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Débora
''Débora'' is an experimental novella by Ecuadorian writer Pablo Palacio, published in Quito in October 1927. In 2007, the novella was included in a compilation of the author's complete works by publishing house Libresa. The plot of the book follows ''Teniente''—a character who's only referred to by that name and who is never fully defined— during a walk through the streets of Quito in search of a love conquest or any event of importance, which ultimately never comes. The novella is made up of a series of passages that depict several everyday events in Teniente's walk. These passages are constantly interrupted by the ramblings of the narrator, his comments on the protagonist, and the tedium caused by the very construction of the plot. The passages in the story are not presented in a linear succession of events, but rather form a series of subjective images from the narrator's perspective. Some of the techniques employed in the book include stream of consciousness and metafict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Palacio (writer)
Pablo Arturo Palacio Suárez (Loja, Ecuador, Loja, 25 January 1906–Guayaquil, 7 January 1947) was an Ecuadorian writer and lawyer. He was one of the founders of the avant-garde movement in Ecuador and Latin America and one of the most controversial members of the so-called Ecuadorian literature#La Generación del 30, 1930s generation of Ecuadorian authors. His work is very different from that of the ''costumbrismo'' writers of the time, especially since the predominant trends in fiction then focused more on ''indigenismo'' and social realism. His literary work is not very extensive, and consists of the play ''Comedia Inmortal'' (1926), the short story collection ''Un hombre muerto a puntapiés'' (1927) and the novels ' (1927) and ' (1932). Biography Childhood His mother, Clementina Palacio Suárez, was unmarried and thus he was registered in the Civil Registry as having an unknown father. Years later when Palacio was already renowned in literary circles, his father Agustà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecuadorian Literature
Ecuadorian literature has been characterized for essentially being ''costumbrista'' and, in general, closely linked to events that are exclusively national in nature, with narratives that provide a glimpse into the life of the common citizen.The origins of Ecuadorian literature go back to the ancestral narratives that were passed down from generation to generation. These first stories dealt with fantastical, mythological, and legendary themes. In recent years, Ecuadorian literature has achieved international notoriety thanks to authors such as Mónica Ojeda and MarÃa Fernanda Ampuero. 17th century Earliest expressions There are no records of written works before the arrival of the Spaniards. This is mostly due to the fact that the Incas did not have an established writing system, so their legends and other tales had to be passed down orally from generation to generation. However, during the Real Audiencia of Quito, starting in the second half of the 17th century, literary ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Literature
Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also incorporate art or photography. Furthermore, while experimental literature was traditionally handwritten, the digital age has seen an exponential use of writing experimental works with word processors. Early history The first text generally cited in this category is Laurence Sterne's ''The Life and Opinions of Tristram Shandy, Gentleman'' (1759). This text occurs so early in the standard history of the novel that one can't refer to its "breaking" conventions that had yet to solidify. But in its mockery of narrative, and its willingness to use suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metafiction
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art. Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as '' The Canterbury Tales'' (Geoffrey Chaucer, 1387), ''Don Quixote'' Part Two (Miguel de Cervantes, 1615), '' Chymical Wedding of Christian Rosenkreutz'' ( Johann Valentin Andreae, 1617), '' The Cloud Dream of the Nine'' ( Kim Man-jung, 1687), '' The Life and Opinions of Tristram Shandy, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loja, Ecuador
