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Double Bass (album)
''Double Bass'' is a studio album by jazz bassists Niels-Henning Ørsted Pedersen and Sam Jones (musician), Sam Jones, which was recorded in 1976 and released on the Danish SteepleChase Records, SteepleChase label. accessed March 19, 2015 Reception In his review for AllMusic, Ken Dryden said "Both bassists had played with the formidable pianist Oscar Peterson, so they not only knew something about playing rhythm but were very potent soloists to boot. Pedersen's singing tone contrasts with the darker sound of Jones, though the players nimbly shift roles throughout the sessions. ...This fun date was evidently the only time Niels-Henning Ørsted Pedersen and Sam Jones had the opportunity to work together, but they made the most of it".
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Niels-Henning Ørsted Pedersen
Niels-Henning Ørsted Pedersen (, 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist. Biography Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 ( Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen's Jazzhus Montmartre, after his debut there on New Year's Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States. The Montmartre was a regular stop-off for touring American Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Higgins
Billy Higgins (October 11, 1936 – May 3, 2001) was an American jazz drummer. He played mainly free jazz and hard bop. Biography Higgins was born in Los Angeles, California, United States. Higgins played on Ornette Coleman's first records, beginning in 1958. He then freelanced extensively with hard bop and other post- bop players, including Donald Byrd, Dexter Gordon, Grant Green, Herbie Hancock, Joe Henderson, Don Cherry, Paul Horn, Milt Jackson, Jackie McLean, Pat Metheny, Hank Mobley, Thelonious Monk, Lee Morgan, David Murray, Art Pepper, Sonny Rollins, Mal Waldron, and Cedar Walton. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s. He also collaborated with composer La Monte Young and guitarist Sandy Bull. In his career, he played on over 700 recordings, including recordings of rock and funk. He appeared as a jazz drummer in the 2001 movie, ''Southlander''. In 1989, Higgins cofounded a cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Catherine
Philip Catherine (born 27 October 1942) is a Belgian jazz guitarist. Biography Philip Catherine was born in London, England, to an English mother and Belgian father, and was raised in Brussels, Belgium. His grandfather was a violinist in the London Symphony Orchestra. Catherine started on guitar in his teens, and by seventeen he was performing professionally at local venues. He released his debut album, ''Stream'', in 1972. During the next few years, he studied at Berklee College of Music in Boston and with Mick Goodrick and George Russell (composer), George Russell. In 1976, he and guitarist Larry Coryell recorded and toured as an acoustic duo. The same year, when Jan Akkerman abruptly left Focus (band), Focus, Catherine replaced him in the band. The following year, he recorded with Charles Mingus, who dubbed him "Young Django". In the early 1980s, he toured briefly with Benny Goodman. He was in trio with Didier Lockwood and Christian Escoudé, then in a trio with Chet Baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are " Smoke Gets in Your Eyes", " Indian Love Call" and " Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", " Can't Help Lovin' Dat Man", " A Fine Romance", " Smoke Gets in Your Eyes", "The Song Is You", " All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterdays (1933 Song)
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for ''Roberta'', a musical based on the novel ''Gowns by Roberta'' by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra. Other recordings *Billie Holiday - 1939 and 1952 recordings * Larry Coryell – ''Shining Hour'' (1989) * Lee Konitz and Miles Davis -- '' 1949'' * Dorothy Donegan * Clifford Brown -- '' Clifford Brown with Strings'' (1955) * Ella Fitzgerald -- '' Ella Fitzgerald Sings the Jerome Kern Song Book'' (1963) * Erroll Garner – ''Magician'' (1973) * Gordon Goodwin's Big Phat Band – '' Act Your Age'' (2008) * Stevie Holland (''More Than Words Can Say'', 2006) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Au Privave
"Au Privave" is a bebop jazz standard composed by Charlie Parker in 1951. Parker recorded "Au Privave" on January 17, 1951, for the American record label Verve. From French, the title translates to "in Privave" or "at the Privave." A variant of this title is "Après Vous" (After You), a song recorded by drummer Max Roach. See also *List of post-1950 jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one ... References External links * 1950s jazz standards 1951 songs Compositions by Charlie Parker Bebop jazz standards Jazz compositions in F major {{1950s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
