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Divine Liturgy Of Saint John Chrysostom
The Liturgy of Saint John Chrysostom is the most celebrated divine liturgy in the Byzantine Rite. It is named after its core part, the anaphora attributed to Saint John Chrysostom, Archbishop of Constantinople in the 5th century. History It reflects the work of the Cappadocian Fathers to both combat heresy and define Trinitarian theology for the Christian Church. This liturgy was probably used originally by the School of Antioch (John having been a deacon and priest in Antioch) and, therefore, most likely developed from West Syriac liturgical rites. In Constantinople, it was refined and beautified under John's guidance as Archbishop (398–404). As a divine liturgy of the Church of Holy Wisdom, Hagia Sophia, it became over time the usual divine liturgy in the churches within the Byzantine Empire. Just two divine liturgies (aside from the presanctified), those of Saints John and Basil the Great, became the norm in the Byzantine Church by the end of the reign of Justinian I. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Christian
Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and the Malabar coast of South Asia, and ephemerally parts of Persia, Central Asia, the Near East and the Far East. The term does not describe a single communion or religious denomination. Major Eastern Christian bodies include the Eastern Orthodox Church and the Oriental Orthodox Churches, along with those groups descended from the historic Church of the East, as well as the Eastern Catholic Churches (which have either re-established or always retained communion with Rome and maintain Eastern liturgies), and the Eastern Protestant churches (which are Protestant in theology but Eastern in cultural practice). The various Eastern churches do not normally refer to themselves as "Eastern", with the exception of the Assyrian Church of the East a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Balsamon
Theodore Balsamon ( el, Θεόδωρος Βαλσαμῶν) was a canonist of the Eastern Orthodox Church and 12th-century Eastern Orthodox Patriarch of Antioch. Biography Born in the second half of the 12th century at Constantinople; died there, after 1195 (Petit). He was ordained a deacon, appointed ''nomophylax'', and from 1178 to 1183, under Patriarch Theodosius I, he had charge of all ecclesiastical trials or cases submitted to the Patriarchate. In 1193 he became the Patriarch of Antioch, though he remained resident in Constantinople. Balsamon's best work is his "Scholia" (Greek: Σχόλια) (c. 1170), a commentary on the Nomocanon of Photios, the standard work on Eastern Orthodox ecclesiastical and imperial laws and decrees, commissioned by the Emperor Manuel I and the Patriarch Michael III.J.M. Hussey, ''the Orthodox Church in the Byzantine Empire'' (Oxford, 1986), p. 307. In his "Scholia", Balsamon insists on existing laws, and dwells on the relation between canons and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Kastalsky
Alexand(e)r Dmitriyevich Kastalsky (russian: Александр Дмитриевич Кастальский) ( – 17 December 1926) was a Russian composer and folklorist. Kastalsky was born in Moscow to protoiereus (a title roughly equivalent to archpriest) Dmitri Ivanovich Kastalsky (1820–1891). He studied music theory, composition and the piano at the Moscow Conservatory. In 1887 he started teaching piano at Moscow Synodal School, and in 1891 became assistant precentor of the Moscow Synodal Choir. He was director of both from 1910–1918 until the school was dissolved and merged with the choral faculty of the Conservatory, and the choir was forced to move from sacred to folk repertory. He wrote his first choral works in 1896. By 1917 he had written over 130 works and established himself as an important composer of the neo-Russian style with an influence on choral composers such as Sergei Rachmaninov, Victor Kalinnikov, Alexander Grechaninov and Pavel Chesnokov. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Ippolitov-Ivanov
Mikhail Mikhailovich Ippolitov-Ivanov (russian: Михаи́л Миха́йлович Ипполи́тов-Ива́нов; 28 January 1935) was a Russian and Soviet composer, conductor and teacher. His music ranged from the late-Romantic era into the 20th century era. Biography He was born in 1859 at Gatchina, near St. Petersburg, where his father was a mechanic employed at the palace. His birth name was Mikhail Mikhailovich Ivanov; later he added Ippolitov, his mother's maiden name, to distinguish himself from a composer and music critic with an identical name ( Mikhail Ivanov). He studied music at home and was a choirboy at the cathedral of St. Isaac, where he also had musical instruction, before entering the St. Petersburg Conservatory in 1875. In 1882 he completed his studies as a composition pupil of Rimsky-Korsakov, whose influence was to remain strong. Ippolitov-Ivanov's first appointment was to the position of director of the music academy and conductor of the orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Grechaninov
