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Don Giovanni Tenorio
', (English: ''Don Giovanni, or The Stone Guest'') also known as ''Don Giovanni Tenorio'' is a one-act opera (dramma giocoso) by the Italian composer Giuseppe Gazzaniga. The opera was first performed at the Teatro San Moisè, Venice, on 5 February 1787, the same day as opera ''Don Giovanni'' in the same city at the Teatro San Samuele The libretto, by Giovanni Bertati, is based on the legend of Don Juan as told by Tirso de Molina in his play ''The Trickster of Seville and the Stone Guest'' (c. 1630), leading to comparisons with Mozart's ''Don Giovanni'' which had its premiere later in 1787. Mozart's librettist, Lorenzo Da Ponte, certainly knew the earlier opera. Gazzaniga's work is much shorter than Mozart's, and originally formed part of a double-bill with another piece, ''Il capriccio drammatico''. Roles *Don Giovanni (tenor) The role was created by Antonio Baglioni, who sang Don Ottavio in the premiere of Mozart's opera. *Pasquariello, ''Don Giovanni's manservant'' ( bass) * ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ...
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Operas Set In Spain
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1787 Operas
Events January–March * January 9 – The North Carolina General Assembly authorizes nine commissioners to purchase of land for the seat of Chatham County. The town is named Pittsborough (later shortened to Pittsboro), for William Pitt the Younger. * January 11 – William Herschel discovers Titania and Oberon, two moons of Uranus. * January 19 – Mozart's '' Symphony No. 38'' is premièred in Prague. * February 2 – Arthur St. Clair of Pennsylvania is chosen as the new President of the Congress of the Confederation.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * February 4 – Shays' Rebellion in Massachusetts fails. * February 21 – The Confederation Congress sends word to the 13 states that a convention will be held in Philadelphia on May 14 to revise the Articles of Confederation. * February 28 – A charter is granted, ...
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Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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Bampton Classical Opera
Bampton Classical Opera is an opera company based in Bampton, Oxfordshire and founded in 1993. It specialises in the production of lesser known opera from the Classical period. Performances are always sung in English. ''Opera today'' called the company 'ambitious, innovative and imaginative'. It works with a variety of conductors and ensembles and does not have a permanent music director. It performs with both modern and period instrument orchestras and has often appeared with the London Mozart Players and Chroma Ensemble. It particularly aims to provide performances for young singers. History Bampton Classical Opera was founded in 1993 by its current artistic directors, Gilly French and Jeremy Gray. Following a staging of Mozart’s rare unfinished opera '' L’oca del Cairo (The Cairo Goose)'' in 1994, the company specialised increasingly in rare works of the classical period, usually from the second half of the eighteenth-century. Venues The company's staged opera productions ...
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ...
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Elżbieta Szmytka
Elżbieta Szmytka (born 1956) is a Polish operatic soprano. She has appeared internationally, including at the Vienna State Opera, where she performed Mozart roles such as Blonde in ''Die Entführung aus dem Serail'' and Despina in ''Così fan tutte''. In 1999, she recorded Chopin's Polish songs (Chopin), Polish songs and performed in a concert in 2018 celebrating a century of National Independence Day (Poland), Polish independence as a soloist in Górecki's ''Symphony of Sorrowful Songs''. Life and career Born in Prochowice, Lower Silesian Voivodeship, Szmytka studied with Helena Łazarska. and graduated from the Academy of Music in Kraków. She made her debut as Susanna in Mozart's ''Le nozze di Figaro'' at the Opera Krakowska. She appeared at the Vienna State Opera as Blonde in Mozart's ''Die Entführung aus dem Serail'', Despina in his ''Così fan tutte'', and Papagena in ''Die Zauberflöte''. She also performed at the Grand Théâtre de Genève, the Opéra Garnier, La Monn ...
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