Domine Quo Vadis
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Domine Quo Vadis
Domine is vocative of the Latin for "Lord!" Domine may also refer to: * Domine (clergyman), an old English term for a parson * Domine (fish), a tropical fish * Domine (band), an Italian power metal band started in the mid-1980s See also * The Church of Domine Quo Vadis is a small church southeast of Rome. * De Havilland Dominie, a British liaison aircraft of World War II * De Profundis Clamavi Ad Te Domine is the first live album by black metal band Dark Funeral * Domine Database, a public database of protein domain-domain interactions * Domine Non Es Dignus is the second studio album by British black metal group Anaal Nathrakh. * Domine quo vadis? is a painting by the Italian Baroque painter Annibale Carracci. * Exsurge Domine is a papal bull issued on June 15, 1520, by Pope Leo X. * Non nobis Domine is a short Latin hymn used as a prayer of thanksgiving * Parce Domine is a Roman Catholic antiphon. * Pie Pelicane, Jesu, Domine is a liturgical hymn of benediction. * Veni Do ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Domine Non Es Dignus
''Domine Non Es Dignus'' is the second studio album by British extreme metal group Anaal Nathrakh. It was released on 2 November 2004. The title translates to "Lord, you are not worthy" in Latin. Background The title "Rage, Rage Against the Dying of the Light" comes from the Dylan Thomas poem "Do not go gentle into that good night". The album features sound samples from films such as ''Hellraiser'' ("Revaluation of All Values …") and ''1984'' ("Do Not Speak"). The title "Procreation of the Wretched" is a tribute to Celtic Frost and their track "Procreation of the Wicked". The title "Revaluation of All Values …" is in reference to the transvaluation of all values (''Umwertung aller Werte''), a central concept in the philosophical project of German philosopher Friedrich Nietzsche, which includes reevaluating humility and poverty as being virtuous in value systems such as Christianity. Track listing Personnel * V.I.T.R.I.O.L. – vocals * Irrumator – all instruments *Ventnor ...
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Veni Domine
Veni Domine was a Christian progressive doom metal band founded in Sollentuna, Sweden in 1987. The band split up on 20 September 2014. Veni Domine combined down-tempo melodic heavy metal, symphonic metal and doom metal with occasional touches of gothic metal. The band does not clearly fit into a specific category; according to the band, in doom metal festivals they are labeled as "power metal" and in power metal events as "doom metal". During the early years, the band's lyrics dealt with apocalyptic themes from biblical point of view. Later, their lyrics was more about personal topics. Originally, vocalist Fredrik Ohlsson represented operatic, high-pitched vocals but has since shifted to more lower vocal range during the years. '' Fall Babylon Fall'' and ''Material Sanctuary'' are the band's significant, acclaimed albums. During the time when these albums were released, Veni Domine was well known in the metal scene. However, as their later albums took longer time to be rele ...
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Pie Pelicane, Jesu, Domine
"Adoro te devote" is a Eucharistic hymn written by Thomas Aquinas. It is one of the five Eucharistic hymns which were composed and set to music for the Solemnity of Corpus Christi, instituted in 1264 by Pope Urban IV as a Solemnity for the Latin Church of the Catholic Church. Since the beginning of its composition and it being set to music, Adoro te devote was chanted as an Eucharistic Hymn during Mass ''in honorem SS. Sacramenti'' (in honour of the Most Blessed Sacrament), as it was written in the Latin manuscripts. So it was also chanted for the Eucharistic adoration. The authorship of the hymn by Thomas Aquinas was previously doubted by some scholars. More recent scholarship has put such doubts to rest. Thomas seems to have used it also as a private prayer, for a daily adoration of the Blessed Sacrament. Adoro te devote is one of the medieval poetic compositions, being used as spoken prayers and also as chanted hymns, which were preserved in the Roman Missal published in 157 ...
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Parce Domine
Parce Domine is a Roman Catholic antiphon sung especially during the Lenten season. Source The text is derived from Joel 2:17. Early sacramentaries record a variety of prayers inspired by this quote from the prophet Joel, the variant ending to the prayer ''Parce, domine, parce ...'' having in common these three first words. ''Parce, Domine'' was copied and adapted into local liturgies, and served as a model for the Irish prayer of Saint Mugint, which was allegedly composed in the 6th century by Finnian of Movilla as imitation of the Roman antiphon. It is found in a 9th-century manuscript of a learned Irish monk possibly at the court of King Æthelstan. To the initial ''Parce, Domine, parce populo tuo'' is appended in a different handwriting : ''Parce domine peccantibus, ignosce penitentibus, misere nobis te'' suggesting a strong link to Lent as the liturgical season of conversion for penitents. It occurs in the Breviary of Sarum and also in the Breviary of Aberdeen after the s ...
