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Don't Ask Me Why (Billy Joel Song)
"Don't Ask Me Why" is a 1980 song by Billy Joel released as the third single from the album '' Glass Houses''. The song spent two weeks at number one on the Adult Contemporary chart and peaked at number 19 on the ''Billboard'' Hot 100. The track contains all acoustic and Latin percussion instruments performing in an Afro-Cuban rhythmic style. An eclectic, instrumental "Latin Ballroom" piano solo, played over the bridge section after the second verse, is also featured in part of the song; Joel states that the mix for the midsection includes "fifteen pianos overdubbed on top of each other." Reception '' Billboard'' found the song to be "catchy" and felt that Joel's vocal performance sounded similar to Paul McCartney. '' Cash Box'' said it has a "crisp pop/Latin/rock rhythm" and that the lyrics deal with the "themes of success and chance." '' Record World'' called it "one of oel'seasy rollin' romantic piano ballads that often become pop standards." Charts Weekly charts Year-en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Joel
William Martin Joel (born May 9, 1949) is an American singer, pianist and songwriter. Commonly nicknamed the "Piano Man (song), Piano Man" after his album and signature song of the same name, he has led a commercially successful career as a solo artist since the 1970s, having released 12 pop and rock studio albums from 1971 to 1993 as well as one studio album of classical compositions in 2001. He is one of the List of best-selling music artists, best-selling music artists of all time, as well as the seventh-best-selling recording artist and the fourth-best-selling solo artist in the United States, with over 160 million records sold worldwide. His 1985 compilation album, ''Greatest Hits (Billy Joel albums), Greatest Hits Vol. 1 & 2'', is one of the List of best-selling albums in the United States, best-selling albums in the United States. Born in The Bronx, Joel grew up on Long Island, where both places influenced his music. Growing up, he took piano lessons at his mother's insi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Singles Chart
The Dutch Top 40 ( nl, Nederlandse Top 40) is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "''I Feel Fine''" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay data and the 538 Top 50. From October 4th. 1974 until May 20th. 1976, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Number-one Adult Contemporary Singles Of 1980 (U
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: castaño), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The origins of the instrument are not known. The practice of clicking hand-held sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratchet (instrument)
A ratchet or rattle, more specifically, cog rattle is a musical instrument of the percussion family and a warning/signaling device. It operates on the principle of the ratchet device, using a gearwheel and a stiff board mounted on a handle, which rotates freely. Variants include the gragger ( yi, גראַגער) used in Judaism, the rapach, and the raganella. Method of playing The player holds the handle and swings the whole mechanism around. The momentum makes the board click against the gearwheel, producing a clicking and rattling noise. A popular design consists of a thick wooden cog wheel attached to a handle and two wooden flanges that alternately hit the teeth of the cog when the handle turns. Alternatively, smaller ratchets are sometimes held still or mounted and the handle turned rapidly by the player. The mounted ratchets allow for greater control of the duration and timing of the sound. This allows the ratchet to be used like a snare drum, placing sustained rolls in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberty DeVitto
Liberatori "Liberty" DeVitto (born August 8, 1950) is an American rock drummer. He is best known for his work as a drummer for New York singer-songwriter Billy Joel's recording and touring band. He has also been a session drummer on recordings of other artists. He is credited as a drummer on records that have sold a combined total of 150 million units worldwide. Early life and education DeVitto was born in New York City, of Italian ancestry, where his father was a police officer at the New York Police Department. He taught himself to play the drums after seeing The Beatles on their appearance on ''The Ed Sullivan Show'' in February 1964. He was also influenced as a teenager by rock drummer Dino Danelli. Career DeVitto got his big break in the music business when he was hired to play drums for Billy Joel in the mid-1970s. In an online interview, DeVitto describes how Joel's classic late-1970s/early-1980s band first came together: Billy and I used to play the same club in Plainvie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Stegmeyer
Douglas Alan Stegmeyer (December 23, 1951 – August 25, 1995) was an American musician who was best known as the bassist and back-up vocalist for Billy Joel. Stegmeyer also performed as bassist for Debbie Gibson and Hall & Oates. Biography Stegmeyer was born on December 23, 1951, in Flushing, Queens, New York City, New York. In high school, he met Russell Javors, who at age 15 was performing songs with childhood friend Liberty DeVitto. Along with Howard Emerson, the boys formed the band Topper, which performed songs by Javors and attracted Billy Joel's attention. Joel hired Stegmeyer to play bass in his backing band on the ''Streetlife Serenade'' tour. At Stegmeyer's recommendation a year and a half later, Emerson, Javors, and DeVitto joined Joel in the studio for his ''Turnstiles'' album and for the accompanying tour. Stegmeyer became a core member of Billy Joel's band, playing bass on Joel's studio albums from ''Turnstiles'' through '' The Bridge'' and on the live albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russell Javors
Russell Javors (born June 13, 1952) is an American rock guitarist. He is best known as a rhythm guitarist for Billy Joel from 1976 to 1989. Career At age 15, Javors was performing songs with his childhood friend Liberty DeVitto. He met Doug Stegmeyer in high school and along with Howard Emerson, formed the band Topper. Together they performed the songs that Javors wrote. Topper became noticed by Billy Joel. Joel found he needed a bassist on his ''Streetlife Serenade'' tour and invited Stegmeyer to join him. Javors, DeVitto, and Emerson soon followed. With the addition of multi-instrumentalist Richie Cannata, Topper became the Billy Joel Band. Javors played rhythm guitar with Joel from 1975 until 1989. On October 23, 2014, Javors, Cannata, and DeVitto (with Stegmeyer, posthumously) were inducted into the Long Island Music Hall of Fame, primarily for their work with Joel. Shortly thereafter, Javors, Cannata, and DeVitto officially formed The Lords of 52nd Street band; the band al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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