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Dž ( titlecase form; all- capitals form DŽ, lowercase dž) is the seventh letter of the Gaj's Latin alphabet for Serbo-Croatian ( Bosnian, Croatian, Montenegrin and Serbian), after D and before Đ. It is pronounced or , like "j" in English. Dž is a digraph that corresponds to the letter Dzhe (Џ/џ) of the Serbian Cyrillic alphabet. It is also the tenth letter of the Slovak alphabet. Although several other languages (see below) also use the letter combination ''DŽ'', they treat it as a pair of the letters '' D'' and '' Ž'', not as a single distinct letter. Note that when the letter is the initial of a capitalised word (like ''Džungla'' or ''Džemper'', or personal names like ''Džemal'' or '' Džamonja''), the ž is not uppercase. Only when the whole word is written in uppercase, is the Ž capitalised. The capitalized version of this letter ('DŽ'), as a single character in Unicode, is also the largest character amongst every Latin character in size (in blocks Bas ...
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Dušan Džamonja
Dušan Džamonja (, ; 31 January 1928 – 14 January 2009) was a Yugoslav sculptor of Serbian ancestry. Education and career Džamonja was born in 1928 in Strumica, Macedonia, former Vardar Banovina, Kingdom of Yugoslavia. In 1945, Džamonja began his studies at the Academy of Fine Arts in Zagreb under the professors Vanja Radauš, Frano Kršinić and Antun Augustinčić, all notable artists. In 1951, he graduated in professor Augustinčić’s master class. He worked in the Kršinić workshop from 1951 until 1953 when he started his workshop in Zagreb. In 1954 he held his first solo exhibition in the Salon ULUH in Zagreb. In 1970, he began the construction of his house and workshop in Vrsar, Istria according to his own design. Artistic style Džamonja drew primarily in chalk and used the technique of washed ink; however, he leaned towards sculpture early on. He used many materials, from bronze and iron to wood, glass, concrete and polyester in his sculptures. Works His work ...
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Serbian Cyrillic Alphabet
The Serbian Cyrillic alphabet (, ), also known as the Serbian script, (, ), is a standardized variation of the Cyrillic script used to write the Serbian language. It originated in medieval Serbia and was significantly reformed in the 19th century by the Serbian philologist and linguist Vuk Karadžić. The Serbian Cyrillic alphabet is one of the two official scripts used to write modern standard Serbian, the other being Gaj's Latin alphabet. Karadžić based his reform on the earlier 18th-century Slavonic-Serbian script. Following the principle of "write as you speak and read as it is written" (''piši kao što govoriš, čitaj kao što je napisano''), he removed obsolete letters, eliminated redundant representations of iotated vowels, and introduced the letter from the Latin script. He also created new letters for sounds unique to Serbian phonology. Around the same time, Ljudevit Gaj led the standardization of the Latin script for use in western South Slavic languages, appl ...
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Serbo-Croatian
Serbo-Croatian ( / ), also known as Bosnian-Croatian-Montenegrin-Serbian (BCMS), is a South Slavic language and the primary language of Serbia, Croatia, Bosnia and Herzegovina, and Montenegro. It is a pluricentric language with four mutually intelligible Standard language, standard varieties, namely Serbian language, Serbian, Croatian language, Croatian, Bosnian language, Bosnian, and Montenegrin language, Montenegrin. South Slavic languages historically formed a dialect continuum. The region's turbulent history, particularly due to the expansion of the Ottoman Empire, led to a complex dialectal and religious mosaic. Due to population migrations, Shtokavian became the most widespread supradialect in the western Balkans, encroaching westward into the area previously dominated by Chakavian and Kajkavian. Bosniaks, Croats, and Serbs differ in religion and were historically often part of different cultural spheres, although large portions of these populations lived side by side und ...
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Gaj's Latin Alphabet
Gaj's Latin alphabet ( sh-Latn-Cyrl, Gajeva latinica, separator=" / ", Гајева латиница}, ), also known as ( sr-Cyrl, абецеда, ) or ( sr-Cyrl, гајица, link=no, ), is the form of the Latin script used for writing all four standard varieties of Serbo-Croatian: Bosnian language, Bosnian, Croatian language, Croatian, Montenegrin language, Montenegrin, and Serbian language, Serbian. It contains 27 individual letters and 3 digraphs. Each letter (including digraphs) represents one Serbo-Croatian phonology, Serbo-Croatian phoneme, yielding a highly phonemic orthography. It closely corresponds to the Serbian Cyrillic alphabet. The alphabet was initially devised by Croatian linguist Ljudevit Gaj in 1835 during the Illyrian movement in Croats, ethnically Croatian parts of the Austrian Empire. It was largely based on Jan Hus's Czech alphabet and was meant to serve as a unified orthography for Triune Kingdom, three Croat-populated kingdoms within the Austrian Empi ...
