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Domenico Puligo
Domenico Puligo (1492–1527) was an Italian painter of the Renaissance, active in Florence. His real name was ''Domenico di Bartolomeo Ubaldini''. He trained under Ridolfo Ghirlandaio and acted as an assistant to Andrea del Sarto, whom he also became close friends with. Both Ghirlandaio and Sarto exerted heavy influences over Puligo that are evident in his works and style of painting. Puglio was also influenced by Jacopo Pontormo and Il Rosso. He rose to success as a portrait artist and was in high demand in Florence. His most renowned piece is possibly the large scale ''Vision of Saint Bernard'' altarpiece, now located in the Walters Art Gallery in Baltimore. Some of his early works include the ''Virgin and Child with St. John'' as well as the ''Holy Family''. About a dozen drawings are also attributed to Puligo but none relate to his surviving works or bear resemblance to the styles of his paintings. He is featured in Giorgio Vasari's ''Vite'' or ''Lives of the Artists''. Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
097 Le Vite, Domenico Puligo
97 may refer to: * 97 (number) Years * 97 BC * AD 97 * 1997 * 2097 Other uses * 97%, the figure from a seminal study of scientific consensus on climate change (i.e. 97% of surveyed articles on climate change agreed that humans are causing global warming) * "'97" (song), from the compilation album ''Alkaline Trio'' by Chicago-based punk rock band Alkaline Trio * Saab 97, an automobile * British Rail Class 97 * Hot 97, a hip-hop radio station in New York City under the name WQHT *Microsoft Office 97, a version of Microsoft Office. * Marching 97, the Lehigh University marching band See also * * Berkelium Berkelium is a transuranic radioactive chemical element with the symbol Bk and atomic number 97. It is a member of the actinide and transuranium element series. It is named after the city of Berkeley, California, the location of the Lawrence Ber ... (atomic number), a chemical element * List of highways numbered * '' Madden NFL 97'', a video game {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Rustici
Giovan Francesco Rustici, or Giovanni Francesco Rustici, (1475–1554) was an Italian Renaissance painter and sculptor. __NOTOC__ He was born into a noble family of Florence, with an independent income. Rustici profited from study of the Medici sculpture in the garden at San Marco, and according to Giorgio Vasari, Lorenzo de' Medici placed him in the studio of Verrocchio, and that after Verrocchio's departure for Venice, he placed himself with Leonardo da Vinci, who had also trained in Verocchio's workshop. He shared lodgings with Leonardo while he was working on the bronze figures for the Florence Baptistry, for which he was ill paid and resolved, according to Vasari, not to work again on a public commission. Moreover, an echo of Leonardo's inspiration is unmistakable in the much-discussed and much-reviled wax bust of "Flora" in Berlin, ascribed to a circle of Leonardo and most probably to Rustici. At this time, Pomponius Gauricus, in ''De sculptura'' (1504), named him one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Del Granduca
The ''Madonna del Granduca'' is a Madonna painting by the Italian renaissance artist Raphael. It was probably painted in 1505, shortly after Raphael had arrived in Florence. The influence of Leonardo da Vinci, whose works he got to know there, can be seen in the use of sfumato. The painting belonged to Ferdinand III, Grand Duke of Tuscany, from whom it got its name. See also *List of paintings by Raphael The following is a list of paintings by Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific, despite his early death at ... Notes References * External links * 1505 paintings Paintings of the Madonna and Child by Raphael Paintings in the collection of the Galleria Palatina Nude art {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anghiari
Anghiari () is a hill town and municipality (''comune'') in the Province of Arezzo, Tuscany, Italy. Bordering ''comuni'' include Arezzo (southwest), Pieve Santo Stefano (north) and Subbiano (west). History The Battle of Anghiari took place on 29 June 1440 between the Republic of Florence and the Duchy of Milan. The battle inspired a Leonardo da Vinci fresco designed for Florence's Palazzo Vecchio known as the '' Lost Leonardo''; current scholarship holds that the work was never completed. It is known from da Vinci drafts and a sketch of it by Peter Paul Rubens now in the Louvre. During World War II, the concentration camp of Renicci was located at Anghiari. Culture The Anghiari Festival, featuring classical music, chamber music, choral music, and opera, is held each July. The resident orchestra is London's Southbank Sinfonia Southbank Sinfonia is a British chamber orchestra founded in 2002. Composed of young professionals from around the world, each year it brings together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Family With John The Baptist By Domenico Puligo, Columbus Museum Of Art
Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a " sacred artifact" that is venerated and blessed), or places (" sacred ground"). French sociologist Émile Durkheim considered the dichotomy between the sacred and the profane to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to ''sacred things'', that is to say, things set apart and forbidden." Durkheim, Émile. 1915. ''The Elementary Forms of the Religious Life''. London: George Allen & Unwin. . In Durkheim's theory, the sacred represents the interests of the group, especially unity, which are embodied in sacred group symbols, or using team work to help get out of trouble. The profane, on the other hand, involve mundane individual concerns. Etymology The word ''sacred'' desce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Bartolomeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of The Harpies
''Madonna of the Harpies'' (Italian: ''Madonna delle Arpie'') is an altarpiece in oils by Andrea del Sarto, a major painter of the High Renaissance. It was commissioned in 1515 and signed and dated by the artist in 1517 in the inscription on the pedestal; it is now in the Uffizi in Florence. It was praised by Vasari, and is arguably the artist's best-known work. The Virgin is standing on a pedestal which includes harpies sculpted in relief, from which the painting takes its name. At least Vasari, and presumably his Florentine contemporaries, thought they were harpies; some modern art historians think that locusts are represented, in a reference to the Book of Revelation; either way they represent forces of evil being trampled on by the Virgin. It is a ''sacra conversazione'' showing the Virgin and Child flanked by putti angels and two saints (Saint Bonaventure or Francis and John the Evangelist). Compared to the stillness of earlier paintings of similar groups, here the "dyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Maddalena Dei Pazzi
Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence. History The ''Pazzi'' name was added after the Carmelite order nun Maria Maddalena de' Pazzi, canonized in 1669, whose family patronized the church. The original convent had been dedicated to St. Mary Magdalen ''delle Convertite'', the patron of once-fallen, now converted women. The Cistercian order from Badia a Settimo took control of the site in 1332 and moved to it in 1442, while the convent was transferred to San Donato in Polverosa. However, the church and chapter house were rebuilt between 1481 and 1500, with initial designs in 1492 by Giuliano da Sangallo. The 13th-century interiors were redecorated in the 17th and early 18th centuries, which removed the altarpieces by masters such as Botticelli, Perugino, Lorenzo di Credi, Domenico Ghirlandaio, and Raffaellino del Garbo. They were replaced by new ones from minor masters such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin And Child With The Infant Saint John By Domenico Puligo
Virginity is the state of a person who has never engaged in sexual intercourse. The term ''virgin'' originally only referred to sexually inexperienced women, but has evolved to encompass a range of definitions, as found in traditional, modern and ethical concepts. Heterosexual individuals may or may not consider loss of virginity to occur only through penile-vaginal penetration, while people of other sexual orientations often include oral sex, anal sex, or mutual masturbation in their definitions of losing one's virginity. There are cultural and religious traditions that place special value and significance on this state, predominantly towards unmarried females, associated with notions of personal purity, honor, and worth. Like chastity, the concept of virginity has traditionally involved sexual abstinence. The concept of virginity usually involves moral or religious issues and can have consequences in terms of social status and in interpersonal relationships.See her anpages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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