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Discography Of Bach's Magnificat
Performances of Johann Sebastian Bach's Magnificat come in three formats: # D major version, BWV 243 with the twelve movements of that version; # D major version, with the Christmas interpolations from the earlier version BWV 243a transposed and inserted after movements 2, 5, 7 and 9. # E flat major version, BWV 243a. The difference with the previous format is not only the key signature, there are also differences in orchestration, e.g. in the earlier version flutes are not part of the tutti, so do not play in the choral movements 1, 7 and 12, and a trumpet solo in movement 10 instead of the later unison oboes. Other differences are minor, but there is for instance a slightly harsher harmony near the end of movement 4 in the earlier version. Versions of Bach's Magnificat The extant autographs of Bach's Magnificat show three versions of his Magnificat: * E major version without Christmas interpolations, which is how it was probably first performed, at least the autograph of the E ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Barry McDaniel
Barry McDaniel (October 18, 1930 – June 18, 2018) was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and festivals, and created roles in several new operas, including Henze's ''Der junge Lord'', Nabokov's ''Love's Labour's Lost'', and Reimann's ''Melusine''. He was also a celebrated concert singer and recitalist, focused on German ''Lied'' and French ''mélodie''. He was the first singer of Wilhelm Killmayer's song cycle '' Tre Canti di Leopardi''. He recorded both operatic and concert repertory. Career McDaniel was born in Lyndon, Kansas, to musical parents who soon became aware of his talent. From the age of nine he took systematic lessons in singing, piano and percussion and enjoyed considerable local popularity as a boy soprano soloist in churches and private concerts. When his voice changed from soprano to baritone, he studied voice first ...
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Gundula Bernàt-Klein
Gundula Bernàt-Klein is a German soprano. She is noted for her Bach recordings, such as BWV 243a and BWV 95. In 1967 she recorded with Harrad Wehruyng and Wilhelm Pommerien under conductor Wilhelm Ehmann Wilhelm Ehmann (5 December 1904 – 16 April 1989) was a German musicologist, editor, church musician and conductor. He founded the choir Westfälische Kantorei that toured internationally and made many recordings. He was a cofounder and director o ... at Petrikirche in Herford, Germany. References German sopranos Bach singers Living people Year of birth missing (living people) Place of birth missing (living people) {{Germany-singer-stub ...
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Michael Schopper
Michael Schopper (born 28 May 1942) is a German bass-baritone in opera and concert, and an academic teacher. Michael Schopper was educated with the Regensburger Domspatzen and studied on a scholarship of the Studienstiftung des deutschen Volkes church music and voice at the Hochschule für Musik und Theater München. He won a first prize of the ARD International Music Competition in 1968, which resulted in an international career. His operatic parts have included Osmin in Mozart's ''Die Entführung aus dem Serail'', Ochs in ''Der Rosenkavalier'' by Richard Strauss, and the Wagner parts Sachs in '' Die Meistersinger von Nürnberg'', Daland in Der fliegende Holländer, and Wotan in ''Der Ring des Nibelungen. He turned more to Lied and oratorio, with a focus on historically informed performances conducted by Philippe Herreweghe, Ton Koopman and Gustav Leonhardt, among others. On 23 June 1990 he was a soloist in the premiere of Wilfried Hiller's oratorio ''Schulamit'' at the fe ...
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Adalbert Kraus
Adalbert Kraus (born 27 April 1937 in Aschaffenburg) is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach. Career Adalbert Kraus first graduated in German studies, theology, and philosophy and in 1967, began to study voice at the Hochschule für Musik Würzburg with Henriette Klink-Schneider.Adalbert Kraus
on the bach-cantatas website
He was a at the from 1970 to 1974. His roles included Andres in Berg's ''

Hildegard Laurich
Hildegard Laurich (15 January 1941 – 11 February 2009), was a German classical contralto singer. Professional career Born in Halle, Laurich studied at the Hochschule für Musik Detmold, in Berlin with Hermann Weissenborn, and in private study with Professor Frederick Husler in Cureglia

She sang mostly in concert, particularly in works of . In 1974 she sang the alto part in Bach's ''

