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Doživjeti Stotu
''Doživjeti stotu'' (trans. ''Live to Be 100'') is the fifth studio album by Yugoslav rock band Bijelo Dugme, released in 1980. The album marked the band's shift from their folk-influenced hard rock sound towards new wave. It is the band's second and the last studio album to feature Zoran "Điđi" Jankelić on drums. ''Doživjeti stotu'' was polled in 1998 as the 35th on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best Albums of Yugoslav Pop and Rock Music''). Background During the late 1970s and early 1980s, the Yugoslav rock scene saw the emergence of a number of new wave and punk bands. Noting this trend in popular music in the country, Bijelo Dugme leader Goran Bregović reportedly became fascinated with the developing scene based around the emerging bands, especially with the works of Azra and Prljavo Kazalište. During 1980, the band decided to move towards new sound. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
Bijelo Dugme (trans. ''White Button'') was a Socialist Federal Republic of Yugoslavia, Yugoslav rock music, rock band, formed in Sarajevo, Socialist Republic of Bosnia and Herzegovina, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro (Sarajevo band), Jutro. The band's debut album ''Kad bi bio bijelo dugme'', released in 1974, brought them nationwide popularity with its The Balkans, Balkan Folk music, folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vlado Pravdić
Vladimir "Vlado" Pravdić (born 6 December 1949) is a Bosnian musician most famous as the organist of the Yugoslav rock group Bijelo dugme from 1974 to 1976 and again from 1978 to 1987. Born in Sarajevo, PR Bosnia-Herzegovina, FPR Yugoslavia as the only child of a Croat father and a Ukrainian mother, Pravdić's parents divorced during his adolescence as the youngster remained living with his mother. Pravdić enrolled in musical school at the age of seven and learned to play the piano. After completing his secondary schooling, he studied Physics at the University of Sarajevo's Faculty of Natural Sciences and Mathematics. Pravdić's musical activity began during 1965 in Vokinsi, whom he was with until 1968. He would go on to play in Kost from 1968–1970, Ambasadori from 1970–1971 and Indexi from 1971–1973. While gigging with Indexi over summer 1973, he struck up a friendship with Goran Bregović who at the time had a band called Jutro. The two hit it off immediately, and Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoran Redžić
Zoran Redžić (born 29 January 1948) is a Bosnian musician, best known for playing the bass guitar in the popular Yugoslav rock band Bijelo Dugme. Born in Sarajevo, Bosnia and Herzegovina, Yugoslavia, he is a younger brother of another Bosnian musician from band Indexi. During the late 1960s, teenage Zoran first performed with the group Čičci together with Milić Vukašinović, Mahmut "Paša" Ferović, and Dragan Danilović. Then in 1970 Redžić and drummer Milić Vukašinović joined Željko Bebek's band Kodeksi, of which Goran Bregović was already a member. After Bebek departed his own band, Redžić opted to stay with Goran Bregović in his new band Jutro which would go on to become the highly successful Bijelo Dugme in 1974. Redžić was Bijelo Dugme's bassist from 1974 to 1975 and then from 1977 to 1989 and played on the band's every studio album except ''Eto! Baš hoću!''. He took part in Bijelo Dugme's 2005 farewell tour and lives and works in Sarajevo Sar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niš
Niš (; sr-Cyrl, Ниш, ; names in other languages) is the third largest city in Serbia and the administrative center of the Nišava District. It is located in southern part of Serbia. , the city proper has a population of 183,164, while its administrative area (City of Niš) has a population of 260,237 inhabitants. Several Roman emperors were born in Niš or used it as a residence: Constantine the Great, the first Christian emperor and the founder of Constantinople, Constantius III, Constans, Vetranio, Julian, Valentinian I, Valens; and Justin I. Emperor Claudius Gothicus decisively defeated the Goths at the Battle of Naissus (present-day Niš). Later playing a prominent role in the history of the Byzantine Empire, the city's past would earn it the nickname ''Imperial City.'' After about 400 years of Ottoman rule, the city was liberated in 1878 and became part of the Principality of Serbia, though not without great bloodshed—remnants of which can be found throughou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duško Trifunović
