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Divertimenti For Ten Winds (Mozart)
The divertimenti in B-flat major, K 186/159b, and E-flat major, K 166/159d, are two companion compositions for pairs of oboes, English horns, clarinets, horns and bassoons by Wolfgang Amadeus Mozart. Background It is not known whether these were commissioned works nor, if so, who commissioned them: both Wyzewa & St. Foix and Einstein assume an anonymous Milanese patron (possibly an amateur musician) to be involved. They based this conclusion on the notion that no clarinets were available in Salzburg at that time and that Mozart must have brought back the pieces from his third and last Italian journey during the winter of 1772-73. This notion, which was first asserted by Otto Jahn and then rather carelessly propagated by many scholars, has been put in considerable doubt by Kurt Birsak's research, which revealed that clarinets were mentioned in an ''Aufsatz und Specification deren Spielleithen nothbetärftigen Instrumenten in französischem Thon'' ssay and Specifications of the Instru ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ...
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Il Rè Pastore
' (''The Shepherd King'') is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count Hieronymus von Colloredo. In 1775 the opera was commissioned for a visit by the Archduke Maximilian Francis of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes. Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called ''Aminta''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an ...
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Serenades And Divertimenti By Wolfgang Amadeus Mozart
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed fol ...
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Heinrich Grenser
Johann Heinrich Wilhelm Grenser (5 March 1764 – 12 December 1813) was a German musical instrument maker. From 1779 to 1786 he was apprenticed to his uncle, August Grenser, a Dresden instrument maker, and after his apprenticeship he continued to work in August's shop, taking it over himself in 1796.Friedrich von Huenen. "Grenser", '' Grove Music Online'', ed. L. Macy (accessed November 16, 2006)grovemusic.com (subscription access). Heinrich Grenser invented an early form of bass clarinet in 1793, and may have been the inventor of the alto clarinet, beginning production in 1808. Grenser died in Dresden in 1813. A 1978 inventory lists 127 surviving instruments by Grenser, most of them bassoons and flutes, but also including basset horns, clarinets, oboes, fagottini, and one each of bass clarinet, cor anglais, oboe d'amore, bass horn, contrabassoon, hunting horn, and recorder Recorder or The Recorder may refer to: Newspapers * ''Indianapolis Recorder'', a weekly n ...
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Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ...
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Biblioteka Jagiellońska
Jagiellonian Library ( pl, Biblioteka Jagiellońska, popular nickname ''Jagiellonka'') is the library of the Jagiellonian University in Kraków and with almost 6.7 million volumes, one of the largest libraries in Poland, serving as a public library, university library and part of the Polish national library system.Official national library of Poland is the National Library of Poland in Warsaw; however Jagiellonian Library is considered a part of the '' Narodowy Zasób Biblioteczny''. It was ''the'' National Library before the creation of the National Library in Warsaw, and today it contains the National Library collection for the period before 1801. It has a large collection of medieval manuscripts, for example Copernicus' ''De Revolutionibus'' and Jan Długosz's ''Banderia Prutenorum'', and a large collection of underground literature (so-called ''drugi obieg'' or samizdat) from the period of communist rule in Poland (1945–1989). The Jagiellonian also houses the '' Berlinka' ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Serenade No
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed follo ...
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Divertimenti For Six Winds (Mozart)
The divertimenti in F major ( K 213), B-flat major (K 240), E-flat major (K 252/240a), F major (K 253), and B-flat major (K 270) are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart. Background The five wind sextets K 213, 240, 252/240a, 253, and 270 have historically been regarded as a series of five ''Tafelmusik'' (dinner music) works for the Salzburg court.Erik Smith in ''The Compleat Mozart. A Guide to the Musical Works of Wolfgang Amadeus Mozart.'' Neal Zaslaw (ed.), W.W. Norton & Company (New York, 1990). In relation to this, the periodicity in the datings of January and July/August of the years 1775 to 1777, present on the autographs of four of them, is striking. If it is true that the pieces were written as ''Tafelmusik'' for the Archbishop of Salzburg, then there must have been specific and regularly recurring events every winter and summer accounting for this pattern; so far, though, none have been found. Even though in the ''Ans ...
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La Finta Semplice
''La finta semplice'' (''The Fake Innocent''), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera. Leopold chose an Italian libretto by the Vienna court poet Marco Coltellini, which was based on an early work by Carlo Goldoni. During rehearsals, the opera was the victim of intrigues from competing composers claiming that the work was not from the 12-year-old boy, but from his father. Threatened with a sabotaged first night by the impresario Giuseppe Affligio, Leopold prudently decided to withdraw. The opera was never staged in Vienna. It was probably performed the following year in Salzburg at the request of the Prince-Archbishop. Mozart produced a full sc ...
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English Horn
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'am ...
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Colin Lawson
Colin James Lawson (born 24 July 1949) is a British clarinettist, scholar, and Television presenter, broadcaster. He was born in Saltburn-by-the-Sea and educated at Bradford Grammar School. A pupil of Thea King, Lawson was a member of the National Youth Orchestra of Great Britain during his teenage years. He subsequently read music at Keble College, Oxford. Postgraduate studies in music at the University of Birmingham saw Lawson awarded an MA in 1972 for his study of the clarinet in eighteenth-century repertoire. His pioneering doctoral research into the chalumeau was completed at the University of Aberdeen in 1976. In 2000, in recognition of his work across theory and practice, Lawson received a DMus from the University of London. In 2015, celebrating Lawson's pre-eminence in performance studies, the University of Sheffield awarded him an HonDMus. Following academic positions in Aberdeen and Sheffield, Lawson was appointed to the Chair of Performance Studies at Goldsmiths, Uni ...
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