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Don John Of Austria (opera)
''Don John of Austria'' is a ballad opera in three acts by Isaac Nathan to a libretto by Jacob Levi Montefiore. It is the first opera to be written, composed and produced in Australia. Quote from the opera's title page: :The plot is taken and many scenes are literal translations from Casimir Delavigne's celebrated comedy of "Don John of Austria" (Don Juan d'Autriche). Performance history It premiered on 3 May 1847 at the Royal Victoria Theatre, Sydney and enjoyed a successful run of six performances. It has been produced only twice since: two performances (12 and 14 September 1997) at Spitalfields, London, by Spitalfields Market Opera with The Chelsea Opera Group directed by Philip Parr and conducted by Alexander Briger, and semi-staged performances on 18 and 20 October 2007in two actsat the City Recital Hall, Angel Place, Sydney, also conducted by Briger. Nathan's original orchestration has been lost and Nathan's great-great-great grandson, the conductor Sir Charles Mackerras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Juan D Austria
Don, don or DON and variants may refer to: Places *County Donegal, Ireland, Chapman code DON *Don (river), a river in European Russia *Don River (other), several other rivers with the name *Don, Benin, a town in Benin *Don, Dang, a village and hill station in Dang district, Gujarat, India *Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy *Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge, St And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Of Austria
John of Austria ( es, Juan, link=no, german: Johann; 24 February 1547 – 1 October 1578) was the natural son born to Holy Roman Emperor Charles V late in life when he was a widower. Charles V met his son only once, recognizing him in a secret codicil to his will. John became a military leader in the service of his half-brother, King Philip II of Spain, Charles V's legitimate heir, and is best known for his role as the admiral of the Holy Alliance fleet at the Battle of Lepanto. Life Early years Born in the Free imperial city of Regensburg, Upper Palatinate, John of Austria was the product of a brief liaison between Charles V, Holy Roman Emperor (a widower since 1539) and Barbara Blomberg, a burgher's daughter and singer. In the summer of 1554, the boy was taken to the castle of Luis de Quijada in Villagarcía de Campos, Valladolid. Magdalena de Ulloa, the wife of Luis de Quijada, took charge of his education, assisted by the Latin teacher Guillén Prieto, the chaplain Garcí ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Davislim
Steve Davislim (born 1967) is a Malaysian-born Australian operatic tenor. He is of Chinese and Irish ancestry and is based in Vienna, Austria. Biography He was born Steven Lim in George Town, Penang, Malaysia, in 1967. His father David Lim is of Chinese ancestry, his parents having settled in Penang from China before World War II. David Lim met his Irish wife Joyce Davis, a nurse, while studying at the Royal College of Surgeons in Dublin in the 1950s and 60s. They returned to Penang after marrying. Soon after Steve's birth, the family moved to Australia, firstly to Tasmania, then to Melbourne. It was there that the young Steve Lim joined both his parents' names to create the name Davislim.The Star Retrieved 20 September 2014 Davislim worked as a horn player in brass groups and orchestras for eight years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alguazil
Alguacil (in Spanish), aguazil or guazil (in Portuguese) is the title for a number of governmental office-holders. Origin The term ''alguacil'' is derived from the Arabic term (''wazir''), meaning Vizier. The first known use of the term dates back to 1579. Historical use Constable In Nahuatl, the term ''alguacil'' is a Spanish loanword that means constable or a sub- Cabildo officer. Judge There were two types of judges named ''Alguacils'': The ''Alguaciles Mayores'' (Chief Justice) and ''Alguaciles Menores'' (Justice). The Alguacils of higher importance were the Alguaciles Mayores. These positions were held by the most prominent families, so they approximated the office of '' Regidores''. (At first they were also in charge of the local prison (jail), but this function was passed very soon to the responsibility of the ''Alcaide'' or warden.) Their function was to arrest people provided by the ''Inquisitor'' or investigators and the seizure of their property. To do this one had t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Inquisitor
Grand Inquisitor ( la, Inquisitor Generalis, literally ''Inquisitor General'' or ''General Inquisitor'') was the lead official of the Inquisition. The title usually refers to the chief inquisitor of the Spanish Inquisition, even after the reunification of the inquisitions. Secretaries-general of the Roman Inquisition were often styled as ''Grand Inquisitor'' but the role and functions were different. The Portuguese Inquisition was headed by a Grand Inquisitor, or General Inquisitor, named by the Pope but selected by the king, always from within the royal family. The most famous Inquisitor General was the Spanish Dominican Tomás de Torquemada, who spearheaded the Spanish Inquisition. List of Spanish Grand Inquisitors Separation of Inquisitions of Castile and Aragon Castile Aragon Reunification of the Inquisitions List of inquisitors-general of Portugal External links ''Council of Inquisition'': List of Grand Inquisitors References {{Authority control Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
