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Dime Que Me Quieres
"Dime Que Me Quieres" ( en, Tell Me That You Love Me) is the second single from the album Me Gusta Todo de Ti by Banda El Recodo. Music video The music video starts by showing a woman in a bikini. Then the main singer of the band applies for a job as a pool boy. He also writes a letter to the woman in the bikini. The band is also playing in a different part of the house. The singer is a waiter at a restaurant where he is well known. He is shown walking and singing in an alley. The other pool boy gives her the letter written by the singer. As the woman reads the letter written for her, she looks displeased and worried. There is another man that wants the woman and the father approves of this. The singer is seen walking to the woman's house but is disappointed to see the woman with the other man. He leaves and walks down the same alley, where he was before, when a car pulls up and friends greet him and he gets in. The song ends, but shows that it is to be continued. Tito El Bambi ...
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Banda El Recodo
Banda Sinaloense El Recodo de Cruz Lizárraga, often referred to simply as Banda El Recodo, is a Mexican banda formed in Mazatlán, Sinaloa in 1938; it has been under the direction of the Lizárraga family. Banda El Recodo has recorded with popular artists such as José Alfredo Jiménez and Juan Gabriel. The ensemble consists of four clarinets, three trumpets, a tambora, a snare drum set with cowbells & cymbals, a sousaphone, three trombones, two tenor horns (referred to as saxores, amonias or charchetas in Mexico), and two vocalists. History Banda El Recodo was founded by Cruz Lizárraga, a young musician who also gave it its current appearance, including the setting, style, shape and number of current members that associated it with the place of their origin, the State of Sinaloa on the Mexican Pacific. El Recodo was named after the town Lizárraga was born in. In 1989, Banda El Recodo officially incorporated a vocalist into their line-up. Prior to this year, Banda El Re ...
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Me Gusta Todo De Ti
''Me Gusta Todo de Ti'' (''I Like Everything About You'') is the title of a studio album released by Mexican group Banda El Recodo on 1 December 2009. This album includes the ''Billboard'' Top Latin Songs number-one single of the same name. It was released to celebrate the 70th anniversary of the band formation and comprises twelve tracks with different rhythms, such as ballads, charangas, corridos, cumbias and rancheras; a DVD was also recorded to illustrate the band history. Track listing The information from Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas .... Charts Weekly charts Year-end charts Sales and certifications References {{Authority control 2009 albums Banda el Recodo albums Spanish-language albums Fonovisa Records albums Latin ...
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Banda (music)
Banda is a genre of Regional Mexican music and type of ensemble in which wind (mostly brass) and percussion instruments are performed. The history of banda music in Mexico dates from the middle of the 19th century with the arrival of piston brass instruments, when community musicians tried to imitate military bands. The first bandas were formed in Southern and Central Mexico. Many types of bandas exist in different territories and villages, playing traditional or modern music, organized privately or municipally. Traditional ensembles Brass instruments in the state of Oaxaca that date back to the 1850s have been found. The repertoire of the bands of Morelos, Guerrero, Oaxaca, Chiapas and Michoacán covered ''gustos'', ''sones'', ''vinuetes'', ''funeral pieces'', ''marches'', ''danzones'', ''valses'', ''corridos'', ''paso dobles'', ''polkas'', ''rancheras'', ''alabanzas'', and ''foxes''. Traditional bands that play Yucatecan Jarana are instrumented with clarinet, tenor saxoph ...
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Te Pido Perdón
"Te Pido Perdón" (English: "I Beg For Pardon" or "I Ask for Forgiveness") is the second single by reggaeton artist Tito El Bambino Efraín David Fines Nevares (born October 5, 1981) known professionally as Tito "El Bambino" is a Puerto Rican singer and songwriter who rose to fame as part of the duo Héctor & Tito. In 2010, his song, " El Amor", written with Joan Ortiz Esp ... from the special edition of his third studio album '' El Patrón''. The Banda version of this song can be found on Banda El Recodo's album Las Numero Uno. Track listing ;US CD single #Te Pido Perdón (Album Version) - 2:50 #Te Pido Perdón (Instrumental) - 2:50 ;Official Remixes #Te Pido Perdón eaturing Víctor Manuelle">Víctor_Manuelle.html" ;"title="eaturing Víctor Manuelle">eaturing Víctor Manuelle- 2:50 #Te Pido Perdón (Banda Version)[featuring Banda El Recodo] - 2:52 from the Greatest hits Album of Banda El Recodo: Las Numero Uno Charts References {{DEFAULTSORT:Te Pido Perdon 201 ...
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Llueve El Amor
"Llueve el amor" (English: "It Rains Love") is a song by Puerto Rican singer and songwriter Tito El Bambino. It was released as the first single on November 26, 2010, from the album, '' El Patrón: Invencible'' (2011). The banda version of the song is also in his album which features Banda el Recodo. The theme was used for the opening sequence of the telenovela ''Eva Luna''. Music video The music video for "Llueve el Amor" was directed by Gustavo Camacho and was filmed in Aspen, Colorado, New Orleans, Louisiana and Bogotá and Cartagena in Colombia.(Posted: February 8, 2011"Tito El Bambino lanza nuevo álbum 'Invencible'".(In Spanish). Terra Networks Mexico, S.A. de C.V. Retrieved February 13, 2011. Track listing ;Digital download #"Llueve El Amor" – 3:56 Official versions *"Llueve el Amor" riginal version– featuring Lucero *"Llueve el Amor" anda version– featuring Banda el Recodo *"Llueve el Amor" alsa version ALSA or alsa can refer to: * Advanced Linux Sound Arch ...
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Tito El Bambino
Efraín David Fines Nevares (born October 5, 1981) known professionally as Tito "El Bambino" is a Puerto Rican singer and songwriter who rose to fame as part of the duo Héctor & Tito. In 2010, his song, " El Amor", written with Joan Ortiz Espada, was awarded Latin Song of the Year by the American Society of Composers, Authors and Publishers (ASCAP). He was awarded Songwriter of the Year at the 2011 ASCAP. Musical career 1996–2004: Héctor & Tito Tito and his partner released a number of hit songs in their native Puerto Rico, including "Amor de Colegio" (ft. Don Omar), "Felina", "Baila Morena" (ft. Glory), and "No Le Temas a Él", a song which not only raised their popularity, it helped raise popularity for the then up-and-coming Trebol Clan. After years of working together, they separated, but not before releasing a final album, ''Season Finale'', which featured some of their greatest hits. The duo broke up due to Tito's belief of disloyalty from Hector. Héctor & Tito r ...
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2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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