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Durin-gut
The Durin-gut (), also called the Michin-gut () and the Chuneun-gut (), is the healing ceremony for mental illnesses in the Korean shamanism of southern Jeju Island. While commonly held as late as the 1980s, it has now become very rare due to the introduction of modern psychiatry. In Korean shamanism, a disease—whether physical or mental—is often thought to be caused by the entry of a malevolent spirit into the body. The Durin-gut seeks to cure the mental illness by exorcising this spirit, which is often identified as a '' yeonggam'', a type of ''dokkaebi'' or goblin-like being with a penchant for attaching to human women that he lusts for. A similar exorcistic ceremony to treat mental illnesses, called the Gwang'in-gut (), is known in North Gyeongsang Province in mainland Korea. The Durin-gut begins with the introductory ceremonies common to all major Jeju rituals, in which the gods are invited to the ritual ground. Once these have been completed, a number of dance sessions ...
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Durin-gut 1971
The Durin-gut (), also called the Michin-gut () and the Chuneun-gut (), is the healing ceremony for mental illnesses in the Korean shamanism of southern Jeju Island. While commonly held as late as the 1980s, it has now become very rare due to the introduction of modern psychiatry. In Korean shamanism, a disease—whether physical or mental—is often thought to be caused by the entry of a malevolent spirit into the body. The Durin-gut seeks to cure the mental illness by exorcising this spirit, which is often identified as a ''Yeonggam (deity), yeonggam'', a type of ''dokkaebi'' or goblin-like being with a penchant for attaching to human women that he lusts for. A similar exorcistic ceremony to treat mental illnesses, called the Gwang'in-gut (), is known in North Gyeongsang Province in mainland Korea. The Durin-gut begins with the introductory ceremonies common to all major Jeju rituals, in which the gods are invited to the ritual ground. Once these have been completed, a number of ...
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Gut (ritual)
Gut (, also romanised kut or goot) are the rites performed by Korean shamans, involving offerings and sacrifices to gods, spirits and ancestors. They are characterised by rhythmic movements, songs, oracles and prayers. These rites are meant to create welfare, promoting commitment between the spirits and humankind. The major categories of rites are the ''naerim-gut'', the ''dodang-gut'' and the ''ssitgim-gut''. Through song and dance, the shaman begs the gods to intervene in the fortune of humans. The shaman wears a very colourful costume and normally speaks in ecstasy. During a rite, the shaman changes his or her costume several times. Rituals consist of various phases, called ''gori''. In Jeju Island, ''gut'' rituals involve the recitation of a myth about the deities being invoked, called ''bon-puri''. Similar narratives are also found in mainland shamanism. Importance of purification Purity of both the body and the mind is a state that is required for taking part in ritual ...
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Dokkaebi
Dokkaebi ( ko, 도깨비) are legendary creatures from Korean mythology and folklore. Dokkaebi, also known as "Korean goblins", are nature deities or spirits possessing extraordinary powers and abilities that are used to interact with humans, at times playing tricks on them and at times helping them. Legends describe different dokkaebi in many forms and beings with a thousand faces, and dokkaebi often wear hanbok. Origins The earliest known documentation of dokkaebi is in the Silla-era tale of "Lady Dohwa and Bachelor Bihyeong" from the Memorabilia of the Three Kingdoms compiled during the Goryeo period. Dokkaebi are featured in many folk tale anthologies compiled during the Joseon period. Characteristics Dokkaebi are different from ghosts, called gwishin () in Korean, in that they are not formed by the death of a human being, but rather by the spiritual possession of an inanimate object such as old discarded household tools like brooms, or objects stained with human blood. T ...
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Korean Creation Narratives
Korean creation narratives are Korean shamanic narratives which recount the mythological beginnings of the universe. They are grouped into two categories: the eight narratives of mainland Korea, which were transcribed by scholars between the 1920s and 1980s, and the ''Cheonji-wang bon-puri'' narrative of southern Jeju Island, which exists in multiple versions and continues to be sung in its ritual context today. The mainland narratives themselves are subdivided into four northern and three eastern varieties, along with one from west-central Korea. Many elements are shared by most Korean creation narratives. In one such episode, two gods grow flowers in a contest to decide who will rule the human world. The deserving benevolent god grows the (better) blossom, but the other god steals it while the good god sleeps. The undeserving cheater thereby becomes the ruler of humanity and spreads evil into the world. In another pan-Korean episode, there are originally two suns and two moo ...
