Don't Let The Feeling Go
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Don't Let The Feeling Go
"Don't Let the Feeling Go" is a song by British house music group Nightcrawlers and released in August 1995 by Arista, BMG and Final Vinyl as the third single from the group's only album, ''Lets Push It'' (1995). The song is produced by American DJ and record producer MK, and written by John Reid with Kinchen and Graham Wilson. In the UK, it peaked at number 13 during its first week on the UK Singles Chart, on 9 September 1995. "Don't Let the Feeling Go" became a hit also in other countries, such as Finland, where it peaked at number five, and in Belgium, Ireland, Scotland, Sweden and Switzerland, where the single reached the top 30. Its music video was directed by Guy Ritchie. Critical reception In his weekly UK chart commentary in '' Dotmusic'', James Masterton noted, "With their third single the Nightcrawlers move further and further away from the pure dance they started with and into the realm of the proper pop single, pushing singer John Reid to the fore and producing a ...
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Nightcrawlers (band)
Nightcrawlers is a British house music project from Glasgow, Scotland, assembled by producer, DJ and vocalist John Reid (born 6 September 1963). Career Beginnings: 1992–1996 In the early 90s, the band Nightcrawlers was formed as a more soul and funk-influenced pop act and featured vocalist John Reid (who had some local success as a DJ and vocalist with a number of other acts in the late 1980s). The band signed to Island Records' 4th & Broadway record label and released their debut single "Living Inside a Dream", which failed to reach any commercial success. The band then decided to release a second single, " Push the Feeling On", which also failed to go Top 40 in its original acid jazz-styled version and so the band were dropped from Island records, splitting up not so long afterwards. However, " Push the Feeling On" found some success on the American dance scene and briefly crossed over to pop radio, resulting in a minor hit, peaking at No. 80 on the ''Billboard'' Hot 100, ...
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Do Ya Wanna Funk
"Do Ya Wanna Funk" is a 1982 dance song recorded by American recording artists Sylvester and Patrick Cowley. It was produced by Cowley, who incidentally died the same year. The song was mostly successful in Europe, especially in Belgium, Finland and Norway, where it became a top-10 hit. It also reached the top 20 in the Netherlands and Switzerland, and made it to the top 30 in West Germany and Australia, and the top 40 in the United Kingdom. The song was inspired by "I'm Your Jeanie", a single by Jeanie Tracy, who was a background vocalist for Sylvester. It was also featured in the film ''Trading Places'' (1983). In 2022, ''Rolling Stone'' ranked "Do Ya Wanna Funk" number 179 in their list of ''200 Greatest Dance Songs of All Time''. Track listing * 12", US' # "Do Ya Wanna Funk" - ''6:47'' # "Do Ya Wanna Funk" (instrumental) - ''6:47'' # "Do Ya Wanna Funk" (radio version) - ''3:29'' * 12", UK # "Do Ya Wanna Funk" - ''6:47'' # "Do Ya Wanna Funk" (instrumental) - ''6:47'' # "Do Ya ...
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Suomen Virallinen Lista
The Official Finnish Charts ( fi, Suomen virallinen lista; sv, Finlands officiella lista) are national record charts in Finland compiled and published by Musiikkituottajat – IFPI Finland. The name ''Suomen virallinen lista/Finlands officiella lista'' (lit. "the Official Finnish Chart"), which is singular in both Finnish and Swedish, is used generically to refer to both the albums and the singles chart, and the context (albums or songs) reveals which chart is meant. History The first charts were published in 1951. In January 1991, the Yle radio station Radiomafia started to compile the first weekly chart in Finland called ''Radiomafian lista'', which was broadcast on the radio every Sunday. Prior to that, all singles and album charts in Finland had been either monthly or biweekly published sales charts. ''Radiomafian lista'' became the official Finnish charts in January 1994 when they began a partnership with Suomen Ääni- ja kuvatallennetuottajat (ÄKT) (now known as Musiik ...
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European Dance Radio Chart
The European Dance Radio Chart (also known as European Dance Radio Top 25) was a weekly chart compiled by pan-European magazine ''Music & Media''. After dance music had played a more dominant role on the magazine's Eurochart Hot 100 in the beginning of the 1990s, the new chart was launched on 28 September 1991. Based on a weighted-scoring system, it was compiled on the basis of playlists of European stations programming various styles of dance music, including hip hop/rap, R&B and swingbeat, for the 15-30 year-olds, fulltime or during specific dayparts. The first number one single on the EDR Chart was "Gett Off" by Prince. Number one singles on European Dance Radio Top 25 1991 *Prince - "Gett Off" (28 September 1991) *P.M. Dawn - "Set Adrift on Memory Bliss" (19 October 1991) *Simply Red - "Something Got Me Started" (2 November 1991) *Lisa Stansfield - "Change" (23 November 1991) *Michael Jackson - "Black or White" (21 December 1991) 1992 * DNA - " Can You Handle It" (15 Februar ...
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Eurochart Hot 100
The European Hot 100 Singles was compiled by '' Billboard'' and ''Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 1979 ...
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Tin Tin Out
Tin Tin Out were an English electronic dance music duo, comprising Darren Stokes and Lindsay Edwards. They remixed songs for a variety of artists such as Duran Duran, Erasure, Pet Shop Boys, The Corrs and Des'ree, as well as collaborating with singers such as Shelley Nelson and Emma Bunton, scoring top ten hits with both. Career They were well known as active remixers, working on increasingly higher-profile and more commercial songs as the 1990s progressed, however also have their own sound recording and reproduction, recording careers. They first hit the top 20 with their 1995 cover "(There's) Always Something There to Remind Me#Tin Tin Out featuring Espiritu version, Always (Something There to Remind Me)". It peaked at No. 14 on the UK Singles Chart and No. 1 on the UK Dance Singles Chart. The single "Strings for Yasmin" featured in the 2001 Vinnie Jones film ''Mean Machine (film), Mean Machine'', and was used as the 1997/98 Premier League's commercial soundtrack, featuring S ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ...
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Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ...
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Kiss 100FM
Kiss is a British digital radio station owned and operated by Bauer as part of the Kiss Network. It is primarily aimed at the 15-34 age group and broadcasts nationally to the UK on DAB Digital Radio, as well as on FM in London, Bristol and the Severn Estuary, and East Anglia. The station started as Kiss FM - a 1980s pirate radio station that was to become the UK's first legal radio station Kiss 100 specialising in black and dance music. As of June 2022, the station has a weekly audience of 2.5 million listeners according to RAJAR. History Pirate roots Kiss FM first broadcast 7 October 1985 as a pirate radio station, initially to South London then across the whole city, on 94FM. Kiss FM was founded by Gordon 'Mac' McNamee, George Power (of London Greek Radio), and Tosca Jackson, with its engineer Pyers Easton. Transmitting seven-days from the start, it would be regularly taken off-air by the authorities and so became a weekend operation shortly afterwards. The station d ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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