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Doin' It Right
"Doin' It Right" is a song written and performed by French electronic music duo Daft Punk and American musician Panda Bear of the band Animal Collective. It is a track on Daft Punk's fourth studio album ''Random Access Memories'' (2013), and was the last to be recorded for the album. The song was distributed to American alternative radio stations on 3 September 2013 as the third single from ''Random Access Memories''. Prior to this, it appeared on record charts in France, the United States and the United Kingdom due to digital downloads of the album. "Doin' It Right" received a positive critical reception, with some reviewers opining it as the group's best work out of the entire LP. Background "Doin' It Right" was the last song to be recorded for ''Random Access Memories''. Noah Lennox, better known by his stage name Panda Bear, had first heard of Daft Punk through the music video of the song " Around the World", which introduced him to many aspects of electronic dance music. H ...
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Daft Punk
Daft Punk were a French electronic music duo formed in 1993 in Paris by Thomas Bangalter and Guy-Manuel de Homem-Christo. Widely regarded as one of the most influential acts in dance music history, they achieved popularity in the late 1990s as part of the French house movement. They garnered critical acclaim and commercial success in the years following, combining elements of house music with funk, disco, indie rock and Pop music, pop. After Bangalter and Homem-Christo's indie rock band Darlin' (French band), Darlin' disbanded, they began experimenting with drum machines and synthesisers. Their debut studio album ''Homework (Daft Punk album), Homework'' was released by Virgin Records in 1997 to positive reviews, backed by singles "Around the World (Daft Punk song), Around the World" and "Da Funk". From 1999, they assumed robot personas for their public appearances, with helmets, outfits and gloves to disguise their identities; they made few media appearances. They were managed fr ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Trap Music (EDM)
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and trap music genres. It blends elements of trap, which is an offshoot of Southern hip hop, with elements of electronic dance music like build-ups, drops, and breakdowns. A variety of artists spurred trap's move into pop and EDM. History In 2012, a style of electronic dance music (EDM) incorporated elements of trap music, creating "dirty, aggressive beats nddark melodies." Electronic music producers, such as TNGHT, Baauer, RL Grime and Flosstradamus expanded the popularity, and brought wider attention to the derivative forms of trap. This genre saw the use of techno, dub, and electro sounds combined with the Roland TR-808 drum samples and vocal samples typical of trap. In the later half of 2012, these various offshoots of trap became increasingly popular and made a noticeable impact on the American electronic dance music scene. The music ...
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Afrika Bambaataa
Lance Taylor (born on April 17, 1957), also known as Afrika Bambaataa (), is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of The Zulu Nation due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the moveme ...
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Clash (magazine)
''Clash'' is a music and fashion magazine and website based in the United Kingdom. It is published four times a year by Music Republic Ltd, whose predecessor Clash Music Ltd went into liquidation. The magazine won the Best New Magazine award in 2004 at the PPA Magazine Awards and has won other awards in England and Scotland. Most notably, it won Magazine of the Year at the 2011 Record of the Day Awards. History ''Clash'' was founded by John O'Rourke, Simon Harper, Iain Carnegie and Jon-Paul Kitching. It emerged from the long-running Dundee, Scotland-based free-listings magazine ''Vibe''. Re-launching as ''Clash Magazine'' in 2004, it won Best New Magazine award at the PPA Magazine Awards and Music Magazine of the Year at the Record of the Day Awards in 2005 and 2011 respectively. At the turn of 2011, ''Clash'' took on an entirely new look, ditching its previous glossy feel and music-led design for an altogether more artistically-led approach. In 2013 it launched a Smartphone c ...
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The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ...
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ...
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