Douglas Bruster
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Douglas Bruster
Douglas Bruster (born 1963) is an American literary critic and Shakespeare scholar. He is the Mody C. Boatright Regents Professor of American and English Literature and Distinguished Teaching Professor at The University of Texas at Austin where he researches the works of William Shakespeare and his contemporaries. Early life and education Bruster was raised in Norfolk, Nebraska, where he graduated from Norfolk Senior High School in 1981. Attending the University of Nebraska at Lincoln, he majored in English, History, and Latin, graduating in 1985. Thereafter he attended Harvard University, where he studied English Renaissance literature with such professors as G. Blakemore Evans, Marjorie B. Garber, and Roland Greene. Earning his M.A. during the course of his studies, he received his Ph.D. in 1990, writing on commercial themes and images in the plays of the early modern era in England. Career After appointments at the University of Chicago and the University of Texas at ...
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Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ...
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Thomas Kyd
Thomas Kyd (baptised 6 November 1558; buried 15 August 1594) was an English playwright, the author of ''The Spanish Tragedy'', and one of the most important figures in the development of Elizabethan drama. Although well known in his own time, Kyd fell into obscurity until 1773 when Thomas Hawkins, an early editor of ''The Spanish Tragedy'', discovered that Kyd was named as its author by Thomas Heywood in his ''Apologie for Actors'' (1612). A hundred years later, scholars in Germany and England began to shed light on his life and work, including the controversial finding that he may have been the author of a ''Hamlet'' play pre-dating Shakespeare's, which is now known as the ''Ur-Hamlet''. Early life Thomas Kyd was the son of Francis and Anna Kyd. There are no records of the day he was born, but he was baptised in the church of St Mary Woolnoth in the Ward of Langborn, Lombard Street, London on 6 November 1558. The baptismal register at St Mary Woolnoth carries this entry: "Tho ...
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Houghton Mifflin Harcourt
Houghton Mifflin Harcourt (; HMH) is an American publisher of textbooks, instructional technology materials, assessments, reference works, and fiction and non-fiction for both young readers and adults. The company is based in the Financial District, Boston, Boston Financial District. It was formerly known as Houghton Mifflin Company, but it changed its name following the 2007 acquisition of Harcourt (publisher), Harcourt Publishing. Prior to March 2010, it was a subsidiary of EMPG, Education Media and Publishing Group Limited, an Irish-owned holding company registered in the Cayman Islands and formerly known as Riverdeep. History Ticknor and Allen, 1832 In 1832, William Ticknor and John Allen purchased a bookselling business in Boston and began to involve themselves in publishing; James T. Fields joined as a partner in 1843. Fields and Ticknor gradually gathered an impressive list of writers, including Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. The d ...
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A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Characters * Theseus—Duke of Athens * Hippolyta—Queen of the Amazons * Egeus—father of Hermia * Hermia—daughter of Egeus, in love with Lysander * Lysander—in love with Hermia * Demetrius—suitor to Hermia * Helena—in love with Demetrius * Philostrate—Master of the Revels * Peter Quince—a carpenter * Nick Bottom—a weaver * Francis Flute—a bellows-mender * Tom Snout—a tinker * ...
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Mankind (play)
''Mankind'' is an English medieval morality play, written . The play is a moral allegory about Mankind, a representative of the human race, and follows his fall into sin and his repentance. Its author is unknown; the manuscript is signed by a monk named Hyngham, believed to have transcribed the play. ''Mankind'' is unique among moralities for its surprising juxtaposition of serious theological matters and colloquial (sometimes obscene) dialogue. Along with the morality plays ''Wisdom'' and ''The Castle of Perseverance'', ''Mankind'' belongs to the collection of the Folger Shakespeare Library in Washington, D.C. as a part of the Macro Manuscript (so named after 18th century owner Cox Macro). Date and provenance In his critical edition of the play published by the Early English Text Society in 1969, Eccles argues for a date between 1465 and 1470. Wickham, in his Dent edition of 1976, agrees, finally settling on 1470. Similarly, Lester, in his New Mermaids edition of 1981, offers betw ...
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Everyman (15th-century Play)
''The of Everyman'' (''The Summoning of Everyman''), usually referred to simply as ''Everyman'', is a late 15th-century morality play. Like John Bunyan's 1678 Christian novel ''The Pilgrim's Progress'', ''Everyman'' uses allegorical characters to examine the question of Christian salvation and what Man must do to attain it. Summary The will is that the good and evil deeds of one's life will be tallied by God after death, as in a ledger book. The play is the allegorical accounting of the life of Everyman, who represents all mankind. In the course of the action, Everyman tries to convince other characters to accompany him in the hope of improving his life. All the characters are also mystical; the conflict between good and evil is shown by the interactions between the characters. Everyman is being singled out because it is difficult for him to find characters to accompany him on his pilgrimage. Everyman eventually realizes through this pilgrimage that he is essentially alone, de ...
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Morality Play
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist."King, Pamela M. "Morality Plays." In ''The Cambridge Companion to Medieval English Theatre'', edited by Richard Beadle and Alan J. Fletcher. 2nd ed. Cambridge University Press, Cambridge, 2008: 235-262, at 235. English morality plays Hildegard von Bingen's ''Ordo Virtutum'' (English: "Order of the Virtues"), composed c. 1151 in Germany, is the earliest known morality play by more than a century, and the only medieval musica ...
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The Changeling (play)
''The Changeling'' is a Jacobean tragedy written by Thomas Middleton and William Rowley. Widely regarded as being among the best tragedies of the English Renaissance, the play has accumulated a large amount of critical commentary. The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 7 May 1622, and was first published in 1652 by the bookseller Humphrey Moseley. Authorship The title page of the first edition of ''The Changeling'' attributes the play to Middleton and Rowley. The division of authorship between the two writers was first delineated by Pauline Wiggin in 1897, and is widely accepted. David Lake, in his survey of authorship problems in the Middleton canon, summarises the standard division of shares this way: : Middleton – Act II; Act III, scenes i, ii, and iv; Act IV, scenes i and ii; Act V, scenes i and ii; : Rowley – Act I; Act III, scene iii; Act IV, scene iii; Act V, scene iii. Lake differs from previous commentators only in ...
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William Rowley
William Rowley (c. 1585 – February 1626) was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of St James's, Clerkenwell in north London. (An unambiguous record of Rowley's death was discovered in 1928, but some authorities persist in listing his year of death as 1642.) Life and work Rowley was an actor-playwright who specialised in playing clown characters (that is, characters whose function is to provide low comedy). He must also have been a large man, since his forte lay specifically in fat-clown roles. He played the Fat Bishop in Thomas Middleton's ''A Game at Chess'', and Plumporridge in the same author's ''Inner Temple Masque''. He also wrote fat-clown parts for himself to play: Jaques in ''All's Lost by Lust'' (a role "personated by the Poet", the 1633 quarto states), and Bustopha in ''The Maid in the Mill'', h ...
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Thomas Middleton
Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt ''Midleton'') was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants. Life Middleton was born in London and baptised on 18 April 1580. He was the son of a bricklayer, who had raised himself to the status of a gentleman and owned property adjoining the Curtain Theatre in Shoreditch. Middleton was five when his father died and his mother's subsequent remarriage dissolved into a 15-year battle over the inheritance of Thomas and his younger sister – an experience that informed him about the legal system and may have incited his repeated satire against the legal profession. Middleton attended The Queen's College, Oxford, matriculating in 1598, but he did not graduate. Before he ...
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Robert Weimann
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be u ...
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