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Gawp
''Gawp'' (Jeju: ) is a cosmological concept in Jeju Island shamanism referring to the divide between heaven and earth, humans and non-humans, and the living and the dead. * In the Jeju creation myth, a ''gawp'' between heaven and earth is said to be created from the original mingled state of the universe. Later, the god Daebyeol-wang creates a ''gawp'' between humans and non-humans when he numbs the tongues of animals, plants, and rocks so that they can no longer speak, and physically separates the living from the dead. * In the Buldo-maji, a series of rituals held for fertility gods, shamans create a ''gawp'' between Saengbul-halmang, the goddess of childbirth and patron of young children, and Gusamseung-halmang, the goddess of dead children who send illnesses to kill babies and bring them under her dominion. * In the Durin-gut, a ritual held to cure mental illnesses, shamans endeavor to create a ''gawp'' between the human patient and the malevolent ''dokkaebi Dokkaebi ( ...
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Korean Shamanic Narrative
Korean mythology ( ) is the group of myths told by historical and modern Koreans. There are two types: the written, literary mythology in traditional histories, mostly about the founding monarchs of various historical kingdoms, and the much larger and more diverse oral mythology, mostly narratives sung by shamans or priestesses (mansin) in rituals invoking the gods and which are still considered sacred today. The historicized state-foundation myths that represent the bulk of the literary mythology are preserved in Classical Chinese-language works such as ''Samguk sagi'' and ''Samguk yusa''. One state's foundation myth, that of Dan'gun, has come to be seen as the founding myth of the whole Korean nation. State-foundation myths are further divided into northern, such as that of the kingdom of Goguryeo and its founder Jumong, where the founder is the son of a celestial male figure and an earthly female figure, and southern, such as that of the kingdom of Silla and its founder ...
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Majang-dong
Majang-dong is a '' dong'', or neighbourhood of Seongdong-gu in Seoul, South Korea. See also *Administrative divisions of South Korea South Korea is made up of 17 first-tier administrative divisions: 6 metropolitan cities (''gwangyeoksi'' ), 1 special city (''teukbyeolsi'' ), 1 special self-governing city (''teukbyeol-jachisi'' ), and 9 provinces ('' do'' ), including one ... References * * * * External links Seongdong-gu Official site in EnglishSeongdong-gu Official websiteMap of Seongdong-gu-dong Resident office Neighbourhoods of Seongdong District {{Seoul-geo-stub ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Incense
Incense is aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremony. It may also be used as a simple deodorant or insect repellent. Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the underlying culture, and have changed with advances in technology and increasing number of uses. Incense can generally be separated into two main types: "indirect-burning" and "direct-burning". Indirect-burning incense (or "non-combustible incense") is not capable of burning on its own, and requires a separate heat source. Direct-burning incense (or "combustible incense") is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases a smoky fragrance. Direct-burning incense is either a paste formed around a bamboo stic ...
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Mengdu
The ''mengdu'' (Jeju and ), also called the three ''mengdu'' () and the three ''mengdu'' of the sun and moon (), are a set of three kinds of brass ritual devices—a pair of knives, a bell, and divination implements—which are the symbols of shamanic priesthood in the Korean shamanism of southern Jeju Island. Although similar ritual devices are found in mainland Korea, the religious reverence accorded to the ''mengdu'' is unique to Jeju. The origin myth of the ''mengdu'' is found in the ''Chogong bon-puri'', a major shamanic narrative in Jeju religion. According to this narrative, the original ''mengdu'' were possessed by the eponymous Mengdu triplets, the three deities who were the first to practice shamanic ritual on earth. The stylistic features of ''mengdu'' refer back to important events in the miraculous conception and lives of these gods. The implements play a critical role in ritual; both the knives and the divination implements are used to divine the will of the gods ...
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