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Dog Years In The Fourth Ring
''Dog Years in the Fourth Ring'' is a compilation album by jazz multi-instrumentalist Rahsaan Roland Kirk featuring 2 CDs of previously unreleased live performances and Kirk's solo album '' Natural Black Inventions: Root Strata'' on the third disc. It was released on the 32 Jazz label in 1997. Reception The Allmusic review by Thom Jurek states "None of this material is substandard... The blues range is deep on many of these tracks, as is the entertainment value. Kirk was a performer as much as he was a musician, before and after the stroke. His lyric and harmonic sensibilities were deeply embedded in one another, and his way of crossing harmonic strategies was truly singular because it was so unorthodox... '' Natural Black Inventions: Root Strata'' is its own classic, and it deserved its own release apart from the package, but listeners will have to take what they can get. For this album alone, this package is worth the price".Jurek, T. Allmusic Reviewaccessed 26 August 2009. Wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues For Alice
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, chants, and rhymed simple narrative ballad (music), ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the Call and response (music), call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in Pitch (music), pitch, are also an essential part of the sound. Blues shuffle note, shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove (popular music), groove. Blues as a genre is also characterized by its lyrics, Bassline, bass lines, and Instrumentation (music), instrumentation. Early tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film ''Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit " The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Bacharach
Burt Freeman Bacharach ( ; born May 12, 1928) is an American composer, songwriter, record producer and pianist who composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. , he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music. His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Say A Little Prayer
"I Say a Little Prayer" is a song written by Burt Bacharach and Hal David for Dionne Warwick, originally peaking at number four on the U.S. ''Billboard'' Hot 100 pop singles chart in December 1967. On the R&B Singles chart it peaked at number eight. Dionne Warwick original Intended by lyricist Hal David to convey a woman's concern for her man who's serving in the Vietnam War, "I Say a Little Prayer" was recorded by Dionne Warwick in a 9 April 1966 session. Although Bacharach's recordings with Warwick typically took no more than three takes (often only taking one), Bacharach did ten takes on "I Say a Little Prayer" and still disliked the completed track, feeling it rushed. The track went unreleased until September 1967, when it was introduced on the album '' The Windows of the World'' and it was Scepter Records owner Florence Greenberg rather than Bacharach who wanted "I Say a Little Prayer" added to that album. When disc jockeys from the United States began playing the album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Sadie
"Sister Sadie" is a jazz standard written in 1959 by Horace Silver, and first recorded for his 1959 Blue Note Records album, ''Blowin' the Blues Away''. Covers *1960: Hank Crawford – ''More Soul'' ( Atlantic Records) *1960: Gil Evans – '' Out of the Cool'' (Impulse!) *1961: Andy and the Bey Sisters – ''Andy and the Bey Sisters'' ( RCA Victor) *1961: Ray Charles – '' Genius + Soul = Jazz'' (Impulse!) *1961: Shirley Scott – ''Shirley Scott Plays Horace Silver'' (Prestige) *1961: James Moody – '' Cookin' the Blues'' ( Argo) *1963: Woody Herman – '' Woody Herman–1963'' Bogdanov, Vladimir ''et al'' (2002''All Music Guide to Jazz: The Definitive Guide to Jazz Music'', p. 587. Backbeat Books.At Google Books. Retrieved 9 August 2013. (Philips Records) *1966: Buddy Rich – '' Swingin' New Big Band'' (Pacific Jazz) *1975: Ray Charles – '' My Kind of Jazz Part 3'' (Crossover Records) *1975: Rahsaan Roland Kirk – '' Dog Years in the Fourth Ring'' (released 1997) (32 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music. Early life and career Lester Young was born in Woodville, Mississippi, on August 27, 1909. to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana. Lester had two siblings – a brother, Leonidas Raymond, known as Lee Young, who became a drummer, and a sister, Irma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Leaps In
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a head arrangement based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie. Eddie Jefferson, pioneer of vocalese, wrote lyrics for the composition, calling his version "I Got the Blues". Critical acclaim *"Lester Leaps In" is listed among the Milestone Recordings in American Music at the Three Perfect Minutes site. *jazz.com gives "Lester Leaps In" a 98, on a scale of 100 – "Classic performance. A 'must have' for jazz fans." , a jazz.com , retrieved 2013-10-23.
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Freeloader
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album ''Kind of Blue''. The piece takes the form of a twelve-bar blues in B, but the chord over the final two bars of each chorus is an A7, not the traditional B7 followed by either F7 for a turnaround (music), turnaround or some variation of B7 for an ending. Davis employed Wynton Kelly as the pianist for this track in place of Bill Evans, as Kelly was something of a blues specialist. The solos are by Kelly, Miles Davis, John Coltrane, Cannonball Adderley and Paul Chambers. The origin of the title is disputed. Jon Hendricks and ''Kind of Blue'' chronicler Ashley Kahn claim that Fred Tolbert was a Philadelphia bartender whose business card read "Freddie the Freeloader". According to the documentary ''Kind of Blue: Made in Heaven'', and an anecdote from the jazz pianist Monty Alexander, the piece was named after an individual named Freddie who would frequently try to see the music Davis and ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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