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Dmitri Kabalevsky
Dmitry Borisovich Kabalevsky (russian: Дми́трий Бори́сович Кабале́вский ; 14 February 1987) was a Soviet composer, conductor, pianist and pedagogue of Russian gentry descent. He helped set up the Union of Soviet Composers in Moscow and remained one of its leading figures during his lifetime. He was a prolific composer of piano music and chamber music; many of his piano works were performed by Vladimir Horowitz. He is best known in Western Europe for his Second Symphony, the "Comedians' Galop" from '' The Comedians'' Suite, Op. 26 and his Third Piano Concerto. Life Kabalevsky was born in Saint Petersburg in 1904, but moved to Moscow at a young age. His father was a mathematician and encouraged him to study mathematics, but he showed a fascination for the arts from a young age. He studied at the Academic Music College in Moscow and graduated in 1922. He then continued his studies with Vasily Selivanov. In 1925, he then went on to study at the Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by '' Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organizations relevant to the field at issue. For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Association For Contemporary Music
Association for Contemporary Music (ACM) (russian: ACM - Ассоциация Современной Музыки, ''ASM - Assotsiatsiya Sovremennoy Muzyki'') was an alternative organization of Russian composers interested in avant-garde music. It was founded by Nikolai Roslavets in 1923. ACM ran concert series and published magazines promoting the modernist music of Mahler, Schoenberg, Berg, Webern, Krenek, and Hindemith, as well as the work of its members. Its leading members were Dmitri Shostakovich, Nikolai Myaskovsky, Vissarion Shebalin, Alexander Mosolov, Gavriil Popov, and Vladimir Shcherbachev. The organization's enthusiasm for avant-garde Western music and for experimentation met with opposition from the Russian Association of Proletarian Musicians (RAPM), which by the late 1920s had eclipsed the ACM in terms of cultural influence. ASM was formally disbanded in 1931, whereas RAPM existed until 23 April 1932, when it was abolished by the Decree on the Reformation of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie (London: Macmillan, 1992). Form In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic And Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hero Of Socialist Labour
The Hero of Socialist Labour (russian: links=no, Герой Социалистического Труда, Geroy Sotsialisticheskogo Truda) was an honorific title in the Soviet Union and other Warsaw Pact countries from 1938 to 1991. It represented the highest degree of distinction in the USSR and was awarded for exceptional achievements in Soviet industry and culture. It provided a similar status to the title of Hero of the Soviet Union, which was awarded for heroic deeds, but differed in that it was not awarded to foreign citizens. History The Title "Hero of Socialist Labour" was introduced by decree of the Presidium of the Supreme Soviet of the Soviet Union on December 27, 1938. Originally, Heroes of Socialist Labour were awarded the highest decoration of the Soviet Union, the Order of Lenin, and a diploma from the Presidium of the Supreme Soviet of the Soviet Union. In order to distinguish the Heroes of Socialist Labour from other Order of Lenin recipients, the "Hammer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Zhdanov
Andrei Aleksandrovich Zhdanov ( rus, Андре́й Алекса́ндрович Жда́нов, p=ɐnˈdrej ɐlʲɪˈksandrəvʲɪtɕ ˈʐdanəf, links=yes; – 31 August 1948) was a Soviet politician and cultural ideologist. After World War II, Zhdanov was thought to be the successor-in-waiting to Joseph Stalin but died before him. He has been described as the "propagandist-in-chief" of the Soviet Union from 1945 to 1948.V. M. Zubok and Konstantin Pleshakov. Inside the Kremlin's Cold War: from Stalin to Khrushchev. Harvard: Harvard UP, 1996, p.119 Early life Zhdanov was born in Mariupol (now Ukraine), where his father was a school inspector. His maternal grandfather was the former rector of the Moscow Theological Academy. He studied at the Moscow Commercial Institute. In 1914, he was drafted into the Russian army, graduated from an officers' school and served in the reserves. He joined the Bolsheviks in 1915. In 1917, he was chairman of the Shadrinsk committee of the Bol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from '' The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and '' Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera '' Lady Macbeth of Mtsensk'' was initially a success, but eventually was condemned by the Soviet government, putting his career at risk. In 1948 his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proletariat
The proletariat (; ) is the social class of wage-earners, those members of a society whose only possession of significant economic value is their labour power (their capacity to work). A member of such a class is a proletarian. Marxist philosophy considers the proletariat to be exploited under capitalism, forced to accept meager wages in return for operating the means of production, which belong to the class of business owners, the bourgeoisie. Marx argued that this oppression gives the proletariat common economic and political interests that transcend national boundaries, impelling them to unite and take over power from the capitalist class, and eventually to create a communist society free from class distinctions. Roman Republic and Empire The constituted a social class of Roman citizens who owned little or no property. The name presumably originated with the census, which Roman authorities conducted every five years to produce a register of citizens and their pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Academy (journal)
''Music Academy'' (russian: Музыкальная Академия, translit=Muzykalʹnaja Akademija, italic=yes; before 1992 – ''Soviet Music'') is the oldest Russian peer-reviewed academic journal about music. History ''Soviet Music'' (russian: Советская музыка, translit=Sovetskaya muzika, italic=yes) was established in February 1933 by the Union of Soviet Composers and the Soviet Ministry of Culture. In the first year, the journal was a bimonthly publication 200 pages in length, but after that until World War II the journal was published once a month and was on average 110 pages long. In 1979, the circulation of the magazine was 21,000 copies. In Soviet times, the journal published articles devoted to the works of domestic and foreign composers, the problems of music science, the development of national and ethnic musical cultures, heritage and education, and questions of the performer skills. The journal also contained various discussion materials, reviews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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