Doublestop
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Doublestop
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open. A triple stop is the same technique applied to three strings; a quadruple stop applies to four strings. Double, triple, and quadruple stopping are collectively known as multiple stopping. Early extensive examples of the double stop and string chords appear in Carlo Farina's ''Capriccio Stravagante'' from 1627, and in certain of the sonatas of Biagio Marini's Op. 8 of 1629. Bowing On instruments with a curved bridge, it is difficult to bow more than two strings simultaneously. Early treatises make it clear that composers did not expect three ...
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Jean-Baptiste Bréval
Jean-Baptiste Sebastien Bréval (6 November 1753 – 18 March 1823) was a French Cello, cellist and composer. He wrote mostly for his own instrument, including pedagogical works as well as virtuoso display pieces. Life Bréval was born in Paris, and went on to study with François Cupis (1735-1810) and Martin Berteau. By 1774, he was an active cello teacher. In 1775, he published his opus 1, six concertante quartets. In 1776, he became a member of the «Société Académique des Enfants d'Apollon». Kicking off his career by performing one of his sonatas at a Concert Spirituel in 1778, he became a member of their orchestra from 1781 to 1791, and from 1791 to 1800 he played in the orchestra of the Théâtre Feydeau. Later he became involved in the administration of the «Concerts de la rue de Cléry» and a member of the Paris Opera orchestra. He retired from the orchestra in 1816. The ''Allgemeine musikalische Zeitung'' states that Bréval taught at the College or univers ...
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Cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuoso, virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda (music), coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (music), free time (without a strict, regular pulse) and can be wr ...
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George Heussenstamm
George Heussenstamm (born July 24, 1926) is an American composer. His most well-known works include jazz-classical chamber styles, such as ''Etudes (7) for oboe, clarinet & bassoon, Op. 77'' (1964), ''Alchemy for solo oboe and tape, Op. 60'' (1976), and ''Ensembles, for brass quintet'' (1976). Recordings of his compositions include ''Woodwind Treasures'' by the West Wind Quintet and ''Alchemy: American Works for Oboe and English Horn CD'' by Mark Hill, and others. Formerly, a professor of music at Cal State Dominguez Hills, Cal State Northridge, Cal State Los Angeles Cal or CAL may refer to: Arts and entertainment * ''Cal'' (novel), a 1983 novel by Bernard MacLaverty * "Cal" (short story), a science fiction short story by Isaac Asimov * ''Cal'' (1984 film), an Irish drama starring John Lynch and Helen Mir ..., and other colleges in Southern California. Heussenstamm is the author of several books pertaining to music theory, including ''The Norton Manual of Music Notation' ...
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Divisi
In musical terminology, ''divisi'', or as typically printed ''“div.,”'' is an instruction to divide a single section of instruments into multiple subsections. This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. Typically, 4-part French Horn sections include divided sections if Horns 1/2 and/or 3/4 are not playing the same music (" a2"). Other brass instruments can also be divided but it is not as frequent as with the Horn section. Woodwinds - especially Flutes and Clarinets - also utilize "divisi" to divide music between parts and even between players of the same part. After a divisi section, it may be cancelled by the instructions ''tutti'', ''all'unisono''.{{Cite Grove , first=David , last=Fallows , date=2001 , title=Divisi (It.: 'divided') , url=https://doi.org/10.1093/gmo/9781561592630.article.07869 or ''unison'' (abbreviated ''unis.''). The German equivalents for ''divisi'' and ''tutti'' ...
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Elliot Forbes
Elliot Forbes (August 20, 1917, Cambridge, Massachusetts – January 9, 2006, in Cambridge), known as "El", was an American conductor and musicologist noted for his Beethoven scholarship. Life and career Forbes came from a Boston Brahmin family; his father, Edward W. Forbes, was the director of Harvard's Fogg Art Museum. He attended Harvard, receiving a BA in 1941 and an MA in 1947, both in music; he studied with Walter Piston, and while he was a graduate student, he was assistant conductor of the Harvard Glee Club. From 1947 to 58, he taught at Princeton University, but in 1958 he returned to Harvard and remained there for the rest of his life as Fanny Peabody Professor of Music (and, after 1984, Professor Emeritus.) He was the chief conductor of the Harvard Glee Club and Radcliffe Choral Society from 1958 to 1970; his students included Isaiah Jackson, now director of the Pro Arte Chamber Orchestra of Boston, and William Christie, founder and director of the European baroqu ...
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Beethoven's Fifth Symphony
The Symphony No. 5 in C minor of Ludwig van Beethoven, Op. 67, was written between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four movements. It begins with a distinctive four-note "short-short-short-long" motif: : The symphony, and the four-note opening motif in particular, are known worldwide, with the motif appearing frequently in popular culture, from disco versions to rock and roll covers, to uses in film and television. Like Beethoven's Eroica (heroic) and Pastorale (rural), Symphony No. 5 was given an explicit name besid ...
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Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. Although his family was mainly of English origin, his paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by ...
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