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Discobolus
The ''Discobolus'' of Myron ("discus thrower", el, Δισκοβόλος, ''Diskobólos'') is an Ancient Greek sculpture completed at the start of the Classical period at around 460–450 BC. The sculpture depicts a youthful male athlete throwing a discus. The bronze Greek original is lost. The work is known through its numerous Roman copies, both full-scale ones in marble, which is cheaper than bronze,Woodford, Susan. (1982) ''The Art of Greece and Rome''. Cambridge: Cambridge University Press, p. 16. such as the first to be recovered, the ''Palombara Discobolus'', and smaller scaled versions in bronze. The discus thrower is depicted as about to release his throw: "by sheer intelligence", Kenneth Clark observed in ''The Nude'', "Myron has created the enduring pattern of athletic energy. He has taken a moment of action so transitory that students of athletics still debate if it is feasible, and he has given it the completeness of a cameo." Clark, Kenneth. (2010) ''The Nude: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discobolus Red Figure Louvre G292 Full
The ''Discobolus'' of Myron ("discus thrower", el, Δισκοβόλος, ''Diskobólos'') is an Ancient Greek sculpture completed at the start of the Classical period at around 460–450 BC. The sculpture depicts a youthful male athlete throwing a discus. The bronze Greek original is lost. The work is known through its numerous Roman copies, both full-scale ones in marble, which is cheaper than bronze,Woodford, Susan. (1982) ''The Art of Greece and Rome''. Cambridge: Cambridge University Press, p. 16. such as the first to be recovered, the ''Palombara Discobolus'', and smaller scaled versions in bronze. The discus thrower is depicted as about to release his throw: "by sheer intelligence", Kenneth Clark observed in ''The Nude'', "Myron has created the enduring pattern of athletic energy. He has taken a moment of action so transitory that students of athletics still debate if it is feasible, and he has given it the completeness of a cameo." Clark, Kenneth. (2010) ''The Nude: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discobolus In National Roman Museum Palazzo Massimo Alle Terme
The ''Discobolus'' of Myron ("discus thrower", el, Δισκοβόλος, ''Diskobólos'') is an Ancient Greek sculpture completed at the start of the Classical period at around 460–450 BC. The sculpture depicts a youthful male athlete throwing a discus. The bronze Greek original is lost. The work is known through its numerous Roman copies, both full-scale ones in marble, which is cheaper than bronze,Woodford, Susan. (1982) ''The Art of Greece and Rome''. Cambridge: Cambridge University Press, p. 16. such as the first to be recovered, the ''Palombara Discobolus'', and smaller scaled versions in bronze. The discus thrower is depicted as about to release his throw: "by sheer intelligence", Kenneth Clark observed in ''The Nude'', "Myron has created the enduring pattern of athletic energy. He has taken a moment of action so transitory that students of athletics still debate if it is feasible, and he has given it the completeness of a cameo." Clark, Kenneth. (2010) ''The Nude: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discus Thrower
The discus throw (), also known as disc throw, is a track and field event in which an athlete throws a heavy disc—called a discus—in an attempt to mark a farther distance than their competitors. It is an ancient sport, as demonstrated by the fifth-century-BC Myron statue ''Discobolus''. Although not part of the current pentathlon, it was one of the events of the ancient Greek pentathlon, which can be dated back to at least 708 BC, and it is part of the modern decathlon. History The sport of throwing the discus traces back to it being an event in the original Olympic Games of Ancient Greece. The discus as a sport was resurrected in Magdeburg, Germany, by gymnastics teacher Christian Georg Kohlrausch and his students in the 1870s. Organized men's competition was resumed in the late 19th century, and has been a part of the modern Summer Olympic Games since the first modern competition, the 1896 Summer Olympics. Images of discus throwers figured prominently in advertisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myron
Myron of Eleutherae ( grc, Μύρων, ''Myrōn'' ), working c. 480–440 BC, was an Athenian sculptor from the mid-5th century BC. He was born in Eleutherae on the borders of Boeotia and Attica. According to Pliny's '' Natural History'', Ageladas of Argos was his teacher. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Reputation Myron worked almost exclusively in bronze and his fame rested principally upon his representations of athletes (including his iconic ''Diskobolos''), in which he made a revolution, according to commentators in Antiquity, by introducing greater boldness of pose and a more perfect rhythm, subordinating the parts to the whole. Pliny's remark that Myron's works were ''numerosior'' than those of Polycleitus and "more diligent" seem to suggest that they were considered more harmonious in proportions (''numeri'') and at the same time more convincing in realism: ''dilige ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discophoros
The ''Discophoros'', also spelled ''Discophorus'' (Greek – " Discus-Bearer"), was a bronze sculpture by the classical Greek sculptor Polyclitus, creator of the ''Doryphoros'' and ''Diadumenos'', and its many Roman marble copies. (It is not, however, to be confused with ''Discobolus'' of Myron, which shows a discus being thrown, not carried.) Like the ''Doryphoros'' and ''Diadumenos'', it was created as an example of Polyclitus's "canon" of the ideal human form in sculpture. It features a young, muscular, solidly-built athlete in a moment of thought before throwing a discus. Most marble copies feature the addition of a marble tree stump – marble is weaker but heavier than bronze- as the stump is needed for support. These copies are also often missing their arms, which are often restored. A variant is at the Louvre Museum. See also * ''Discobolus The ''Discobolus'' of Myron ("discus thrower", el, Δισκοβόλος, ''Diskobólos'') is an Ancient Greek sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esquiline Hill
