Dusty Blue
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Dusty Blue
''Dusty Blue'' is an album by trumpeter Howard McGhee which was recorded in 1960 and released on the Bethlehem label.Bethlehem Records discography
accessed May 12, 2015


Reception

reviewer Ken Dryden stated: " With the exception of ''Together Again'' with Teddy Edwards, the 1950s had largely been a waste for Howard McGhee, as drug addiction had taken its toll on his playing. But he is in good form for this 1961 studio session for Bethlehem".


Track listing

''All compositions by Howard McGhee, except as indicated'' # "Dusty Blue" - 2:53 # "

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Howard McGhee
Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro. Biography Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory. In 1946–47, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker's health near to collapse, he played "Max is Makin ...
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Willard Robison
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri. His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael. Many of his compositions, notably " A Cottage for Sale", "Round My Old Deserted Farm", "Don't Smoke in Bed", "'Taint So, Honey, 'Taint So" and " Old Folks", have become standards and have been recorded countless times by jazz and pop artists including Peggy Lee, Nina Simone, Nat King Cole, Billy Eckstine, Bing Crosby and Mildred Bailey. "A Cottage for Sale" alone has been recorded over 100 times. Life and career In the early 1920s, Robison led and toured with several territory bands in the Southwest. He met Jack Teagarden in this period, whom he befriended. In the late 1920s, Robison organized the Deep River Orchestra, later hosting a radio show entitled ''The Deep River Hour'' in the early 1930s. Durin ...
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Howard McGhee Albums
Howard is an English-language given name originating from Old French Huard (or Houard) from a Germanic source similar to Old High German ''*Hugihard'' "heart-brave", or ''*Hoh-ward'', literally "high defender; chief guardian". It is also probably in some cases a confusion with the Old Norse cognate ''Haward'' (''Hávarðr''), which means "high guard" and as a surname also with the unrelated Hayward. In some rare cases it is from the Old English ''eowu hierde'' "ewe herd". In Anglo-Norman the French digram ''-ou-'' was often rendered as ''-ow-'' such as ''tour'' → ''tower'', ''flour'' (western variant form of ''fleur'') → ''flower'', etc. (with svarabakhti). A diminutive is "Howie" and its shortened form is "Ward" (most common in the 19th century). Between 1900 and 1960, Howard ranked in the U.S. Top 200; between 1960 and 1990, it ranked in the U.S. Top 400; between 1990 and 2004, it ranked in the U.S. Top 600. People with the given name Howard or its variants include: Given ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In 1933 ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Roland Alexander
Roland Alexander (September 25, 1935 – June 14, 2006) was an American post-bop jazz musician. Early life Born in Boston, Alexander grew up with his parents and sister, Gloria, in Cambridge, Massachusetts. He earned a bachelor's degree in music composition from the Boston Conservatory in 1958. Career Alexander played tenor saxophone, soprano saxophone, and piano. He was a prolific composer and arranger who wrote and played for many of the better known bands in Boston during the 1950s, i.e. Sabby Lewis, Preston 'Sandy' Sandiford, Richie Lowery, Jaki Byard and many more. He co-led a group called the Boston All Stars that featured Trumpeter Joe Gordon, and after Joe Gordon left to play with Dizzy Gillespie's band Joe was replaced by a few of the more innovative trumpet soloists in the area, like Wajid Lateef (Crazy Wilbur Lucaw), and Gordon Wooly. He then moved to New York City in 1958. In addition to two solo releases, he played and recorded with John Coltrane, Howard Mc ...
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