Do You Remember Walter
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Do You Remember Walter
"Do You Remember Walter?" (also spelled "Do You Remember Walter") is a song by the English rock band the Kinks from their sixth studio album, '' The Kinks Are the Village Green Preservation Society'' (1968). Written and sung by Ray Davies, the song was recorded in July1968. The song's narrator describes an experience of running into old friend, only to find that the two no longer have anything to talk about. The song was directly inspired by a similar experience of Davies. As one of several character studies to appear on ''Village Green'', the song is often characterised by commentators as central to the album's themes of nostalgia and loss. Retrospective commentators have described it as one of Davies's best compositions. Background and composition Ray Davies was inspired to compose "Do You Remember Walter" after running into an old friend and finding they didn't have anything to talk about. The friend directly inspired the song's character Walter. The song's narrator recall ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Andy Miller (writer)
Andy Miller is a British writer and editor. He has published three books and numerous items of journalism. Along with John Mitchinson he presents Unbound's literature podcast ''Backlisted'' ('giving new life to old books'). His 2014 ''The Year of Reading Dangerously'' chronicled an attempt to read 50 of the books he felt he ought to have already read, and was described in ''The Guardian'' as "a heroic and amusing attempt to get back to the classics". His 2002 ''Tilting at Windmills'' describes his hatred of almost all sport and his attempt to succeed in miniature golf (known as "Crazy Golf" in Britain). The Guardian said that he "proves himself to be an amusing and occasionally very funny writer. That may sound like faint praise but it really isn't, the writing of halfway decent comic prose being a skill even more underrated than inning a Crazy Golf hole. In September 2017 Miller appeared on BBC Radio 4's ''The Museum of Curiosity''. His hypothetical donation to this imagina ...
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Set List
A set list, or setlist, is typically a handwritten or printed document created as an ordered list of songs, jokes, stories and other elements an artist intends to present during a specific performance. A setlist can be made of nearly any material that can be written or printed on, but are most commonly paper, cardboard or cardstock. They are also often laminated, especially for outdoor venues. The setlist is usually taped onto the stage where the musicians can see it, or to equipment such as a monitor or amplifier. Artists and bands use setlists for a variety of reasons beyond the mere order of performance events. They are often used to help create the set's overall mood by establishing a memorable sense of range and variety in tone, tempo and dynamics between songs. They are also used to create sets for specific audiences and locations. An increasingly common application is the use of technologies such as instant polling on social media and websites, where fans can choose mate ...
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Warner Records
Warner Records Inc. (formerly Warner Bros. Records Inc.) is an American record label. A subsidiary of the Warner Music Group, it is headquartered in Los Angeles, California. It was founded on March 19, 1958, as the recorded music division of the American film studio Warner Bros. Artists who have recorded for Warner Records include Madonna, Prince, Cher, Devo, The B-52s, Frank Sinatra, Joni Mitchell, Van Halen, Alice Cooper, Kylie Minogue, Goo Goo Dolls, Tom Petty, Sheryl Crow, Gorillaz, Adam Lambert, Bette Midler, Grateful Dead, Jane's Addiction, Blur, Duran Duran, Deep Purple, Fleetwood Mac, Liam Gallagher, James Taylor, Lily Allen, JoJo, Linkin Park, Muse, George Benson, Nile Rodgers, Black Sabbath, Red Hot Chili Peppers, The Black Keys, My Chemical Romance, Tevin Campbell, Mac Miller, Dua Lipa, Bebe Rexha, R.E.M., and Sex Pistols. History Founding At the end of the silent movie period, Warner Bros. Pictures decided to expand into publishing and recording so ...
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Reprise Records
Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael Bublé, Eric Clapton, Stevie Nicks, Neil Young, Deftones, Mastodon (band), Mastodon, Lindsey Buckingham, Josh Groban, Disturbed (band), Disturbed, Idina Menzel, My Chemical Romance, Gerard Way, Green Day, Dwight Yoakam, and Never Shout Never. Company history Beginnings Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was ''Ring-a-Ding-Ding!'' As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Ma ...
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Disc (magazine)
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background It first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals ''Melody Maker'' and ''New Musical Express''. Its pop music charts were based on its own sample of shops, initially no more than 25 in number, but expanding to about 100 by the mid-1960s. It also awarded silver discs (for UK sales of 250,000) and gold discs (for UK sales of 1,000,000) from 1959 until 1973. Awards were based on sales figures submitted by record companies. In 1973, ''Discs awards were superseded by the British Phonographic Industry (BPI) setting up an 'official' certification award ...
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Picture Book (song)
"Picture Book" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in , its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, " Starstruck", in November1968. The same single was issued in the United States in January1969, though it failed to appear in any charts. While "Picture Book" remained obscure in the decades after its release, the song has subsequently become one of the Kinks' most popular songs, due in part to its usage in a 2004 advertisement for Hewlett-Packard and Green Day featuring the riff in their 2000 single " Warning". Retrospective commentators have described the s ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Horn Section
A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term is applied loosely to any group of woodwind or brass instruments, or a combination of woodwinds and brass. Symphonic In a symphony orchestra, the horn section is the group of symphonic musicians who play the French horn (or German horn or Vienna horn). These musicians are typically seated to the back of the ensemble and may be on either side at the director's discretion. Placing them to the left with their bells toward the audience increases the prominence of the section, whereas on the right, the sound reflects off the back of the stage. Most of the time, players are seated right to left from the director's view based on seating, with the principal horn (first horn) being seated on the right and fourth horn seated on the left. The sec ...
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Tape Loop
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound. Description In a tape loop, a section of magnetic tape is cut and spliced end-to-end, creating a circle or loop which can be played continuously, usually on a reel-to-reel tape recorder, making the sound repeat endlessly. Simultaneous playing o ...
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Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ...
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Double Tracking
Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument. It is a form of overdubbing; the distinction comes from the doubling of a part, as opposed to recording a different part to go with the first. The effect can be further enhanced by panning one of the performances hard left and the other hard right in the stereo field. Automation Artificial or automatic double tracking, also known as ADT, was developed at Abbey Road Studios by engineers recording The Beatles in the 1960s. It used variable speed tape recorders connected in such a way as to mimic the effect created by double tracking. ADT produced a unique sound that could be imitated but not precisely duplicated by later analog and digital delay devices, which are capable of producing an effect called doubling echo. The effect is used to g ...
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