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Drum Suite (Slide Hampton Album)
''Drum Suite'' is an album by American jazz trombonist, composer and arranger Slide Hampton which was recorded in 1962 and first released on the Epic Records, Epic label.Fitzgerald, M.Slide Hampton Discographyaccessed October 29, 2015 Reception Allmusic stated "Overall the music is rewarding and if not quite essential, there are enough exciting moments (whether from the ensembles or the main soloists) to make this a recommended acquisition". Track listing ''All compositions by Slide Hampton except as indicated'' # "Fump" - 5:21 # "Lover (Rodgers and Hart song), Lover" (Richard Rodgers, Lorenz Hart) - 5:09 # "Like Someone in Love" (Jimmy Van Heusen, Johnny Burke (lyricist), Johnny Burke) - 8:26 # "Gallery Groove" - 4:27 # "Our Waltz" (David Rose (songwriter), David Rose) - 5:23 # "It's All Right with Me" (Cole Porter) - 3:35 # "Stella by Starlight" (Victor Young, Ned Washington) - 3:14 # "The Drum Suite" - 6:55 # "Well, You Needn't" (Thelonious Monk) - 5:46 Bonus track o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Hampton
Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton's main instrument was slide trombone, but he also occasionally played tuba and flugelhorn. Biography Early life and career Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke "Deacon" Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way. At the age of 12, Slide played in his family's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (musician)
Richard Gene Williams (May 4, 1931 – November 4, 1985) was an American jazz trumpeter. Biography Williams was born in Galveston, Texas, and played tenor saxophone early in his life before picking up trumpet as a teenager. He played in local Texas bands and attended Wiley College, where he majored in music. After serving in the Air Force from 1952–56, he toured Europe with Lionel Hampton, and upon his return took a master's degree at the Manhattan School of Music. Williams played with Charles Mingus at the Newport Jazz Festival in 1959, and recorded with Mingus starting in that year. He recorded his only session as a leader, ''New Horn in Town'' (1960) for Candid Records, and featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas. Williams was a sideman on many releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic in the 1960s. Among the musicians he worked with, apart from Mingus, are Oliver Nelson, Grant Green, Lou Donaldson, Yusef Lateef, Gig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Anderson
Leroy Anderson ( ) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music." Early life Born in Cambridge, Massachusetts to Swedish parents, Anderson was given his first piano lessons by his mother, who was a church organist. He continued studying piano at the New England Conservatory of Music. In 1925, Anderson entered Harvard College, where he studied musical harmony with Walter Spalding, counterpoint with Edward Ballantine, canon and fugue with William C. Heilman, orchestration with Edward B. Hill and Walter Piston, composition, also with Piston, and double bass with Gaston Dufresne. He also studied organ with Henry Gideon. He graduated with a Bachelor of Arts, magna cum laude in 1929 and was elected to Phi Beta Kappa."Syncopated Clock, Indeed"; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleigh Ride
"Sleigh Ride" is a light orchestra standard composed by Leroy Anderson. The composer had formed the original idea for the piece during a heat wave in July 1946, and he finished the work in February 1948. The original recordings were instrumental versions. The lyrics, about riding in a sleigh and other fun wintertime activities, were written by Mitchell Parish in 1950. Anderson also made arrangements for wind band and piano. The orchestral version was first recorded in 1949 by Arthur Fiedler and the Boston Pops Orchestra. "Sleigh Ride" was a hit record on RCA Victor Red Seal, and has become one of the orchestra's signature songs. The 45 rpm version was originally issued on red vinyl. The Pops have also recorded the song with John Williams, their conductor from 1979 to 1995, and Keith Lockhart, their current conductor. The Ronettes recorded a cover of "Sleigh Ride" in 1963 for Phil Spector's ''A Christmas Gift for You'', which was commercially successful in the United States and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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