Alexander Tikhonovich GretchaninovAlso commonly transliterated as ''Aleksandr/Alexandre'' ''Grechaninov/Gretchaninoff/Gretschaninow'' ( rus, Алекса́ндр Ти́хонович Гречани́нов, p=ɐlʲɪˈksandr ɡrʲɪtɕɐˈnʲinəf; , Kaluga – 3 January 1956, New York City) was a Russian Romantic composer. Life Gretchaninov started his musical studies rather late, because his father, a businessman, had expected the boy to take over the family firm. Gretchaninov himself related that he did not see a piano until he was 14 and began his studies at the Moscow Conservatory in 1881 against his father's wishes and without his knowledge. His main teachers there were Sergei Taneyev and Anton Arensky. In the late 1880s, after a quarrel with Arensky, he moved to St. Petersburg where he studied composition and orchestration with Nikolai Rimsky-Korsakov until 1893. Rimsky-Korsakov immediately recognized Gretchaninov's extraordinary musical imagination and talent and ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevan Mokranjac
Stevan Stojanović ( sr-Cyrl, Стеван Стојановић, ; 9 January 1856 – 28 September 1914), known as Stevan Mokranjac ( sr-Cyrl, Стеван Мокрањац, ) was a Serbian composer and music educator. Born in Negotin in 1856, Mokranjac studied music in Belgrade, Munich, Rome and Leipzig while in his twenties. Later, he became the conductor of the Belgrade Choir Society and founder of the Serbian School of Music and the first Serbian string quartet, in which he played the cello. He left Belgrade at the beginning of World War I and moved to Skopje, where he died on 28 September 1914. Often called the "father of Serbian music" and the "most important figure of Serbian musical romanticism", Mokranjac is well-regarded and much revered in Serbia. Following his death, the Serbian Music School was renamed the Mokranjac Music School in his honour. He has been featured on the country's paper currency and that of the Federal Republic of Yugoslavia. In 1964, the Mokranj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Liturgy Of St
Divinity or the divine are things that are either related to, devoted to, or proceeding from a deity.divine – Dictionary.com. What is or is not divine may be loosely defined, as it is used by different s. Etymology The root of the word ''divine'' is literally "godly", but the use varies significantly depending on which deity is being discussed.Usages Divinity as a quality has two distinct usages: *Divine force or power - Powers or forces that are universal, or transcend human capacities *Divinity applied to mortals - Qualities of individuals who are considered to have some special access or relationship to the divine. Overlap occurs between these usages ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolay Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—''Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy Of St
Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek ( el, λειτουργία), ''leitourgia'', which literally means "work for the people" is a literal translation of the two words "litos ergos" or "public service". In origin, it signified the often expensive offerings wealthy Greeks made in serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Tuscus
Leo Tuscus (or Leo the Tuscan, fl. 1160/66–1182/83) was an Italian writer and translator who served as a Latin–Greek interpreter in the imperial chancery of the Byzantine Empire under Emperor Manuel Komnenos. Leo was born in the first half of the twelfth century in Pisa. He was the younger brother of Hugo Etherianus. Nothing about his early life or education is known, nor where he and his brother acquired Greek. He probably arrived in Constantinople, the capital of the Byzantine Empire, with his brother around 1160. They were certainly there when the controversy around Demetrius of Lampe broke out in 1166. They were not the first Pisan translators with knowledge of Greek to live in Constantinople; Burgundio of Pisa had gone before. Leo is attested between 1171 and 1182 as a translator and interpreter in the Byzantine chancery. He bore the Latin title ''imperialis aule interpres'' (translator of the imperial court) or ''imperalium epistolarum interpres'' (translator of imperial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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