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Dzhe
Dzhe (Џ џ; italics: ''Џ џ'' or ; italics: ''Џ, џ''), also spelled dže, is a letter of the Cyrillic script used in Macedonian language, Macedonian and Variety (linguistics), varieties of Serbo-Croatian (Montenegrin language, Montenegrin and Serbian language, Serbian) to represent the voiced postalveolar affricate , like the pronunciation of j in “jump”. Dzhe corresponds in other Cyrillic alphabets to the digraph (orthography), digraphs дж or чж, or to the letters Che with descender (Ҷ ҷ), Che with vertical stroke (Ҹ ҹ), Khakassian Che (Ӌ ӌ), Zhe with breve (Ӂ ӂ), Zhe with diaeresis (Ӝ ӝ), or Zhje (Җ җ). In the Latin version of Gaj's Latin alphabet, Serbo-Croatian, it corresponds with the digraph which, like the digraphs and , is treated as a single letter, including in crossword puzzles and for purposes of collation. Abkhaz language, Abkhaz uses it to represent the voiced retroflex affricate . The digraph џь is ...
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Slovak Alphabet
The first Slovak orthography was proposed and created by the Slovak Catholic priest Anton Bernolák (1762–1813) in his ''Dissertatio philologico-critica de litteris Slavorum'', used in the six-volume ''Slovak-Czech-Latin-German-Hungarian Dictionary'' (1825–1927) and used primarily by Slovak Catholics. The standard orthography of the Slovak language is immediately based on the standard developed by Ľudovít Štúr in 1844 and reformed by Martin Hattala in 1851 with the agreement of Štúr. The then-current (1840s) form of the central Slovak dialect was chosen as the standard. After Hattala's reform, the standardized orthography remained mostly unchanged. Alphabet The Slovak alphabet is an extension of the Latin alphabet with 46 letters including four diacritics (ˇ( mäkčeň), ´(acute accent), ¨( diaeresis/umlaut), ˆ(circumflex)), which makes it the longest Slavic and European alphabet. In IPA transcriptions of Slovak, are often written with , i.e. as if they were ...
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Montenegrin Language
, pronunciation = , states = Montenegro , ethnicity = Montenegrins , speakers = 232,600 ( see text) , date = , ref = , familycolor = Indo-European , fam2 = Balto-Slavic , fam3 = Slavic , fam4 = South Slavic , fam5 = Western , fam6 = Serbo-Croatian , script = , nation = , minority = Mali Iđoš municipality ( Vojvodina, Serbia) , agency = Board for Standardization of the Montenegrin Language , iso2 = cnr , iso2comment = , iso3 = cnr , iso3comment = , lingua = part of 53-AAA-g , notice = IPA , glotto = mont1282 , glottorefname = Montenegrin Standard , fam7 = Shtokavian , fam8 = New Shtokavian , fam9 = Eastern Herzegovinian Montenegrin ( ; , ) is a normative variety of the Serbo-Croat ...
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Capital Letters
Letter case is the distinction between the letters that are in larger uppercase or capitals (more formally ''#Majuscule, majuscule'') and smaller lowercase (more formally ''#Minuscule, minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper- and lowercase have two parallel sets of letters: each in the majuscule set has a counterpart in the minuscule set. Some counterpart letters have the same shape, and differ only in size (e.g. ), but for others the shapes are different (e.g., ). The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are typically treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often denoted by the grammar of a language or by the conventions of a particular ...
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Capitalization
Capitalization ( North American spelling; also British spelling in Oxford) or capitalisation (Commonwealth English; all other meanings) is writing a word with its first letter as a capital letter (uppercase letter) and the remaining letters in lower case, in writing systems with a case distinction. The term also may refer to the choice of the casing applied to text. Conventional writing systems ( orthographies) for different languages have different conventions for capitalization, for example, the capitalization of titles. Conventions also vary, to a lesser extent, between different style guides. In addition to the Latin script, capitalization also affects the Armenian, Cyrillic, Georgian and Greek alphabets. The full rules of capitalization in English are complicated. The rules have also changed over time, generally to capitalize fewer words. The conventions used in an 18th-century document will be unfamiliar to a modern reader; for instance, many common nouns were capital ...
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Digraph (orthography)
A digraph () or digram is a pair of character (symbol), characters used in the orthography of a language to write either a single phoneme (distinct sound), or a sequence of phonemes that does not correspond to the normal values of the two characters combined. Some digraphs represent phonemes that cannot be represented with a single character in the writing system of a language, like in Spanish ''chico'' and ''ocho''. Other digraphs represent phonemes that can also be represented by single characters. A digraph that shares its pronunciation with a single character may be a relic from an earlier period of the language when the digraph had a different pronunciation, or may represent a distinction that is made only in certain dialects, like the English . Some such digraphs are used for purely etymology, etymological reasons, like in French. In some orthographies, digraphs (and occasionally trigraph (orthography), trigraphs) are considered individual letter (alphabet), letters, w ...
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D With Stroke
Đ (lowercase: đ, Latin alphabet), known as crossed D or dyet, is a letter formed from the base character D, D/d overlaid with a bar (diacritic), crossbar. Crossing was used to create eth (ð), but eth has an uncial as its base whereas ''đ'' is based on the straight-backed roman ''d,'' like in the sámi language , Sámi languages and vietnamese language , Vietnamese. Crossed ''d'' is a letter in the alphabets of several languages and is used in linguistics as a voiced dental fricative. Appearance In the lowercase, the crossbar is usually drawn through the Ascender (typography), ascender, but when used as a phonetic symbol it may be preferred to draw it through the bowl (typography), bowl, in which case it is known as a barred ''d''. In some African languages' orthographies, such as that of Moro language, Moro, the barred ''d'' is preferred. In the uppercase, the crossbar normally crosses just the left stem, but in Vietnamese and Moro it may sometimes cross the entire le ...
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