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Non Nobis Domine
''Non nobis'' is the incipit and conventional title of a short Latin Christian hymn used as a prayer of thanksgiving and expression of humility. The Latin text is from the Vulgate translation of the Book of Psalms, Psalm 113:9 in Vulgate / Greek numbering (Psalm 115:1 in Hebrew numbering): ''Nōn nōbīs, Domine, nōn nōbīs, sed nōminī tuō dā glōriam'' (KJV: "Not unto us, O Lord, not unto us, but to thy name give the glory"). History Medieval As part of Psalm 113 (''In exitu Israel'') it was recited liturgically as part of the Paschal vigil, the celebrants kneeling in a gesture of self-abasement when this verse was reached. It was reported that the war flag of the Knights Templar, ''Baucent'', had been inscribed with the verse. Renaissance Jean Mouton (c. 1459–1522) composed a motet to a text beginning with the ''Non nobis'' to celebrate the birth of a daughter to Louis XII of France, Louis XII and Anne of Brittany in 1510. ''Non nobis Domine'' is now known in the ...
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Exsurge Domine
() is a papal bull promulgated on 15 June 1520 by Pope Leo X. It was written in response to the teachings of Martin Luther which opposed the views of the Church. It censured forty-one propositions extracted from Luther's ''Ninety-five Theses'' and subsequent writings, and threatened him with excommunication unless he recanted within a sixty-day period commencing upon the publication of the bull in Saxony and its neighboring regions. Luther refused to recant and responded instead by composing polemical tracts lashing out at the papacy and by publicly burning a copy of the bull on 10 December 1520. As a result, Luther was excommunicated in 1521. History The historical impetus for this bull arose from an effort to provide a decisive papal response to the growing popularity of Luther's teachings. Beginning in January 1520, a papal consistory was summoned to examine Luther's fidelity to Catholic teachings. After a short time, it produced a hasty list of several perceived errors fo ...
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Domine Quo Vadis?
''Domine, quo vadis?'' is a 1602 painting by the Italian Baroque painter Annibale Carracci (1560–1609), depicting a scene from the apocryphal Acts of Peter. It is housed in the National Gallery, where it is given the title ''Christ appearing to Saint Peter on the Appian Way''. The subject is a rare representation in art of the theme ''Quo vadis''. Annibale Carracci was the founder of the Italian Baroque painting school, called Bolognese School. This painting is one of his best known works. Peter is depicted fleeing Rome to avoid crucifixion and has a vision of meeting Christ bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi" ("I am going to Rome to be crucified again"). Peter returns to Rome after this vision. Painting The work depicts a scene featured in the apocryphal Acts of Peter. Saint Peter, while fleeing Rome along the ancient Via Appia, meets Christ outside the city, who is walking in the opposite direction towards the ci ...
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Domine Database
DOMINE is a database of known and predicted protein domain interactions (or domain-domain interactions). It contains interactions observed in PDB crystal structures, and those predicted by several computational approaches. DOMINE uses Pfam HMM profiles for protein domain In molecular biology, a protein domain is a region of a protein's polypeptide chain that is self-stabilizing and that folds independently from the rest. Each domain forms a compact folded three-dimensional structure. Many proteins consist of s ... definitions. The DOMINE database contains 26,219 interactions among 5,410 domains), which includes 6,634 known interactions inferred from PDB structure data. References See also DOMINE database Biological databases Protein structure Protein domains ...
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Domine (clergyman)
A parson is an ordained Christian person responsible for a small area, typically a parish. The term was formerly often used for some Anglican clergy and, more rarely, for ordained ministers in some other churches. It is no longer a formal term denoting a specific position within Anglicanism, but has some continued historical and colloquial use. In the pre-Reformation church, a parson was the priest of an independent parish church, that is, a church not under the control of a larger ecclesiastical or monastic organization. The term is similar to rector and is in contrast to a vicar, a cleric whose revenue is usually, at least partially, appropriated by a larger organisation. Today the term is normally used for some parish clergy of non-Roman Catholic churches, in particular in the Anglican tradition in which a parson is the incumbent of a parochial benefice: a parish priest or a rector; in this sense a parson can be compared with a vicar. The title ''parson'' can be applied to cle ...
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