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Drum Suite
''Drum Suite'' is an album by drummer Art Blakey with The Jazz Messengers and the Art Blakey Percussion Ensemble, recorded in late 1956 and early 1957 and originally released on the Columbia label. It was the first of several albums recorded by Blakey in the 1950s and 1960s that explored percussion-oriented jazz. It was followed by Orgy in Rhythm, Holiday for Skins, and The African Beat. The 2005 CD reissue added three tracks from a June 1956 session, two of them previously released on Originally in 1982. at Discogs. Reception awarded the album 4 stars, calling it "Groundbreak ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilbur Ware
Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 674. Oxford University Press He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Career Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader during his lifetime was '' The Chicago Sound'', from 1957 when he worked for Riverside. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanky DeBrest
Jimmy "Spanky" DeBrest (April 24, 1937 in Philadelphia – March 2, 1973 in Philadelphia) was an American jazz bassist. DeBrest played with Lee Morgan in his early years in Philadelphia. In 1957 he was a member of Ray Draper's Quintet, Jackie McLean, pianist Mal Waldron, and drummer Ben Dixon.AllMusic ''Tuba Sounds'' review/ref> He played with Art Blakey's Jazz Messengers until 1958 which included Bill Hardman on trumpet and certain sessions with Thelonious Monk on piano. Other credits include work with John Coltrane, Clifford Jordan, Ray Draper, Lee Morgan, and J. J. Johnson. His last recordings were made in 1971. Discography With Art Blakey * ''Hard Bop'' (Columbia, 1956) * ''Originally'' (Columbia, 1956 982 *'' Ritual: The Modern Jazz Messengers'' (Pacific Jazz, 1957) *''Drum Suite'' (Columbia, 1956) *''Mirage'' (Savoy, 1957) * '' Selections from Lerner and Loewe's...'' (Vik, 1957) *''Tough!'' (Cadet, 1957 966 *''A Night in Tunisia'' (Vik, 1957) - reissued as ''Theory of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Dockery
Samuel Dockery (1929 – December 21, 2015), nicknamed Sure-Footed Sam, was a hard bop pianist and well-respected musician on the Philadelphia jazz scene since the early 1950s.Allmusic Biography See als"A Veteran Piano Man Just Keeps on Playing" ''Philadelphia Inquirer'', August 9, 1996 Dockery was born in Camden, New Jersey. He appears on 11 recordings as the pianist for Art Blakey & the Jazz Messengers and composed "Sam's Tune" which appears on their 1957 Blue Note recording ''Ritual''. In 1963 he was the pianist for Betty Carter's extended engagement at Birdland,William R. Bauer''Open the Door: The Life and Music of Betty Carter'' University of Michigan Press, 2003, p.91. and headed The Sam Dockery Trio in Philadelphia during the 1990s. He also taught at Philadelphia's University of the Arts. He died in a nursing home in 2015, aged 86. His brother was bassist Wayne Dockery. Discography With Art Blakey * '' Originally'' ( Columbia, 1956) - unreleased until 1982 * ''Hard Bop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Sullivan
Ira Sullivan (May 1, 1931 – September 21, 2020) was an American jazz trumpeter, Flugelhorn, flugelhornist, flautist, saxophonist, and composer born in Washington, D.C., United States. An active musician since the 1950s, he often worked with Red Rodney and Lin Halliday. Biography Sullivan was born on May 1, 1931, in Washington, D.C., United States. His father taught him to play the trumpet beginning at age 3, and his mother taught him saxophone. He played in 1950s Chicago, Illinois, with such musicians as Charlie Parker, Lester Young, Wardell Gray and Roy Eldridge, gaining a reputation as a fearsome bebop soloist. After playing briefly with Art Blakey in 1956, and mastering alto and baritone saxophone, Sullivan moved south to Florida and out of the spotlight in the early 1960s. His reluctance to travel limited his opportunities to play with musicians of the first rank, but Sullivan continued to play in the Miami area, often in schools and churches. Contact with local younger p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blakey's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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