|
Dreigroschenoper
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreigroschenoper Program Notes 1928
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Threepenny Opera (1931 Film)
''The Threepenny Opera'' (german: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG ( Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, ''L'Opéra de quat'sous'', with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version went unproduced. The two existing versions were released on home video by The Criterion Collection. ''The Threepenny Opera'' differs in significant respects from the play and the internal timeline is somewhat vague. The whole of society is presented as corrupt in one form or another. Only some of the songs from the play are used, in a different order. Plot summary In 19th century Lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Lenya
Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in '' The Roman Spring of Mrs. Stone'' (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie '' From Russia with Love'' (1963). Early career In 1922, Lenya was seen by her future husband, German-Jewish composer Kurt Weill, during an audition for his first stage score ''Zaubernacht'', but because of his position behind the piano, she did not see him. She was cast, but owing to her loyalty to her voice coach, she declined the role. She accepted the part of Jenny in the first performance of ''The Threepenny Opera'' (''Die Dreigrosche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Clark (conductor)
Thomas Edward Clark (10 May 188830 April 1962) was an English conductor and music producer for the BBC. Through his positions in leading new music organizations and his wide-ranging contacts with British and European composers, he had a major impact on making contemporary classical music available to the British public for over 30 years. He was a leading figure in the BBC's Concerts of Contemporary Music between 1926 and 1939, and he played a significant role in the founding and early development of the BBC Symphony Orchestra. He held prominent positions in the International Society for Contemporary Music (ISCM) from its inception in 1922, and was its president from 1947 to 1952. He was responsible for producing a number of important world and British premieres (some of which he also conducted), and he was associated with most of the important European and British composers, such as Arnold Schoenberg, Anton Webern, Alban Berg, Ferruccio Busoni, Igor Stravinsky, Béla Bartók ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
|
Moritat
(; also spelled , or ) comes from Italian for "story-singer" and is known by many other names around the world. It is a theatrical form where a performer tells or sings a story while gesturing to a series of images. These images can be painted, printed or drawn on any sort of material. Asia In 6th-century India, religious tales called s were performed by traveling storytellers who carried banners painted with images of gods from house to house. Another form called featured the storytellers carrying vertical cloth scrolls and sung stories of the afterlife. In recent times, this is still performed by Chitrakar women from West Bengal, India. In Tibet, this was known as and in other parts of China this was known as . In Indonesia, the scroll was made horizontally which is called the '' wayang beber'' and employed four performers: a man who sings the story, two men who operate the rolling of the scroll, and a woman who holds a lamp to illuminate particular pictures featured in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Villon
François Villon (Modern French: , ; – after 1463) is the best known French poet of the Late Middle Ages. He was involved in criminal behavior and had multiple encounters with law enforcement authorities. Villon wrote about some of these experiences in his poems. Biography Birth Villon was born in Paris in 1431. One source gives the date as .Charpier 1958, "1er avril 1431 (vieux style) ou 19 avril 1432 (nouveau style) : naissance à Paris, de ''François de Montcorbier'', alias ''des Loges'', qui deviendra François Villon pril 1, 1431 (old style) or April 19, 1432 (new style): birth in Paris of ''François de Montcorbier'', alias ''des Loges'', who would become François Villon Early life Villon's real name may have been François de Montcorbier or François des Loges: both of these names appear in official documents drawn up in Villon's lifetime. In his own work, however, Villon is the only name the poet used, and he mentions it frequently in his work. His t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 In Literature
This article contains information about the literary events and publications of 1928. Events *January **The Soviet magazine '' Oktyabr'' begins publishing Mikhail Sholokhov's novel ''And Quiet Flows the Don'' («Тихий Дон», ''Tikhiy Don'') in instalments. **Ford Madox Ford publishes ''Last Post'' in the U.K., as the last in his World War I tetralogy ''Parade's End'', which has been appearing since 1924. *January 16 – The English novelist and poet Thomas Hardy's ashes are interred in the Poets' Corner of Westminster Abbey, London. Pallbearers include Stanley Baldwin, J. M. Barrie, John Galsworthy, Edmund Gosse, A. E. Housman, Rudyard Kipling, Ramsay MacDonald and George Bernard Shaw. Meanwhile, Hardy's heart is interred where he wished to be buried, in the grave of his first wife, Emma, in the churchyard of his parish of birth, Stinsford ("Mellstock") in Dorset. Later in the year, his widow Florence publishes the first part of a biography, ''The Early Life of Thomas H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Am Schiffbauerdamm
The ''Theater am Schiffbauerdamm'' () is a theatre building at the ''Schiffbauerdamm'' riverside in the Mitte district of Berlin, Germany, opened on 19 November 1892. Since 1954, it has been home to the Berliner Ensemble theatre company, founded in 1949 by Helene Weigel and Bertolt Brecht. The original name of the Neo-baroque construction by the architect Heinrich Seeling was ''Neues Theater''. The first performance was Johann Wolfgang von Goethe's play '' Iphigenie auf Tauris''. ''Die Weber'', a naturalistic drama by Gerhart Hauptmann, had its premiere in a private audience at the theatre on 26 February 1893. From 1903 to 1906, the ''Neues Theater'' was under the management of Max Reinhardt; it later became the site of numerous operetta performances. With the premiere of the comedy ''Der fröhliche Weinberg'' by Carl Zuckmayer on 22 December 1925, the theatre returned to dramatic art, followed by the first performances of ''The Threepenny Opera'' (''Die Dreigroschenoper'') on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" (german: "Die Moritat von Mackie Messer", italic=no, link=no) is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (german: Die Dreigroschenoper, link=no). The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his street organ introduces and closes the drama with the tale of the dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1988%2C_MiNr_Block_091.jpg "Click for more on -> Bertolt Brecht")
