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Duomo Of Urbino
Urbino Cathedral ( it, Duomo di Urbino, ''Cattedrale Metropolitana di Santa Maria Assunta'') is a Catholic cathedral in the city of Urbino, Italy, dedicated to the Assumption of the Blessed Virgin Mary. Since 1986 it has been the seat of the Archbishop of Urbino-Urbania-Sant'Angelo in Vado, and was previously the seat of the Archbishops of Urbino. History The first cathedral on the site was built here in 1021, to replace an earlier one located outside the city walls. Under the patronage of Count Federico da Montefeltro, it was rebuilt in the 15th century, based on a design attributed to Francesco di Giorgio Martini. Construction was not finished until 1604. The west front, using stone quarried from Furlo, was designed by Camillo Morigia and completed in 1782. It was ornamented with five statues, representing the three theological virtues of Faith, Hope, and Charity, between Saint Augustine to the left and Saint John Chrysostom to the right. On 12 January 1789, a powerful earth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Unterberger
Christopher Unterberger, also Christoph or Cristoforo (27 May 1732 – 25 January 1798) was an Italian painter of the early- Neoclassical period. Biography He was born in Cavalese in County of Tyrol (today located in Trentino, Italy). He was initially taught drawing by an uncle, Franz Sebald Unterberger, and then in the Academy of Fine Arts, Vienna, where another uncle, Michelangelo Unterberger, was the co-director from 1751-1758. He then traveled to Venice and Verona, where he studied under Giambettino Cignaroli; and finally in 1758, to Rome. In Rome, he befriended and fell under the influence of Anton Rafael Mengs, and copied the works of Pietro da Cortona, in whose style he produced two altar-pieces of ''St. Jules'' and ''St. Agnes'' for the cathedral of Brixen. In 1772, he joined the Accademia di San Luca under the sponsorship of Mengs. In 1772, he and Mengs were commissioned to decorate the Papyrus room in the Vatican Library with themes from classic Roman frescoes, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Cades
Giuseppe Cades (March 4, 1750 – December 8, 1799) was an Italian sculptor, painter, and engraver. Cades was born in Rome. He studied at the Accademia di San Luca under Mancini and Domenico Corvi, gaining a prize in 1765 with his picture of ''Tobias Recovering His Sight.''"Cades, Giuseppe." Graves, Robert Edmund, et al. ''Dictionary of Painters and Engravers: Biographical and Critical.'' United Kingdom, G. Bell and Sons, 1886. pp. 207-208. In 1766, after quarreling with his master, he visited Florence. Two years later, he executed an altarpiece for the church of San Benedetto in Turin and in 1771 another for the church of Santi Apostoli. He also decorated the Palazzo Chigi with frescoes, landscapes, and scenes from Tasso. He has left two etchings, ''Christ Blessing Little Children'' and ''The Death of Leonardo da Vinci''. Cades' early commissions were influenced by the Baroque Classicist painter Carlo Maratta. In the mid-1770s, Cades came to know Swiss painter Joha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Corvi
Domenico Corvi (1721–1803) was an Italian painter at the close of the 18th century, active in an early Neoclassic style in Rome and surrounding sites. Biography Corvi was born in Viterbo. After some early works in Viterbo and Palestrina, Corvi moved on to Rome to work under Francesco Mancini, working in a Roman milieu where late-Rococo of Pompeo Batoni and the incipient Neoclassicism of Anton Raphael Mengs coexisted, and fashioned a style in between. His first major set of independent works in Rome were a series of canvases completed in 1758 and currently in Vedana, commissioned by the Cardinal Domenico Amedeo Orsini and including the altarpiece of ''St Michael Archangel'' for the church of Trinità dei Monti. In 1756, along with Vincenzo Strigelli and Anton Angelo Falaschi, he frescoed the Viterbese ''Oratorio del Gonfalone''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cignani
Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting. Life He was born to a family of noble ancestry, but limited resources, in Bologna. His father's first name was Pompeo, and his mother, Maddalena Quaini. In Bologna, he studied first under Battista Cairo and later under Francesco Albani, to whom he remained closely allied, and was his most famous disciple. His first noted commission was a ''St Paul exorcising demon'' for the church of the Gesu in Bologna. For a hall dedicated to the Farnese in the Palazzo Publico, he painted with Taruffi, depicting the ''Francis, king of France, curing Scrofula on his entry to Bologna'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's The Last Supper (Leonardo), late-1490s mural painting in Milan, Italy, being the best-known example. ''(Clickable image—use cursor to identify.)'' poly 550 2550 750 2400 1150 2300 1150 2150 1200 2075 1500 2125 1525 2300 1350 2800 1450 3000 1700 3300 1300 3475 650 3500 550 3300 450 3000 Bartholomew the Apostle, Bartholomew poly 1575 2300 1625 2150 1900 2150 1925 2500 1875 2600 1800 2750 1600 3250 1425 3100 1400 2800 1375 2600 James, son of Alphaeus, James Minor poly 1960 2150 2200 2150 2350 2500 2450 2575 2375 2725 2375 2900 2225 3100 2225 3225 1600 3225 1825 2700 1975 2450 1925 2300 Saint Andrew, Andrew poly 2450 2575 2775 2500 2700 2650 2800 2700 2600 3000 2600 3250 2300 3250 2200 3200 2300 3000 Saint Peter, Peter p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federigo Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' execut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffer
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packard Humani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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