Duško Trifunović ( sr, Душко Трифуновић, 13 September 1933 – 28 January 2006) was a Yugoslav writer, poet and television author. Life Born in the small village of Sijekovac near Bosanski Brod (then part of the Vrbas Banovina, Kingdom of Yugoslavia), to father Vaso and illiterate mother Petra. His father died from tuberculosis in 1945. Trifunović did not have much formal schooling since he started working in a factory during his early teens. Working as a locksmith affixing train wagon doors, he eventually moved to Sarajevo in 1957 at the age of 24 to continue the same line of work. Parallel to his factory work, he also secretly wrote poetry and once in Sarajevo finally got a chance to pursue it in earnest. He published his first book in 1958, and over the next 48 years wrote 84 poetry books, four novels, and several dramas. He also wrote over 300 song lyrics, most notably for Bijelo dugme (nation-wide hits " Ne gledaj me tako i ne ljubi me više" " Šta bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirko Ilić
Mirko Ilić (born 1 January 1956) is a Bosnian-born comics artist and graphic designer based in New York City. Yugoslavian period Ilić was born in Bosnia and Herzegovina. His life, schooling and most of his Yugoslav-period-career was located at Zagreb, Croatia. He graduated from the School of Applied Arts in Zagreb, published his first works in 1973, and has since been publishing comics and illustrations in magazines, such as '' Omladinski tjednik'', '' Modra Lasta'', ''Tina'', '' Pitanja'', and ''Start'' and has become the art and comics editor of the students' magazine '' Polet'' in 1976. That's when he organized an informal organization of the comic book creators Novi kvadrat (''The New Square''), that has been widely connected to the Novi val musical movement in Zagreb. Ilić design album covers of some of the most prominent Yugoslav bands of the time, such as Bijelo dugme, Prljavo kazalište, Parni Valjak, Azra, Film and many others. He designed the cover for the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moustache
A moustache (; en-US, mustache, ) is a strip of facial hair grown above the upper lip. Moustaches have been worn in various styles throughout history. Etymology The word "moustache" is French, and is derived from the Italian ''mustaccio'' (14th century), dialectal ''mostaccio'' (16th century), from Medieval Latin ''mustacchium'' (eighth century), Medieval Greek μουστάκιον (''moustakion''), attested in the ninth century, which ultimately originates as a diminutive of Hellenistic Greek μύσταξ (''mustax'', ''mustak-''), meaning "upper lip" or "facial hair", probably derived from Hellenistic Greek μύλλον (''mullon''), "lip". An individual wearing a moustache is said to be "moustached" or "moustachioed" (the latter often referring to a particularly large or bushy moustache). History Research done on this subject has noticed that the prevalence of moustaches and facial hair in general rise and fall according to the saturation of the marriage market. Thus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Željko Bebek
Želimir "Željko" Bebek (born 16 December 1945) is a Bosnian and Croatian vocalist and musician most notable for being the lead singer of former Yugoslav rock band Bijelo Dugme from 1974 to 1984. He also has a successful career as a solo artist. Early years Bebek was born in Sarajevo, PR Bosnia and Herzegovina, FPR Yugoslavia to Bosnian Croat parents Zvonimir and Katarina. He showed an early interest in music, entertaining his mother's house guests by singing songs he heard on the radio. He also experimented with harmonica, but abandoned it in third grade of primary school as he wanted to play guitar and sing along. His teacher, however, discouraged such intentions so Željko ended up playing mandolin instead. He soon became the school's best mandolin player and was allowed to play guitar as a reward. At age sixteen, Bebek began taking the stage at Eho 61, an open mic club-like school activity for the musically inclined students of Sarajevo's Second Gymnasium. A couple of year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stjepko Gut
Stjepko Gut (also known as Stepko, ''Steve Gut'', born 15 December 1950 in Ruma) is a Belgrade-based jazz musician. Biography Gut studied jazz trumpet at the Swiss Jazz School in Bern, Switzerland, and at the Berklee College of Music in Boston, Massachusetts. As a conductor, he won first place in the first Austrian Big Band Competition. He is one of the most famous jazz brass players from Serbia, others being Duško Gojković and Milivoje Marković. He was a member of the Lionel Hampton All Stars for two years, one of two white players at the time in that band. He made international tours, performances and recordings with Clark Terry, Wild Bill Davis, Curtis Fuller, Ed Thigpen, Benny Bailey, Horace Parlan Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Char ..., Mel Lewis, Johhny Griffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
