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Dooms Night
"Dooms Night" is the debut single by German DJ and producer Azzido Da Bass, first released in 1999 in Germany. In the UK, the song missed the top 40 until a remix of the song by Timo Maas was released on 9 October 2000; it was this version which gave the song mainstream chart success, reaching number eight on the UK Singles Chart. The Timo Maas remix contains a sample from "How Do You Plead?" by French duo Soofle. Later, a re-work of the Timo Maas version by English duo Stanton Warriors was also released as a single in 2000, entitled "Dooms Night (Revisited)". Their remix featured updated UK garage-esque beats and vocals by UK ragga MC Slarta John. Due to the song's popularity, it also made major appearances around the world, including at the MTV Music Awards in 2000, in several American and European commercials, and in the movie soundtrack to ''Be.Angeled''. In 2008, various releases of "Dooms Night" featured new remixes by artists such as Laidback Luke, Crookers, Switch, ...
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Azzido Da Bass
Azzido Da Bass (born Ingo Martens, 29 August 1971) is a German DJ and record producer based in Hamburg, Germany. Early life Over the years, Martens was influenced by a wide range of music genres: as a youth, he first became interested in hip hop and break dance; by the mid-1980s, he began collecting electronic and synthpop albums from groups such as Depeche Mode, Kraftwerk and Nitzer Ebb; a few years later, it was acid house and hardcore groups. In the early 1990s, Carl Cox gave Martens a cassette tape of various remixes, which had a substantial impact of Martens' view on music, paving the way for his future career. Career history DJ performances Further inspired by the performances of local and international DJs on tour, Martens began his own DJ career in 1996 under the name Azzido Da Bass. One year later, he would secure his first professional job in Hamburg, Germany. The performance was a success, opening the door to additional jobs in northern Germany performing in clubs, co ...
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Lexy & K-Paul
Lexy & K-Paul are DJs from Berlin consisting of Alexander Gerlach ("Lexy", born 14 January 1976 in Dresden) and Kai Michael Paul, formerly Kai Michael Fuchs ("K-Paul", born 5 November 1973 in Berlin). Lexy is also a member of the project Die Raketen, which also consists of Adel Dior and Jan-Eric Scholz. K-Paul formed duo Fuchs und Horn together with Horn. Their music was released on Low Spirit Recordings, which is owned by WestBam, until 2007, when they formed their own label MusicIsMusic, distributed by Kontor Records. Additional information In 2001, Lexy, together with Mark Spoon, acted in the film ''Be.Angeled'' by Roman Kuhn. In 2005, ''The DVD'' was released showing the six-year-old band's history. It contains all their music videos with audio commentaries, a "making of" feature, and an exclusive interview. Discography Albums Singles DVDs * 2005: ''Lexy & K-Paul – The DVD'' Awards * 2001 – ECHO ''„Best National Newcomer Dance Act 2001“'' External ...
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Love Parade
The Love Parade (german: Loveparade) was a popular electronic dance music festival and technoparade that originated in 1989 in West Berlin, Germany. It was held annually in Berlin from 1989 to 2003 and in 2006, then from 2007 to 2010 in the Ruhr region. Events scheduled for 2004 and 2005 in Berlin and for 2009 in Bochum were canceled. On 24 July 2010, a crowd crush at the Love Parade in Duisburg caused the deaths of 21 people, with at least 500 others injured. As a consequence, the organizer of the festival announced that no further Love Parades would be held and that the festival was permanently canceled. In 2022 the Love Parade was revived under the name Rave The Planet. History The parade first occurred in July 1989, when 150 people took to the streets in Berlin. It was started by the Berlin underground at the initiative of Matthias Roeingh (also known as "Dr Motte") and his then girlfriend Danielle de Picciotto. It was conceived as a political demonstration for peace ...
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Notting Hill Carnival
The Notting Hill Carnival is an annual Caribbean festival event that has taken place in London since 1966
, Notting Hill Carnival '13, London Notting Hill Enterprises Trust.
on the streets of the area of , each August over two days (the August bank holiday Monday and the preceding Sunday). It is led by members of the British Caribbean community, and ...
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2-step Garage
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage.''A transcription of this article is availablhere as a PDF file.'' One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat. Characteristics A typical 2-step drum pattern features syncopated kick drums that skip a beat, with shuffled rhythm or triplets applied to other elements of the percussion, resulting in a sound noticeably distinct to those present in other house or techno music. Although rhythms with two kicks to a bar may be considered less energetic than the four on the floor pattern, 2-step rhythms maintain the listener's interest with off-beat snare placements and accents in the dru ...
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Urban Music
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ...
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Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ...
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Progressive House
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.Gerard, Morgan; Sidnell, Jack. ''Popular Music and Society'' 24.3 (Fall 2000): 21–39. Etymology In the context of popular music the word "progressive" was first used widely in the 1970s to differentiate experimental forms of rock music from mainstream styles. Such music attempted to explore alternate approaches to rock music production. Some acts also attempted to elevate the aesthetic values of rock music by incorporating features associated with classical instrumental music. This led to a style of music called progressive rock, which has been described as "the most self-consciously arty branch of rock." In disco music, and later house music, a similar desire to separate more exploratory styles from standard approaches saw DJs and producers adopting ...
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Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ...
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Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announced on August 22, 2017, that it would cease p ...
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