Hedy Graf
Hedy Graf (12 October 1926 – 31 January 1997) was a Spanish-born Swiss classically trained soprano. She traveled widely throughout Switzerland and Germany. Her concert repertory focused on both Baroque and contemporary music, including premières of oratorios. Career Hedy Graf was born on 12 October 1926 in Barcelona. From 1949 to 1952, she studied both privately with Regine Salomon of Zürich and at the Conservatory of Zürich. In 1952, she studied in London with Roy Henderson and completed her training with Sylvia Gaehwiller in Zürich. Beginning in 1955, Graf performed in Switzerland and Germany a broad repertory of oratorios and sacred vocal works. She sang compositions by Bach, Beethoven, Bruckner, Handel, Haydn, and Mozart, as well as contemporary music by composers such as Willy Burkhard, Paul Hindemith, Frank Martin, Othmar Schoeck, Arnold Schoenberg, and Igor Stravinsky. Graf participated in the première of works including in 1965 presentations in Zürich and Basel ...
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Vox Records
Vox Records is a budget classical record label. The name is Latin for "voice." Some Vox releases such as Peter Frankl's Debussy Piano Works and György Sándor's Complete Prokofiev Sonatas were reissued in premium vinyl boxsets by the audiophile German FSM Records Hamburg. The Brendel Complete Beethoven Sonatas has been remastered from the original tapes to SACD and for HD downloads. History Vox was founded in 1945 in New York by George Mendelssohn-Bartholdy, a Hungarian Jewish immigrant. Starting out with 78-rpm discs, it specialized in licensed pressings of European classical recordings. It was one of the last major recording companies to adopt stereo recording, about 1957. The company's output featured the "Vox Box", compilations of music by specific composers, such as piano music of Chopin, Tchaikovsky, and Ravel; the complete symphonies and orchestral music of Rachmaninoff; rarely heard orchestral music by Tchaikovsky, Massenet, and Rimsky-Korsakov; the complet ...
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Erich Wenk
Erich Wenk (12 August 1923 – 30 March 2012) was a German bass-baritone singer in opera and especially in concert. He was a professor of voice at the . Career Wenk was born in . In 1957 he performed the by Johannes Brahms on a tour through Germany with Erna Berger, Gertrude Pitzinger and Walther Ludwig. He recorded the part of Don Fernando in Beethoven's ''Fidelio'' for the NDR, conducted by , with Gladys Kuchta and Julius Patzak in leading roles. In 1960, he sang the part of nobleman from Genova in a recording of Franz Schreker's ''Die Gezeichneten'' of the NDR, with Thomas Stewart and Evelyn Lear in leading roles, conducted by Winfried Zillig. In 1967, he recorded Georg Philipp Telemann's '' Pimpinone'' with the Bach-Collegium Stuttgart, alongside Yvonne Ciannella. Wenk appeared in oratorios such as Haydn's and ''Ein Deutsches Requiem'' by Brahms, performed by the and the in 1959, conducted by Mattias Büchel. In 1967 he sang in Frank Martin's , in 1968 in Bach's ...
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Kurt Equiluz
Kurt Equiluz (13 June 1929 – 20 June 2022) was an Austrian classical tenor in opera and concert. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's ''Die Entführung aus dem Serail''. He appeared regularly at the Salzburg Festival, including world premieres such as Rolf Liebermann's ''Penelope'' in 1954. He recorded works by Johann Sebastian Bach with conductors such as Michel Corboz, Helmuth Rilling and Charles de Wolff, and prominently as the Evangelist in the first recording of Bach's ''St John Passion'' on period instruments with the Concentus Musicus Wien in 1965, conducted by Nikolaus Harnoncourt. Career Equiluz was born in Vienna on 13 June 1929. He was a member of the Wiener Sängerknaben, performing as an alto soloist. From 1944 to 1950, he studied music theory, harp and singing at the Austrian State Academy for Music and Art in Vienna, singing with Adolf Vogel. He was a member of the W ...
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Hildegard Rütgers
Hildegard Rütgers (born 1930) is a German classical contralto singer in opera and concert. She began her training with Hermann Weißenborn in Berlin, then studied briefly in Italy and then with Hilde Wesselmann at the Folkwangschule in Essen. At the university level, she took courses in music science at both the University of Cologne and the Free University of Berlin. Rütgers joined the Städtische Oper Berlin as a contralto from 1957 to 1959, specializing also in oratorio performances, and then worked with the Hamburg State Opera and at the Opera house of Essen until 1963. Between 1963 and 1965 she performed at the Salzburg Festival, the part of ''Die Vertraute'' (Her confidante) in a production of '' Elektra'' by Richard Strauss, conducted by Herbert von Karajan, alongside Astrid Varnay in the title role, and Martha Mödl, Hildegard Hillebrecht, James King and Eberhard Waechter in leading parts. The production of Mozart's ''Die Zauberflöte'' at the Salzburg Festival, with ...
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