The Esquiline Hill (; la, Collis Esquilinus; it, Esquilino ) is one of the Seven Hills of Rome. Its southernmost cusp is the ''Oppius'' ( Oppian Hill). Etymology The origin of the name ''Esquiline'' is still under much debate. One view is that the hill was named after the abundance of ( Italian oaks) growing there. Another view is that, during Rome's infancy, the Capitolium, the Palatinum, and the northern fringes of the Caelian were the most-populated areas of the city, whose inhabitants were considered ("in-towners"); those who inhabited the external regions – Aurelian, Oppius, Cispius, Fagutal – were considered ("suburbanites"). History The Esquiline Hill includes three prominent spurs, which are sometimes called "hills" as well: *Cispian (''Cispius'') – northern spur * Oppian (''Oppius'') – southern spur *Fagutal (''Fagutalis'') – western spur Rising above the valley in which was later built the Colosseum, the Esquiline was a fashionable residential d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadrian's Villa
Hadrian's Villa ( it, Villa Adriana) is a UNESCO World Heritage Site comprising the ruins and archaeological remains of a large villa complex built c. AD 120 by Roman Emperor Hadrian at Tivoli outside Rome. The site is owned by the Republic of Italy and has been managed since 2014 by the Polo Museale del Lazio. History The villa was constructed at Tibur (modern-day Tivoli) as a retreat from Rome for Emperor Hadrian during the second and third decades of the 2nd century AD. Hadrian is said to have disliked the palace on the Palatine Hill in Rome, leading to the construction of the retreat. It was traditional for the Roman emperor to have constructed a villa as a place to relax from everyday life. Previous emperors and Romans with wealth, such as Trajan, had also constructed villas. Many villas were also self-sustaining with small farms and did not need to import food.. Though emperors’ villas were supposed to be a place of rest and leisure, there is some evidence of Had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Bottai
Giuseppe Bottai (3 September 1895 – 9 January 1959) was an Italian journalist, and member of the National Fascist Party of Benito Mussolini. Early life Born in Rome, Giuseppe was son of Luigi, a wine dealer with republican sympathies, and Elena Cortesia. He graduated at '' Liceo Torquato Tasso'' and attended the Sapienza University of Rome until the 1915, when Italy declared war to the Central Powers. The same year, he left his studies to enlist himself in the Italian Royal Army. Wounded in battle, he obtained a Medal of Military Valor after World War I. In 1919, Bottai met Benito Mussolini during a Futurist meeting and contributed to establish the ''Fasci Italiani di Combattimento'' ("Italian Fasces of Combat"). In 1921, Bottai ended his studies at law faculty and became a freemason, member of the '' Gran Loggia d'Italia''. At the same time he also started a journalist career in the ''Il Popolo d'Italia'', the newspaper of the recently founded National Fascist Party. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galeazzo Ciano
Gian Galeazzo Ciano, 2nd Count of Cortellazzo and Buccari ( , ; 18 March 1903 – 11 January 1944) was an Italian diplomat and politician who served as Foreign Minister in the government of his father-in-law, Benito Mussolini, from 1936 until 1943. During this period, he was widely seen as Mussolini's most probable successor as head of government. He was the son of Admiral Costanzo Ciano, a founding member of the National Fascist Party; father and son both took part in Mussolini's March on Rome in 1922. Ciano saw action in the Italo-Ethiopian War (1935–36) and was appointed Foreign Minister on his return. Following a series of Axis defeats in the Second World War, Ciano began pushing for Italy's exit, and he was dismissed from his post as a result. He then served as ambassador to the Vatican. In July 1943, Ciano was among the members of the Grand Council of Fascism that forced Mussolini's ousting and subsequent arrest. Ciano proceeded to flee to Germany but was arrested and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naukydes Of Argos
Naukydes of Argos (4th century BCE) was a Greek sculptor from Argos. Taught under Polykleitos, he created a statue of gold and ivory of Hebe for the temple of Hera in Argos; also, statues of Hecate, Hermes, of the poet Erinna, and Phrixus. The discobolus of Naukydes was identified by Ennio Quirino Visconti, as mentioned by Pliny (Haskell and Penny 1981:200). He eventually became teacher to Polykleitos the Younger, son of his old teacher. External linksAnswers for Naukydesat Answers.com Answers.com, formerly known as WikiAnswers, is an Internet-based knowledge exchange. The Answers.com domain name was purchased by entrepreneurs Bill Gross and Henrik Jones at idealab in 1996. The domain name was acquired by NetShepard and sub ... 4th-century BC Greek sculptors Ancient Argives {{Greece-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Visconti
Giovanni Battista Visconti or Giovanni Battista Antonio Visconti (17222 September 1784) was an Italian archaeologist and museum curator. Biography Giovanni Battista Visconti was born in 1722. After the murder of Johann Joachim Winckelmann in 1768, Visconti succeeded him as the Papal States' Superintendent of Antiquities (Commissario delle Antichita), a post which he retained until his death in 1784. His main task was to reorganise and secure new acquisitions for the Vatican Museums and he became the first curator of the Museo Pio-Clementino, commissioning its neoclassical form. He also controlled the granting of export-licences to archaeologists and dealers throughout the Papal States - such as Gavin Hamilton and Thomas Jenkins. A first volume of his catalogue of the Vatican collections appeared under his name in 1782; which was continued after his death by his son, Ennio Quirino Visconti. In his old age he was helped by both his sons, Ennio Quirino Visconti Ennio Quirino V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyptothek
The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I of Bavaria, Ludwig I to house his collection of Ancient Greek art, Greek and Roman art, Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphein'' "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical architecture, neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal. History The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I of Bavaria alongside other projects, such as the neighboring Königsplatz, Munich, Königsplatz and the building which houses the Staatliche Antikensammlungen, State Collection of Greek and Roman Antiquities, as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The Glyptothek is M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
