pixel) arrays. It is usually quoted as ', with the units in pixels: for example, ' means the width is 1024 pixels and the height is 768 pixels. This example would normally be spoken as "ten twenty-four by seven sixty-eight" or "ten twenty-four by seven six eight". One use of the term ''display resolution'' applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, OLED displays, and similar technologies, and is simply the physical number of columns and rows of pixels creating ...
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Digital Subchannel
In broadcasting, digital subchannels are a method of transmitting more than one independent program stream simultaneously from the same digital radio or television station on the same radio frequency channel. This is done by using data compression techniques to reduce the size of each individual program stream, and multiplexing to combine them into a single signal. The practice is sometimes called "multicasting". ATSC television United States The ATSC digital television standard used in the United States supports multiple program streams over-the-air, allowing television stations to transmit one or more subchannels over a single digital signal. A virtual channel numbering scheme distinguishes broadcast subchannels by appending the television channel number with a period digit (".xx"). Simultaneously, the suffix indicates that a television station offers additional programming streams. By convention, the suffix position ".1" is normally used to refer to the station's main digi ...
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