Loja (), formerly Loxa and fully City of the Immaculate Conception of Loja (), is the capital of Ecuador's Loja Province. It is located in the Cuxibamba valley in the south of the country, sharing borders with the provinces of Zamora-Chinchipe and other cantons of the province of Loja. Loja holds a rich tradition in the arts, and for this reason is known as the Music and Cultural Capital of Ecuador. The city is home to two major universities. The city has a population of about 203,000, and is situated 2060 m (6758 ft) above sea level. It has a mild Andean climate, ranging between 16 and 30 °C. The Pan-American Highway runs past Loja. History The city of Loja was colonized by Field Marshal Alonso de Mercadillo in 1548, and it is named for his hometown of Loja in Spain. Originally located near La Toma in the Catamayo canyon since 1546, the city was relocated to its present location (about 35 km east) after a devastating earthquake and problems with Malari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and aristocracy. They are traditionally contrasted with the proletariat by their wealth, political power, and education, as well as their access to and control of cultural, social, and financial capital. The bourgeoisie in its original sense is intimately linked to the political ideology of liberalism and its existence within cities, recognised as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In communist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialisation and whose societal concerns are the value of private property and the preservation of capital t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nouveau Riche
; ), new rich, or new money (in contrast to old money; ) is a social class of the rich whose wealth has been acquired within their own generation, rather than by familial inheritance. These people previously had belonged to a lower social class and economic stratum (rank) within that class and the term implies that the new money, which constitutes their wealth, allowed upward social mobility and provided the means for conspicuous consumption, the buying of goods and services that signal membership in an upper class. As a pejorative term, ''nouveau riche'' affects distinctions of type, the given stratum within a social class; hence, among the rich people of a social class, ''nouveau riche'' describes the vulgarity and ostentation of the newly rich person who lacks the worldly experience and the system of values of ''old money'', of inherited wealth, such as the patriciate, the nobility, and the gentry. History The idea of ''nouveau riche'' dates at least as far back as ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonzalo Escudero (poet)
Gonzalo Escudero Moscoso (September 28, 1903 – December 10, 1971) was an Ecuadorian poet and diplomat. Escudero Moscoso was born in Quito, where he spent his high school years at the Instituto Nacional MejÃa. Later, he attended the Central University of Ecuador, where he obtained his doctorate degree in jurisprudence. He was a distinguished professor of international law at the University of Quito, Secretary of Education, Secretary of Congress, and Minister of Foreign Affairs. He served as Ecuador's ambassador to Uruguay (1942-1845), Peru (1956), Argentina (1961), Colombia (1963), Brazil (1965), UNESCO (1960) and Belgium (1971). He died in Brussels Brussels, officially the Brussels-Capital Region, (All text and all but one graphic show the English name as Brussels-Capital Region.) is a Communities, regions and language areas of Belgium#Regions, region of Belgium comprising #Municipalit ... in 1971. Works * ''Los Poemas del Arte ''(1918) * ''Las Parábolas OlÃmpicas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macedonio Fernández
Macedonio Fernández (1 June 1874 – 10 February 1952) was an Argentine writer, humorist and philosopher. His writings included novels, stories, poetry, journalism, and works not easily classified. He was a mentor to Jorge Luis Borges and other avant-garde Argentine writers. Seventeen years of his correspondence with Borges was published in 2000. His published poetry includes " CreÃa yo" ("I believed"). Life Macedonio (like Uruguay's Felisberto Hernández, he is commonly referred to by his first name only) was the son of Macedonio Fernández, farmer and military officer, and Rosa del Mazo Aguilar Ramos. In 1887, he enrolled in the Argentine Colegio Nacional Central. It is believed that he is a descendant of the Macedonio family of Naples, Italy who claimed descent from the Macedonian dynasty of Eastern Rome and Philip II of ancient Macedonia. In 1891–1892, as a university student, he published in ''El Progreso'', a series of critical essays on customs and manners later inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Aira
César Aira (Argentine Spanish: ; born 23 February 1949 in Coronel Pringles, Buenos Aires Province) is an Argentine writer and translator, and an exponent of contemporary Argentine literature. Aira has published over a hundred short books of stories, novels and essays. In fact, at least since 1993, a hallmark of his work is a truly frenetic level of writing and publication—two to five novella-length books each year. He has lectured at the University of Buenos Aires, on Copi and Arthur Rimbaud, and at the University of Rosario on Constructivism and Stéphane Mallarmé, and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Work Besides his fiction, and the translation work he does for a living, Aira also writes literary criticism, including monographic studies of Copi, the poet Alejandra Pizarnik, and the nineteenth-century British limerick and nonsense writer Edward Lear. He wrote a short book, ''Las tres fechas'' (''The Thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
