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Dovetail (album)
''Dovetail'' is an album by saxophonist Lee Konitz's Terzet, recorded in 1983 and released on the Sunnyside label. accessed December 5, 2016 Critical reception The review stated: "The repertoire is certainly a bit offbeat for these modernists ... but the musicians come up with fresh statements on all of the tunes. A continually interesting set, like most of Lee Konitz's recordings".Track listing All compositions by Lee Konitz, Harold Danko and Jay Leonhart except where noted. # " |
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Casey
Kenneth Casey (January 10, 1899 – August 10, 1965) was an American composer, publisher, author, and child movie star in early silents. Biography Born in New York City, Casey worked as a child actor in over thirty films for Vitagraph Studios between the years 1909 and 1913. He appeared with a young Moe Howard in the 1909 picture '' We Must Do Our Best''. Howard later became famous as one of The Three Stooges. As a songwriter, Casey is best remembered for writing the lyrics to "Sweet Georgia Brown" in 1925. Filmography * '' We Must Do Our Best'', directed by Van Dyke Brooke (1909) * ''Mario's Swan Song'' (1910) * ''Over the Garden Wall'' (1910) * ''Chew Chew Land; or, The Adventures of Dolly and Jim'' (1910) * '' Two Waifs and a Stray'' (1910) * '' A Lunatic at Large'' (1910) * '' Ransomed; or, A Prisoner of War'' (1910) * '' The Children's Revolt'' (1910) * '' Jean Goes Fishing'' (1910) * '' Drumsticks'' (1910) * '' A Tin-Type Romance'' (1910) * '' The Misses Finch and Thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay Leonhart
Jay Leonhart (born December 6, 1940) is a double bassist, singer, and songwriter who has worked in jazz and popular music. He has performed with Judy Garland, Bucky Pizzarelli, Carly Simon, Frank Sinatra, and Sting. Leonhart is noted for his clever songwriting, often laced with dry humor. His compositions have been recorded by Blossom Dearie, Lee Konitz, and Gary Burton. His poetry is published both in, and outside of, the venue of song. Career Leonhart grew up in a musical family. His parents and six siblings were all musically inclined. Everyone played the piano. By the age of seven, he and his older brother Bill were playing banjo, guitar, mandolin, and bass. They played country music and jazz. In their early teens, they were on TV in Baltimore and toured the country performing on banjo. When Leonhart was fourteen he started playing double bass in the Pier Five Dixieland Jazz Band in Baltimore. After studying at the Peabody Institute (1946–1950), he attended the Berklee C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Danko
Harold Danko (born June 13, 1947 in Ohio) is an American jazz pianist. Danko attended Youngstown State University. Among his credits are work in the big bands of Woody Herman and Thad Jones/Mel Lewis, as well as smaller ensembles with Gerry Mulligan, Chet Baker and Lee Konitz. He worked often with Rich Perry in the 1990s and also played with Rufus Reid, Kirk Lightsey, Jeff Hirshfield, Edward Simon, and Gregory Herbert. Discography As leader Main source: As sideman With Chet Baker *''Once Upon a Summertime'' (Artists House, 1977 980 *'' As Time Goes By'' (Timeless, 1986) *'' Cool Cat'' (Timeless, 1986 989 *'' Memories - Chet Baker in Tokyo'' (King Records, 1988) With Thad Jones and Mel Lewis *''The Thad Jones Mel Lewis Quartet'' (Artists House, 1978) With Lee Konitz *''Yes, Yes, Nonet'' (SteepleChase, 1979) *'' Dovetail'' (Sunnyside, 1983) *'' Ideal Scene'' (Soul Note, 1986) *'' The New York Album'' (Soul Note, 1988) *'' Dearly Beloved'' (SteepleChase, 1996) *''RichLee!'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheldon Harnick
Sheldon Mayer Harnick (born April 30, 1924) is an American lyricist and songwriter best known for his collaborations with composer Jerry Bock on musicals such as ''Fiorello!'' and ''Fiddler on the Roof''. Early life Sheldon Mayer Harnick was born to American Jewish parents and grew up in the Chicago neighborhood of Portage Park. Musical career Harnick began writing music while still in Carl Schurz High School in Chicago. After his Army service, he graduated from the Northwestern University School of Music (1946–1949) with a Bachelor of Music degree, and worked with various orchestras in the Chicago area. He then moved to New York City and wrote for many musicals and revues. He was friends with Charlotte Rae from college, and he went to see her one night at the Village Vanguard where she was singing a revue. Yip Harburg, who was one of Harnick's idols, heard she was singing a song of his and decided to come. He told Harnick that he enjoyed his writing, and urged him to continu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Bock
Jerrold Lewis Bock (November 23, 1928November 3, 2010) was an American musical theater composer. He received the Tony Award for Best Musical and the Pulitzer Prize for Drama with Sheldon Harnick for their 1959 musical ''Fiorello!'' and the Tony Award for Best Composer and Lyricist for the 1964 musical ''Fiddler on the Roof'' with Sheldon Harnick. Biography Born in New Haven, Connecticut, and raised in Flushing, Queens, New York, Bock studied the piano as a child. While a student at the University of Wisconsin–Madison, he wrote the musical ''Big As Life'', which toured the state and enjoyed a run in Chicago. After graduation, he spent three summers at the Tamiment Playhouse in the Poconos and wrote for early television revues with lyricist Larry Holofcener. One of their songs, the three-part "The Story of Alice," was performed by the Chad Mitchell Trio on their ''Blowin' in the Wind'' album of 1962. Career Bock made his Broadway debut in 1955 when he and Lawrence Holofcener co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Noble
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United States. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. Early life and career Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherokee (Ray Noble Song)
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Structure The composition has a 64-bar AABA construction. The A-section harmony is straightforward by the standards of 1930s songs, but the B-section is more sophisticated. This is because "it cadences (via ii-7–V7–I progressions) into the keys of B Major, A Major and G Major before moving toward the B tonic." Recordings "Cherokee" has been recorded over the years by many jazz musicians and singers. Charlie Barnet and His Orchestra's 1939 version reached No. 15 on the pop charts; he later re-recorded it in Hi Fi stereo for Everest Records in 1958. It was later recorded by Charlie Parker, the Count Basie Orchestra, Duke Ellington, Sarah Vaughan (1955), Dakota Staton (1958), Art Tatum and Keely Smit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
